一部记录电影中的同性恋的记录片，从消极面到积极面——两个方面谈同性恋角色以及男女演员遇到的困境。

We, in that Fall “Gaeul” finds out that the movie that her friend is filming is about her past love story, and even the male lead actor is her ex-boyfriend. Online Love ‘Aran’ crushes on a man, and her friends cheer through virtual conferences for her to win his heart. The Best Day of My Life ‘Oh Eunsu’, one of the most common youths, is always rejected from every interview. On ‘Eunsu’’s 24th birthday, which is the worst day for her, a strange man approaches to her after she experiences another rejection from the interview.

Woo-hyeon is a youth in his 20s who wander around the Sinchon model area with no particular job and his girlfriend sells herself for a living. Woo-hyeon feels interest in his girlfriend's private area with a tattoo of an arrow and calls it the 'exit'. Then one day, she is abused by a client because of the 'exit'. 　　One end-of-the-year evening with Christmas carols ringing out from the background at art director Jeong-soo and Yeong's house, a dummy of a school girl lies in the corner. Jeong-soo and Yeong-seon waits for someone with the creepy dummy laying in the corner. A movie director arrives late at night and heads straight for the dummy... 　　Mi-jeong, the head of department of an acting academy, feels the desire to urine everytime she looks at her watch. She got this queer symptom when she was struck by lightning when she was young. One day she comes across a group called Adad which is full of people who have been struck by lightning. The members all have a story of their own and Mi-jeong doesn't get along with them well. Then one day, leader of the team Dong-gyu suggests they leave on a lightning exploration adventure.

Woo-hyeon is a youth in his 20s who wander around the Sinchon model area with no particular job and his girlfriend sells herself for a living. Woo-hyeon feels interest in his girlfriend's private area with a tattoo of an arrow and calls it the 'exit'. Then one day, she is abused by a client because of the 'exit'. 　　One end-of-the-year evening with Christmas carols ringing out from the background at art director Jeong-soo and Yeong's house, a dummy of a school girl lies in the corner. Jeong-soo and Yeong-seon waits for someone with the creepy dummy laying in the corner. A movie director arrives late at night and heads straight for the dummy... 　　Mi-jeong, the head of department of an acting academy, feels the desire to urine everytime she looks at her watch. She got this queer symptom when she was struck by lightning when she was young. One day she comes across a group called Adad which is full of people who have been struck by lightning. The members all have a story of their own and Mi-jeong doesn't get along with them well. Then one day, leader of the team Dong-gyu suggests they leave on a lightning exploration adventure.

故事讲述了小说家俊熙（李慧英 饰）远道而来拜访后辈的书店，独自散步并遇见电影导演夫妇和演员，并说服女演员（金敏喜 饰）一起拍电影的故事。

故事讲述了小说家俊熙（李慧英 饰）远道而来拜访后辈的书店，独自散步并遇见电影导演夫妇和演员，并说服女演员（金敏喜 饰）一起拍电影的故事。

Scottish movie star Alan Cumming returns to his homeland to take a tour of the locations of some classic Scottish movies. He celebrates some of the weird and wonderful movies inspired by Scotland, such as The Wicker Man, which was filmed in Dumfries and Galloway. 　　Film experts and actors, including Peter Mullen and David Hayman, compare the blockbusters Braveheart and Rob Roy, while Edinburgh's contribution to Scottish cinema is celebrated by the contrasting films The Prime of Miss Jean Brodie and Trainspotting. 　　Director Bill Forsyth meets Cumming in Cumbernauld - the setting of Forsyth's film Gregory's Girl - and explains why the new town was such a fitting location for his enduringly popular film.

French artist and author Jean Giraud is one of the most famous and influential comic strip illustrators and authors of all time. He achieved his greatest fame as Moebius - not so much a pseudonym as an alter ego. With his triple-split personality - Jean Giraud, Moebius, Gir - he succeeded in making his work accessible in popular comic strip series like Blueberry, in metaphysical fantasies like John Difool and, not least, to a broad public, with set designs for films such as The Fifth Element. As a co-founder of the comic magazine Métal Hurlant he shook up the world of bourgeois French comics and American super-heroes in 1975, creating a whole new 'grown up' way of looking at the comic strip art form. How could a man invent all those strange places and stories, collaborate with some of the world's maddest artists and even go so far to seriously prepare himself to be picked up by aliens - and then go live a quiet and secure life back in Paris? Was he ever in danger of losing his mind? Or was it necessary for his art to live a life like that, and out of self-protection to split into in different personalities? In Moebius Redux - A Life in Pictures an exceptional artist tells his life's and work's story. Artists he met and left on his way, join in: Longtime collaborators like Alejandro Jodorowsky and Philippe Druillet, Swiss artist H.R. Giger and Marvel Comics legend Stan Lee, admirers like Jim Lee and Mike Mignola. Their narration not only gives an insight in how they experienced working with Giraud, but also presents the fascinatingly woven network around one of the most important comic book artists ever. Inspired by Giraud's visual power Moebius Redux - Ein Leben in Bildern animates the diversity and dynamic of his work. Extraordinary views on Paris, Los Angeles and the Mexican desert build a visual link between his life and his artistic universe, accompanied by the electronic soundtrack composed by "Kraftwerk" legend Karl Bartos.

http://zhaoliangstudio.com/work/narrative-landscape?lang=zh-CN

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.