Nineteen people of varying age, race and sex gather in tight physical proximity, as a compact human mob, when without warning a gushing onslaught of water from both sides of the screen knocks them into one another and down to the ground.

Nineteen people of varying age, race and sex gather in tight physical proximity, as a compact human mob, when without warning a gushing onslaught of water from both sides of the screen knocks them into one another and down to the ground.

This is a brilliant surrealistic film. 　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. 　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. 　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. 　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. 　　So, the art falls apart

This is a brilliant surrealistic film. 　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. 　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. 　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. 　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. 　　So, the art falls apart

影片根据真实故事改编。1942年，二战正酣。1月16日，三名彼此陌生的士兵，驾驶美国海军的一架飞机，出发执行侦察任务。飞机燃油耗尽，不得不在南太平洋上迫降。三人没有食物，没有水，没有任何补给，只有一艘4英尺宽，8英尺长的黄色救生筏，让他们在危机四伏的海面上漂流。

Bao et sa grande s?ur prennent le train comme chaque jour. C'est toujours une aventure extraordinaire pour eux. Mais cette fois, tout est différent.

自学成才的瑞士导演弗雷德·拜利夫新作。影片改编自导演当社工时期的工作经历和真实事件，讲述在瑞士一家为青少年提供安全居所的机构里发生的故事。影片打破传统叙事结构，采取以人物为索引的碎片叙事，同时深入这些经历过暴力等创伤的女孩们如何战胜心魔的历程，让每个人物的形象都丰富饱满。影片荣获2021年柏林电影节新生代青年单元最佳影片奖。

自学成才的瑞士导演弗雷德·拜利夫新作。影片改编自导演当社工时期的工作经历和真实事件，讲述在瑞士一家为青少年提供安全居所的机构里发生的故事。影片打破传统叙事结构，采取以人物为索引的碎片叙事，同时深入这些经历过暴力等创伤的女孩们如何战胜心魔的历程，让每个人物的形象都丰富饱满。影片荣获2021年柏林电影节新生代青年单元最佳影片奖。

Traces events in the life of Carlo, from his christening in 1906, where his grandfather reminds his father that Carlo means "free man," to his 80th birthday party. The film principally explores his relationships with younger brother Guilio, with wife Beatrice, and with her sister Adriana, whom Carlo loved as a young man.