THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not. 　　This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show. 　　But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it. 　　There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect. 　　Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm. 　　Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film. 　　There are English subtitles, but they are no brighter than the script.

新加坡歌后李愛蓮（葉楓）攜妹李小蓮（張慧嫻）到香港發展，希望能夠得到富商許兆豐（喬宏）的介紹，在旗下的春風殿夜總會擔任歌手。晚上許兆豐於春風殿為李愛蓮接風，李愛蓮即席高歌一曲，博得全場讚賞；春風殿經理董獻章（高原）見機不可失，答應與她簽約。替李愛蓮伴奏的樂隊領班陶正聲（雷震），對李愛蓮的艷色與歌藝一見傾心，忍不住回家對姊姊陶海音（李湄）提起李愛蓮加盟之事。陶海音本為「香港歌后」，更與許兆豐相戀多年，今見李愛蓮來勢洶洶，既擔心事業受到威脅，又疑心愛人移情別戀，遂決心與李愛蓮爭奪春風殿的演唱合同。 翌日二人分別到春風殿要求簽約，董獻章左右為難，情急智生下，決定同時聘請兩人以單雙日輪流表演，一個月後看成績再談續約。二人互不相讓，同時簽下合同。 簽約後二人毫不示弱，互出奇謀以求打倒對方。陶正聲深愛李愛蓮，只忙著為她伴奏，又介紹她跟唱片公司簽約，因此冷落陶海音。陶海音既不滿弟弟偏心，又妒恨李愛蓮處處爭先，於是出奇制勝，搶在李愛蓮前面於電視節目表演。李愛蓮以為陶正聲從中作梗，對他冷言相向。 陶正聲不滿陶海音的爭勝好強，一氣之下決定不再與姊姊合作，並且離家出走，姊弟關係面臨決裂……

该片根据好莱坞影片《圆谎记》改编。新婚的周洁（陈云裳饰）听到新郎沈剑心（徐立饰）飞机失事后，以大部分家产，从名交际花陆曼丽（白光饰）处，换回丈夫偶然不自觉所留下的儿子，亲自抚养。后剑心无恙归来，曼丽前来纠缠，并要挟带走儿子。男孩紧牵周洁衣襟啼哭，不愿离开，曼丽被感动，去远方另谋他就。剑心与周洁和儿子一家团聚。 　　主题曲《桃李争春》 陈昌寿（陈歌辛）曲 李隽青词

李秀英自幼孤苦，18 岁被以一头猪为彩礼远嫁，遭丈夫赵大伟打骂。一场大火致丈夫身亡、大女儿赵艳失踪，她毁容后带小儿子赵亮回大理扎染坊谋生。 赵亮受父亲影响自私自利，骗母亲卖房还借网贷，致李秀英无家可归。她欲投河时，被已是女富豪的赵艳救下 —— 赵艳当年躲水缸幸存，被收养后改名顾晗，成纺织大亨。 赵艳认回母亲，助她整容、还债。赵亮悔悟，加入母女开办的扎染工作室。她们传承扎染技艺，带动村子繁荣，李秀英也收获幸福。

著名纪录片导演亚当·柯蒂斯（Adam Curtis）用BBC过去四十年阿富汗及沙特阿拉伯的新闻素材整理而成的纪录片《苦湖》（Bitter Lake）在BBC网站上线，分析美国、俄国、英国、沙特阿拉伯及阿富汗之间的关系以及“ISIS”的兴起，一时成为大家的话题。

「ステップ」「虹色デイズ」などで助監督を務めた杉岡知哉が監督と脚本を担当した本作。これといった目標もなくなんとなく日々を送る主人公・吉原暁人は、ある日、高校時代密かに思いを寄せていた石川絵莉子と再会する。2人にとっての忌まわしい過去を清算するために、暁人はある計画を目論むのだった。井上が暁人を演じ、「ウルトラマンR／B」のサキ役で知られる木下彩音が絵莉子に扮する。

"Los tallos amargos" is a great example of film noir released out of USA. Following the tradition of classic Hollywood (the most brillant time in the history of cinema), this picture tell us the story of a poor journalist who, trying to make easy money, begins to work with an hungarian inmigrant. They start a fake journalism school and soon their pockets are full of dirty money. When the journalist begins to have suspects on your partner, the plot will become most than interesting. A perfect movie, a very good story. A picture that looks like any american film of that time.

導演兩年前拍攝過深水埗拾荒婆婆的故事，一次偶然的機會，她回到深水埗，再次拍攝橋底露宿者的生活。這趟，她一面陪著一位中年人走過人生最後的階段，一面反省拍攝者與被攝者複雜而微妙的關係。

"Los tallos amargos" is a great example of film noir released out of USA. Following the tradition of classic Hollywood (the most brillant time in the history of cinema), this picture tell us the story of a poor journalist who, trying to make easy money, begins to work with an hungarian inmigrant. They start a fake journalism school and soon their pockets are full of dirty money. When the journalist begins to have suspects on your partner, the plot will become most than interesting. A perfect movie, a very good story. A picture that looks like any american film of that time.