A short film about Dripp and ChoSkii of the Columbus, Mississippi group BmE composing and recording their latest composition, “Shiesty,” only to be interrupted by a John Cage score. 　　源自：https://www.berlinale.de/en/2023/programme/202305834.html

“Every morning before having breakfast, I pick up my newspaper, get the obituary section, and see if I’m listed,” says comedy legend Carl Reiner. “If I’m not, I’ll have my breakfast.” The 95-year-old wonders why some of his friends died years ago, while others are still thriving, asking, “Was it luck, genes, modern medicine or are we doing something right?” 　　If You’re Not in the Obit, Eat Breakfast celebrates the art of enjoying life after age 90, aided by a good dose of humor. Reiner’s nephew, George Shapiro (Seinfeld), produces and Danny Gold directs. 　　In this heartwarming documentary, Reiner tracks down such celebrated nonagenarians and centenarians as Mel Brooks, 90, Dick Van Dyke, 91, Norman Lear, 94, and Betty White, 95, who show that the later years can truly be the happiest and most rewarding. The film’s opening title song, “The Best Is Yet to Come,” is performed by Tony Bennett, 90, and the original song “Just Getting Started,” is co-written and performed by Alan Bergman, 90. 　　Others featured include comic book writer and publisher Stan Lee, the former president of Marvel, who’s still writing, producing and making cameo appearances in hit films at 94; Patricia Morison, 101, an actress and singer, and fashion icon Iris Apfel, 95. Actor Kirk Douglas, 100, chats with Reiner about the stroke that left him unable to speak and the subsequent one-man show he undertook, with his wife’s encouragement, to prove he could still function. 　　Also interviewed are Harriette Thompson, 93, the oldest woman to run and finish a marathon, Ida Keeling, 101, a track and field athlete, who works out for an hour every day, 98-year-old yoga teacher, Tao Porchon-Lynch, who marched with Gandhi and recently took up tango, and Jim “Pee Wee” Martin, 95, who fought in D-Day and still parachutes. 　　Admirers from the younger set featured in the documentary include comedian Jerry Seinfeld, who’s already reserved the stage at Caesars Palace for his 100th birthday show; longevity expert Dan Buettner, and Van Dyke’s much-younger wife, Arlene, who’s got all she can handle keeping up with her exuberant husband on the dance floor. 　　HBO Documentary Films presents a Shapiro/West Production in association with Gold Entertainment; original song “Just Getting Started” by Alan & Marilyn Bergman and Dave Grusin; edited by Michael Mayhew; executive produced by Aimee Hyatt and Howard West; written by Danny Gold and Michael Mayhew; produced by George Shapiro; produced and directed by Danny Gold.

“Every morning before having breakfast, I pick up my newspaper, get the obituary section, and see if I’m listed,” says comedy legend Carl Reiner. “If I’m not, I’ll have my breakfast.” The 95-year-old wonders why some of his friends died years ago, while others are still thriving, asking, “Was it luck, genes, modern medicine or are we doing something right?” 　　If You’re Not in the Obit, Eat Breakfast celebrates the art of enjoying life after age 90, aided by a good dose of humor. Reiner’s nephew, George Shapiro (Seinfeld), produces and Danny Gold directs. 　　In this heartwarming documentary, Reiner tracks down such celebrated nonagenarians and centenarians as Mel Brooks, 90, Dick Van Dyke, 91, Norman Lear, 94, and Betty White, 95, who show that the later years can truly be the happiest and most rewarding. The film’s opening title song, “The Best Is Yet to Come,” is performed by Tony Bennett, 90, and the original song “Just Getting Started,” is co-written and performed by Alan Bergman, 90. 　　Others featured include comic book writer and publisher Stan Lee, the former president of Marvel, who’s still writing, producing and making cameo appearances in hit films at 94; Patricia Morison, 101, an actress and singer, and fashion icon Iris Apfel, 95. Actor Kirk Douglas, 100, chats with Reiner about the stroke that left him unable to speak and the subsequent one-man show he undertook, with his wife’s encouragement, to prove he could still function. 　　Also interviewed are Harriette Thompson, 93, the oldest woman to run and finish a marathon, Ida Keeling, 101, a track and field athlete, who works out for an hour every day, 98-year-old yoga teacher, Tao Porchon-Lynch, who marched with Gandhi and recently took up tango, and Jim “Pee Wee” Martin, 95, who fought in D-Day and still parachutes. 　　Admirers from the younger set featured in the documentary include comedian Jerry Seinfeld, who’s already reserved the stage at Caesars Palace for his 100th birthday show; longevity expert Dan Buettner, and Van Dyke’s much-younger wife, Arlene, who’s got all she can handle keeping up with her exuberant husband on the dance floor. 　　HBO Documentary Films presents a Shapiro/West Production in association with Gold Entertainment; original song “Just Getting Started” by Alan & Marilyn Bergman and Dave Grusin; edited by Michael Mayhew; executive produced by Aimee Hyatt and Howard West; written by Danny Gold and Michael Mayhew; produced by George Shapiro; produced and directed by Danny Gold.

该剧讲述了一个电视节目制作人雷达阴差阳错拆散了许致的婚姻，之后便产生了剪不清理还乱关系的故事。

品酒师许致因丈夫出轨结束婚姻，知名电视人雷达机缘巧合帮鸟研所研究员许北洋——许致的父亲，惩治了前女婿，自己却对许致心生爱意。然而，本就因女儿婚事变得格外谨慎的许北洋对雷达展开了“残酷围剿”。与此同时，许北洋的二女儿许葳瞒着父亲和她那被父亲认为轻浮不成熟的男友王闯偷偷领了证，还搞出假怀孕的闹剧，这让许北洋大发雷霆，亲自监督二人备孕。从法国回国的外甥女许诺回来找男友，先是找了个比许北洋还大一岁的老头，之后又和纨绔富二代罗士雄谈婚论嫁。这一桩桩事让丧妻多年、本就不擅处理家务的许北洋焦头烂额。女儿们出嫁，让许北洋“醋意”十足、心疼不已。为了女儿们的幸福，许北洋严格把关择婿，想出各种刁钻办法考验三个女婿。雷达、王闯和罗士雄不堪其扰，组成女婿联盟对抗岳父。经过一番博弈，许北洋最终理解并接纳了三个女婿，翁婿之间达成和解。

修女卡特琳娜正在经历为期一个月的临时誓约期，某日在公园遇见一位男子——他捡到弃婴并托她送医。此后卡特琳娜频繁探望婴儿，甚至通过包裹婴儿的毛衣追查生母。线索指向41岁的洗衣店主埃内斯托：这个被父亲债务压垮的男人，颓丧到连员工姓名都记不清。婴儿生母可能是他曾经的雇员特蕾莎，而埃内斯托很可能是生父。此事动摇了卡特琳娜的修道誓约，也让埃内斯托意识到自己并非世上唯一的不幸者。

修女卡特琳娜正在经历为期一个月的临时誓约期，某日在公园遇见一位男子——他捡到弃婴并托她送医。此后卡特琳娜频繁探望婴儿，甚至通过包裹婴儿的毛衣追查生母。线索指向41岁的洗衣店主埃内斯托：这个被父亲债务压垮的男人，颓丧到连员工姓名都记不清。婴儿生母可能是他曾经的雇员特蕾莎，而埃内斯托很可能是生父。此事动摇了卡特琳娜的修道誓约，也让埃内斯托意识到自己并非世上唯一的不幸者。

尽管经济开始繁荣，一群社会边缘的底层青年人还是没办法找到工作，他们心起了创业的念头，买了一辆自卸卡车，做起自己的老板来。但不久就失败了，这雄心壮志的梦也随之败落。这是深作欣二又一部描写颓丧年轻人的作品，聚焦战后经济繁荣时愈发扩大的社会代沟。影片显示出法国新浪潮与黑色电影的混合风格，与马丁·西科塞斯的《残酷大街》颇有相似。