改编自《Cosmopolitan》杂志2019年的一篇文章，讲述真人真事：一个被称为\"the Savant\"的女子渗透进网络上的仇恨团体，帮助制止大规模公开袭击事件。

哈斯·石酒的旅店是一个很特别的地方。如果你在繁忙的夜晚花点时间，伴着喧闹的欢笑声绕着满座的餐桌走上一圈，你就能听到不少关于令人筋疲力尽的旅行和刺激冒险的故事——当然，还有那些幸运的旅行者们找到了炉石旅店，这个他们最需要的地方的故事。 　　对于留宿在炉石旅店的各色人物来说，这里可不仅仅是翘着脚喝上一杯麦酒这么简单。这里满满的都是好客的气息，走过路过的旅客也分享着他们美好的旅行时光。在旅店里，你还可以随时随地得到意想不到的欢乐和竞争的刺激。 　　而且，似乎这个旅店总是在你需要它的时候出现，你总能找到它在哪！ 　　来看看《炉石传说》最新动画短片“炉石与家”，跟艾娃一起看看为什么说找到炉石就找到了家！

漂浮在日本海的孤岛、鸦濡羽岛。那里，有着因岛的主人赤神伊利亚而建成的宅邸。各个领域的天才们被邀请至岛上做客。但在某天早上，在宅邸中发现了一具被…

Gang of Four 　　Episode 1 of 4 　　Duration: 1 hour 　　Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. 　　Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them. 　　------ 　　Painting outdoors 　　Episode 2 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. 　　This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. 　　Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang. 　　------ 　　Painting the People 　　Episode 3 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. 　　Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. 　　Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism 　　------ 　　Final Flourish 　　Episode 4 of 4 　　Duration: 1 hour 　　This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. 　　Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. 　　There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. 　　Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. 　　The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

Gang of Four 　　Episode 1 of 4 　　Duration: 1 hour 　　Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. 　　Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them. 　　------ 　　Painting outdoors 　　Episode 2 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. 　　This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. 　　Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang. 　　------ 　　Painting the People 　　Episode 3 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. 　　Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. 　　Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism 　　------ 　　Final Flourish 　　Episode 4 of 4 　　Duration: 1 hour 　　This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. 　　Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. 　　There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. 　　Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. 　　The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

Never was a world so completely turned upside down as with the arrival of the Impressionist School. Cezanne, Seurat and Manet all produced inspirational and at the time even controversial works which completely revolutionized thinking in the world of art.

云起http://www.mtime.com/my/gmzyq/　　奥利佛的父亲去世了，在父亲去世几个月之后，他遇见了谜一样的女人安娜，并与她坠入爱河。和新的爱情一起来的还有奥利佛对父亲的回忆，故事就从奥利弗的父亲75岁那一年向奥利弗宣布的两件事情开始。随着对父亲回忆愈发得彻底和深刻，奥利弗也开始认真考虑自己和安娜的关系。　　75岁那一年，老父亲哈尔告诉了自己的儿子两件事，第一，他患上了癌症，生命没有多少时间了；第二，他是个隐藏很深的同性恋，有个小男友，正在准备出柜。在结婚45年之后和疾病缠身之时，哈尔决定活出自己的“本色”，他抛弃了所有世俗的偏见和舆论，开始“挥霍”自己不多的时间和精力。　　起初奥利弗很是诧异，因为他从来没有想过自己的父亲是个同性恋，也没有想过自己的老父亲还有精力和时间去过年轻人的生活。他反感、郁闷、纠结。可是哈尔却在新的生活和爱情中乐得其所。哈尔的真诚赢得了儿子的尊敬，父子关系开始慢慢变得融洽。而奥利弗也渐渐从父亲身上学习到了自信、幽默和乐观的品质。　　可是好景不长，父亲离开了人世。奥利弗碰见了令他着迷的女人安娜。他将用从父亲身上学到的积极的态度去认真对待这一段感情。虽然在此之前，奥利弗有过无数的经验，但这一次奥利弗显然不是玩玩而已……

云起http://www.mtime.com/my/gmzyq/　　奥利佛的父亲去世了，在父亲去世几个月之后，他遇见了谜一样的女人安娜，并与她坠入爱河。和新的爱情一起来的还有奥利佛对父亲的回忆，故事就从奥利弗的父亲75岁那一年向奥利弗宣布的两件事情开始。随着对父亲回忆愈发得彻底和深刻，奥利弗也开始认真考虑自己和安娜的关系。　　75岁那一年，老父亲哈尔告诉了自己的儿子两件事，第一，他患上了癌症，生命没有多少时间了；第二，他是个隐藏很深的同性恋，有个小男友，正在准备出柜。在结婚45年之后和疾病缠身之时，哈尔决定活出自己的“本色”，他抛弃了所有世俗的偏见和舆论，开始“挥霍”自己不多的时间和精力。　　起初奥利弗很是诧异，因为他从来没有想过自己的父亲是个同性恋，也没有想过自己的老父亲还有精力和时间去过年轻人的生活。他反感、郁闷、纠结。可是哈尔却在新的生活和爱情中乐得其所。哈尔的真诚赢得了儿子的尊敬，父子关系开始慢慢变得融洽。而奥利弗也渐渐从父亲身上学习到了自信、幽默和乐观的品质。　　可是好景不长，父亲离开了人世。奥利弗碰见了令他着迷的女人安娜。他将用从父亲身上学到的积极的态度去认真对待这一段感情。虽然在此之前，奥利弗有过无数的经验，但这一次奥利弗显然不是玩玩而已……