本剧根据太白文艺出版社出版小说《无声的回响》改编。 　　薄冰冻结的湖水，松树林没有监控的小路，一名男子拖拽六轮行李箱朝湖边走去。次日清晨，一具裸身女尸在市中心的湖边公园被人发现，桥城分局刑警队长马雪松抵达现场，寻找凶手留下的蛛丝马迹。会手语的被害人、鸟笼般的房子、特殊的房间、失踪的少女——一双看不见的手，正伸向无法发声的她们。重重迷雾中，被马雪松调查揭开的，是一段沉默无声的的残酷往事。

本剧根据太白文艺出版社出版小说《无声的回响》改编。 　　薄冰冻结的湖水，松树林没有监控的小路，一名男子拖拽六轮行李箱朝湖边走去。次日清晨，一具裸身女尸在市中心的湖边公园被人发现，桥城分局刑警队长马雪松抵达现场，寻找凶手留下的蛛丝马迹。会手语的被害人、鸟笼般的房子、特殊的房间、失踪的少女——一双看不见的手，正伸向无法发声的她们。重重迷雾中，被马雪松调查揭开的，是一段沉默无声的的残酷往事。

A man travels to the eastern coast of Korea carrying the ashes of his deceased wife. He hopes to scatter them in a place closer to her hometown, which lies near the demilitarized zone separating North from South Korea, but along his journey he becomes burdened with the deaths of two more women who cross his path. At the same time, a nurse attempts to escort the dying chairman of a business conglomerate to his hometown, which is also located just to the north or south of the DMZ. Pursued by henchmen of the chairman's son, a politician who wants to keep his father's journey out of the press, the nurse comes across the man carrying the metaphorical "three coffins."

3月18日，上海广播电视台纪录片中心百集城市更新微纪录片《申生不息》在徐家汇书院举办首发仪式。该片通过拍摄城市发展进程中100个真实的故事，从居住条件的改善、公共空间的重生与升级、历史传承与文化创新的共塑等多种角度切入，立体展现上海“以人民为本”的城市发展样本，记录传播上海城市更新的中国式现代化进程。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

刘亚仁将主演犯罪惊悚片[无声](소리도 없이，暂译)。影片由新人导演洪义正自编自导，描绘了两名男子离开犯罪组织后的生活突遭变故。该片预计7月正式开机…