藏匿巨额宝藏的悍匪头目北山越狱成功，带领43名持枪匪徒酝酿大案。荒芜小镇上只有夏然等三位民警，三个警察一把枪vs疯批群匪的生死较量一触即发...

1995年，全面禁枪政策实施的前一年，弃镇忙崖的平静被打破。藏匿巨额宝藏的悍匪大哥北山（辛柏青 饰）越狱出逃，43名穷凶极恶的匪徒从四面八方齐聚于此，随大哥北山一道用武力封锁忙崖，整座小镇陷入了断油断通信的绝境！ 　　悍匪要钱也要命，忙崖枪声四起，巨大沙暴也即将席卷而来。“夜猫子”夏然（白客 饰）和另外两位民警面临着1把枪对阵88把枪的天崩开局，匪帮内部亦上演“黑吃黑”大戏。群匪环伺，风沙蔽日，命悬一线，如何破局？

1995年，全面禁枪政策实施的前一年，弃镇忙崖的平静被打破。藏匿巨额宝藏的悍匪大哥北山（辛柏青 饰）越狱出逃，43名穷凶极恶的匪徒从四面八方齐聚于此，随大哥北山一道用武力封锁忙崖，整座小镇陷入了断油断通信的绝境！ 悍匪要钱也要命，忙崖枪声四起，巨大沙暴也即将席卷而来。“夜猫子”夏然（白客 饰）和另外两位民警面临着1把枪对阵88把枪的天崩开局，匪帮内部亦上演“黑吃黑”大戏。群匪环伺，风沙蔽日，命悬一线，如何破局？

This mystical short film has a narrator telling us about a "strange philanthropical secret society" that has been in existence for seven years at a certain building. Its members, Philokinetes, devote their energy and money to studying and promoting a fragment of film they call 'The Film to Come'. The fragment runs for twenty-three seconds and is in a loop. Thus projected, it can last for hours, days, even years. Apparently, after viewing this fragment one can become somewhat enlightened, and in a deep hypnotic state, brought about by over-repetition of the revealing fragment. As the narrator says: "Once you reach this state, you can see, so they say." The next section of the film is a watershed: for the narrator is now a different voice and telling us that the fragment has been stolen and the Philokinetes were now in a deep identity crisis. There is a large book of apocryphal wisdom shown called 'Double Book of the Dancing Mysteries' that the sect read. Knowledge derived from this book of "mumbo-jumbo and untruths" leads the Philokinetes to believe that cinema had a life independent to humans. Cinema, they said, is "the primeval soup of a new life form. Therefrom were to emerge pure screening creatures, or non topical beings. Vast sets of loops, from which everyone would own a short endless return to self." Later the Philokinetes claim that the lost fragment was found by the narrator's daughter, an event which sparks off feasts and banquets which lasted for weeks. The narrator's voice changes again as he dies whilst overlooking two priests undergoing a solemn leafing through the Double Book, after they have took a vow of illiteracy. The narrator's soul has now run away to a cinema, but more importantly, it had become a part of the fragment entitled The Film to Come. 　　Shot mainly in black and white, Ruiz's familiar shooting style and camera angles are evident in his esoteric and interesting nine minute film.

This mystical short film has a narrator telling us about a "strange philanthropical secret society" that has been in existence for seven years at a certain building. Its members, Philokinetes, devote their energy and money to studying and promoting a fragment of film they call 'The Film to Come'. The fragment runs for twenty-three seconds and is in a loop. Thus projected, it can last for hours, days, even years. Apparently, after viewing this fragment one can become somewhat enlightened, and in a deep hypnotic state, brought about by over-repetition of the revealing fragment. As the narrator says: "Once you reach this state, you can see, so they say." The next section of the film is a watershed: for the narrator is now a different voice and telling us that the fragment has been stolen and the Philokinetes were now in a deep identity crisis. There is a large book of apocryphal wisdom shown called 'Double Book of the Dancing Mysteries' that the sect read. Knowledge derived from this book of "mumbo-jumbo and untruths" leads the Philokinetes to believe that cinema had a life independent to humans. Cinema, they said, is "the primeval soup of a new life form. Therefrom were to emerge pure screening creatures, or non topical beings. Vast sets of loops, from which everyone would own a short endless return to self." Later the Philokinetes claim that the lost fragment was found by the narrator's daughter, an event which sparks off feasts and banquets which lasted for weeks. The narrator's voice changes again as he dies whilst overlooking two priests undergoing a solemn leafing through the Double Book, after they have took a vow of illiteracy. The narrator's soul has now run away to a cinema, but more importantly, it had become a part of the fragment entitled The Film to Come. 　　Shot mainly in black and white, Ruiz's familiar shooting style and camera angles are evident in his esoteric and interesting nine minute film.

一家银行遭到了劫持，一个吸毒成性的谈判专家迈克尔·约翰逊（迈克尔·加·怀特 Michael Jai White 饰）负责谈判，而绑匪正是他的哥哥（奎顿·杰克逊 Quinton 'Rampage' Jackson 饰）。他无心谈判，一心想要逃走并且在此过程中也不断的羞辱着迈克尔。

全球变暖、清洁能源的呼声响遍全球。人人都振臂高呼要求绿色能源，政府纷纷设立法案，同企业合作推进绿色能源。这出美妙的进行曲，在加拿大安大略却无法继续演奏下去。安大略政府开发风能项目，风车遍布郊野，风起时，电力源源不断输入家家户户。谁能想到，风起时旋转的风车会有弊害？安大略郊区的农民生活在这种弊害中，低频噪声的骚扰、电网间泄露的强力电流迫害，当他们一个个病倒时，政府仍然拒绝关停项目。该如何是好，安大略人民会做温顺的绵羊吗？无数次闭门羹后，他们是在沉默中爆发还是灭亡？走进大风，探寻风力发电的真相...

二十世纪八、九十年代的香港鱼龙混杂，匪黑猖獗，香港皇家警察当局决定组织一支“红粉特警”，两名红粉干警机智勇敢，屡破大案，威震江湖。然而天有不测风云，在一次争执之中，杜尹玲的佩枪，辗转落入黑帮之手。闻讯后，局长大怒，责令四十八小时破案，在失枪的四十八小时里，杜为找回枪，疲于奔命，勇闯毒龙潭，受尽折磨。在关键时刻，她处处展现了一个警察应俱备的刑警本色…… 　　警方感到案情严重，发起了一场代号为“都市风暴”的飓风营救行动。香港皇家警察的精锐之一的飞虎队，训练特殊，纪律严明，处处展现了飞虎雄风，一时间，黑匪闻风丧胆，在一次行动中飞虎队成员李南独行独断，被勒令退队，可他为了显示自己的实力，不惜弃明投暗，与黑帮首领接触，并以飞虎队所学来本领训练黑帮，与警方进行势均力敌的火拼…… 　　在黑帮匪窟，杜尹玲与李南相识，在杜的感召下，李南决定不为虎作，二人密切配合，虎胆虹威，展开了一场紧张刺激的大火拼……

In Basque language the verb heldu has a polysemic meaning. It can be ‘to hold’, ‘to grow’ or ‘to arrive’. The declined form heltzear means ‘about to’ all of those things. San Sebastián in the year 2000. The Basque Conflict is active. As she writes a letter to her absent brother, Sara, a fifteen-year-old climber, trains for the most difficult climb of her life. 　　DIRECTOR’S STATEMENT 　　Adolescence, climbing and the Basque Conflict are simply part of my biography. In Heltzear I wanted to juxtapose those three layers, without forcing any closed meanings, to see the relations that grow between them. I wanted to make a physical and sensorial film, which moves upwards, perhaps to find a more peaceful and calmer time.