美剧《尊敬的法官大人》确定翻拍成韩剧。 　　原作改编自以色列剧《Kvodo》，是一部贯穿新奥尔良社会各阶层的政律惊悚剧。科兰斯顿饰演一名受人尊敬的法官，而其子卷入了一场充满欺骗与谎言的肇事逃逸案。 　　由《第3的魅力》，《Iris2》表明秀导演执导，预计2023年开机拍摄。

»Der Film erzählt vom Rhythmus des Lebens und der Lebensalter. Beschaulich-ruhige Bilder wechseln mit "visuell-schmerzhaften" Bildern (z.B. Selbst-Piercing). Mir ging es in dem Film nicht nur darum, die Motive bzw. die Motivation der Darsteller zu dokumentieren, sondern auch darum, diese Inhalte für den Zuschauer unmittelbar erlebbar zu machen. [...] 　　Mit dem Film ACHTUNG-Die Achtung versuche ich eine Spannung zu erzeugen, die nicht nur zwischen Schock/Sensation und Ruhe/Besinnung pendelt, sondern die es – im Kino wie im Leben – auch auszuhalten gilt.« (Michael Brynntrup)

我佛慈悲，普渡众生；万人信奉的缅甸高僧维拉图，弘扬的佛法却是顺我者生，逆我者亡。菩提树下修行出孽魔恶道，端坐权力祭坛，右手支颐高举和平公义，左手捏指挑起反伊斯兰仇恨，煽动种族清洗罗兴亚人。佛光昭昭下生灵涂炭，令番红花革命染上血色，昂山素姬的民主光环幻灭。始于《独裁者阿敏的自画像》（1974），续于《魔鬼大状》，施罗德终以「佛教恐怖面相」 的曼陀罗完成「邪恶轴心」三部曲。人在做，天在看， 无畏无惧以镜头直视邪恶本相：心若囚笼，苍生难渡。

A lonely traveler embarks on a journey to find relief for a hidden yearning. Her restless longing spreads around and forces fellow passengers to face their own desires and disappointments.

A lonely traveler embarks on a journey to find relief for a hidden yearning. Her restless longing spreads around and forces fellow passengers to face their own desires and disappointments.

这部半小时的动画电影取材自朱莉娅·唐纳森撰写、阿克塞尔·舍夫勒绘制插图的同名儿童画本，由著名动画片《咕噜牛》的原班人马制作，讲述了一个关于友情与亲情的魔幻故事。善良的女巫在旅途中遇到了行行色色的动物，她邀请它们住到她的扫帚上，这让一直伴随她的小猫倍感失落。这群动物最后从恐怖的红龙手中救回了女巫，而作为回报，她制作了一把新的扫帚，让每个动物都在扫帚上拥有自己的空间。

这部半小时的动画电影取材自朱莉娅·唐纳森撰写、阿克塞尔·舍夫勒绘制插图的同名儿童画本，由著名动画片《咕噜牛》的原班人马制作，讲述了一个关于友情与亲情的魔幻故事。善良的女巫在旅途中遇到了行行色色的动物，她邀请它们住到她的扫帚上，这让一直伴随她的小猫倍感失落。这群动物最后从恐怖的红龙手中救回了女巫，而作为回报，她制作了一把新的扫帚，让每个动物都在扫帚上拥有自己的空间。

本片改编自萨特的话剧，描写一个纽约妓女在开往美国南方的火车上，见证了参议员的儿子谋杀一个黑人。但为了争取上流社会的“尊敬”，她被迫了自己的黑人男友，在法庭上做了伪证，然而一切徒劳无功。

Trois-Rivières, 1930s. A woman separated from her husband for eleven years agrees to take him back into her home when her partner dies, but on the condition that she does not resume married life. Her husband brings with him the three little girls from his second marriage. Mrs. Lemay will become attached to the three children, but life together with her husband will be more and more difficult. Mrs. Lemay is still attracted to this seductive but unstable man who will eventually abandon her again, leaving her three daughters.

Trois-Rivières, 1930s. A woman separated from her husband for eleven years agrees to take him back into her home when her partner dies, but on the condition that she does not resume married life. Her husband brings with him the three little girls from his second marriage. Mrs. Lemay will become attached to the three children, but life together with her husband will be more and more difficult. Mrs. Lemay is still attracted to this seductive but unstable man who will eventually abandon her again, leaving her three daughters.