宜家怎样在低价策略与环保形象之间达成平衡？每两秒就砍倒一棵树的背后，究竟付出了怎样的代价？让我们一同揭开这段鲜为人知的故事。

6 out of 7 people found the following comment useful. A brilliant and outragously funny satire of society, 7 December 1999 Author: Dave Joerg (joerd000@mail.zdv.uni-mainz.de) "Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original. Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name: "Flodders -Eine Familie zum knutschen" Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.

这是一部以喜剧的形式来调和台湾省籍矛盾的影片。 宜室宜家 - 获奖记录 第1届台湾电影金马奖(1962)　 金马奖-优等剧情片　 宗由 第1届台湾电影金马奖(1962)　 金马奖-最佳男配角奖　 矮仔财 第1届台湾电影金马奖(1962)　 金马奖-最佳黑白摄影奖　 华慧英

一个20多岁的女人几年来第一次回老家度假 她不仅遇到故人 而且还被迫处理未解决的感情

在经历了一场创伤性的失去之后，爱丽丝（Alice）离开城市，开始写作。某天，被一只蜜蜂持续的嗡鸣声吸引，她循声走入一片森林。被树木的呼吸与万物的脉动所环绕，内心的不安逐渐平息。在枝叶与寂静之间，她发现了一棵仿佛一直在等待她的树。 此后，她日复一日地回到那里，记录自己所见与所感——如泪般滴落的树脂，树皮与肌肤的相似，树与人的对应。在与树木渐进而近乎痴迷的对话中，爱丽丝发现了人类与自然之间那份静谧的对称——或许，也找到了一种让悲伤得以释放的方式。 After a traumatic loss, Alice retreats from the city and begins to write. One day, distracted by the persistent hum of a bee, she follows its sound into a nearby forest. Surrounded by the breath of the trees and the pulse of life around her, Alice’s restlessness begins to soften. There, among branches and silence, she discovers a tree that seems to have been waiting for her. Drawn back day after day, she writes about what she sees and feels — the resin that drips like tears, the parallels between bark and skin, trees and humans. Through a gradual but obsessive dialogue with the trees, Alice discovers the quiet symmetry between humanity and nature — and, perhaps, a way of setting grief free.

老吴和孙子小树在山村里经营着一家“特殊”的盲人影院，喜爱舞蹈的小树却一心想到城里去，直到意外地弄坏了放映机…面对老吴的离世与即将到来的拆迁…春天，小树正经历着他‘生长期’的最大变革…

Held up for 7 years before it was released, Far from the Trees seems like a perfect successor to Luis Bunuel's Land Without Bread. Like that earlier film, it is a kind of impressionistic travelogue that shows a Spain far from the beaten paths of the tourist resorts; not only poverty but the persistence of superstitions and occult beliefs captured by the film rebuke the image of a forward-looking, modern Spain that by the 60s was being promoted by the Franco regime. Esteva Grewe largely allows the images and juxtapositions to speak for themselves, giving the film a lyrical feeling that somewhat softens its social criticism - though obviously not enough for the censors. It is commonplace for students of Spanish and Latin American culture to speak of the "Black Legend", through which northern Europeans demonize the Spanish. In this documentary, Catalan filmmaker Jacinto Esteva Grewe does the job himself. Here, he attempts to show the dark side of Spanish life, especially its religious fanaticism and promotion of the idea that ritualistic cruelty is somehow noble. This film had major portions removed by Spanish censors before it was allowed to be shown, but the cuts are not thought to have improved (or detracted from) this mean-spirited diatribe.

IKEA is undoubtedly one of the world's most successful, enigmatic, and recognisable global brands. Last year nearly 800 million people in 49 countries visited its stores, which had a turnover of more than £30 billion. In a major new three-part series, our cameras explore the world of IKEA, from the design studios to factories and stores, for the very first time. Few companies can legitimately claim to shape the way we live today. Fewer still inspire a cult-like devotion in customers and employees alike. But IKEA is not like other companies. The famously secretive Swedish furniture retailer is guided by the principle of creating 'the better everyday life for the many people'. But what is the secret to its success? How does the machine of IKEA affect the people who work for it, and how does its ruthlessly efficient business model affect the world?

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美丽女孩清雅（李英雅 饰）从事着一份常人不太了解的职业——树木治疗师。她亲切和善，尤其喜欢花草树木，工作中也很用心地为植物处理各种各样的疾病。这一天，她接到一项任务，前去某高中为受感染的树治疗。在此期间，她偶遇一名颇有些神经质的青年，对方咄咄逼人的目光和极富深意的笑容令她的心底若有所动。而当她将手放在患病的树上之际，她竟然感知到一个陌生高中女孩的存在。在此之后，各种噩梦和诡异经历交替向清雅袭来，和善的笑容不再，代之以疲惫恐慌的神情。另一方面，神秘青年执着地逡巡在清雅附近，试图让她想起自己以及过去的事。 一切朝向不可预知的方向发展……