Neo Rauch has a worldwide reputation as one of the most successful German painters of his generation. His paintings fascinate with their enigmatic realism; characters seem to have fallen out of time and appear in a sleepwalklike state. What the painter is presenting shifts between dream, fantasy and elusive reality, comprehensible and unconventional at the same time. The pictorial narrative is never explicit or clear – but nevertheless it leaves the beholder spellbound. 　　The film focuses on Neo Rauch himself. For the first time in years he talks in front of the camera about his approach to art, his universe of images and his personal past, which was deeply affected by the early loss of his parents. Director Nicola Graef shows the artist at work in his studio, observes critical dialogues with his artist wife Rosa Loy and discusses with international collectors, gallery owners and art lovers the phenomenon that is Neo Rauch.

影片讲述的是6个多塞特劳工被驱逐到澳大利亚，并在1830年组建了史诗般的托尔普德尔蒙难者联盟工会…… 　　"Comrades" has been described as one of the lost masterpieces of European cinema. It appeared in 1987 to critical acclaim then disappeared almost as quickly. 　　For my opinion Bill Douglas's masterpiece stands alongside the best of Tarkovsky, Bresson and Bergman. Within minutes the viewer is pulled into a story of love and passion, solidarity and bravery. 'Comrades' is not just one-dimensional political polemic either. Far from it. Nor just a historical epic. This is character-driven story-telling of the highest order, definitely, although there are many layers to the film. It fuses and transcends both narrative drama and the avante garde and cries out for further viewings. 　　In many ways 'Comrades' is an experimental visionary movie as well as a tribute to the cinema that came before cinema. (Watch out for the magic lanternist who appears in many guises.) Interestingly, the famous actors of the day - who Douglas didn't want in the film but was forced to use - were cast as the affluent classes while complete unknowns were cast as the Martyrs and their families. 　　Director Bill Douglas was a man knew about poverty and struggle. He was raised in abject poverty in Newcraighall, which was then an impoverished mining village on the outskirts of Edinburgh. His autobiographical 'Trilogy' - filmed in a post-war Newcraighall that is now gone - is his only other cinematic output. But what a work! It is by far the finest cinematic achievement to ever come out of Scotland. Even the film scripts of 'Trilogy' are works of literature in their own right.

影片讲述的是6个多塞特劳工被驱逐到澳大利亚，并在1830年组建了史诗般的托尔普德尔蒙难者联盟工会…… 　　"Comrades" has been described as one of the lost masterpieces of European cinema. It appeared in 1987 to critical acclaim then disappeared almost as quickly. 　　For my opinion Bill Douglas's masterpiece stands alongside the best of Tarkovsky, Bresson and Bergman. Within minutes the viewer is pulled into a story of love and passion, solidarity and bravery. 'Comrades' is not just one-dimensional political polemic either. Far from it. Nor just a historical epic. This is character-driven story-telling of the highest order, definitely, although there are many layers to the film. It fuses and transcends both narrative drama and the avante garde and cries out for further viewings. 　　In many ways 'Comrades' is an experimental visionary movie as well as a tribute to the cinema that came before cinema. (Watch out for the magic lanternist who appears in many guises.) Interestingly, the famous actors of the day - who Douglas didn't want in the film but was forced to use - were cast as the affluent classes while complete unknowns were cast as the Martyrs and their families. 　　Director Bill Douglas was a man knew about poverty and struggle. He was raised in abject poverty in Newcraighall, which was then an impoverished mining village on the outskirts of Edinburgh. His autobiographical 'Trilogy' - filmed in a post-war Newcraighall that is now gone - is his only other cinematic output. But what a work! It is by far the finest cinematic achievement to ever come out of Scotland. Even the film scripts of 'Trilogy' are works of literature in their own right.

游击队员Mongo打算和军火商 Yolaf Peterson做笔交易，购买军备以对抗暴虐的军阀。于是他们决定合力去抢劫保险库，然而能够解锁的只有一个来自美国的囚徒Xantos，军火商 Yolaf 决定拉拢Xantos做这笔买卖，与此同时Yolaf Peterson的老搭 档“铁钩约翰”也掺和进来，要消灭他们以得到金库。

游击队员Mongo打算和军火商 Yolaf Peterson做笔交易，购买军备以对抗暴虐的军阀。于是他们决定合力去抢劫保险库，然而能够解锁的只有一个来自美国的囚徒Xantos，军火商 Yolaf 决定拉拢Xantos做这笔买卖，与此同时Yolaf Peterson的老搭 档“铁钩约翰”也掺和进来，要消灭他们以得到金库。

A junior partner in a law firm, finds out that the wife of a very important client is a former college sweetheart.

该项目将由韩国和泰国合作，故事由两国的两位主角主演。 　　韩国欧巴 Sangmin 十多年后重返泰国。他与老朋友 Dinneaw 重逢，后者现在已是一位英俊的年轻人。他们之间兄弟般的情谊开始发展成更深厚的关系。 　　The project will be a collaboration between Korea and Thailand as the story features two lead actors from the two countries. 　　South Korean Oba Sangmin returns to Thailand after more than a decade. He reunited with his old friend Dinneaw, who is now a handsome young man. Their brotherly friendship began to develop into a deeper relationship.

该项目将由韩国和泰国合作，故事由两国的两位主角主演。 韩国欧巴 Sangmin 十多年后重返泰国。他与老朋友 Dinneaw 重逢，后者现在已是一位英俊的年轻人。他们之间兄弟般的情谊开始发展成更深厚的关系。 The project will be a collaboration between Korea and Thailand as the story features two lead actors from the two countries. South Korean Oba Sangmin returns to Thailand after more than a decade. He reunited with his old friend Dinneaw, who is now a handsome young man. Their ...