因为今年春天导入的“校园律师制度”，新人律师田口章太郎（神木隆之介）被律师事务所的老板高城（南果步）派遣到青叶第一中学。监护人水岛（堀内敬子）正在向班主任望月（岸井雪乃）抗议，因为自己的女儿受到了体罚。田口说，“你现在的行为是强行妨碍营业”，赶走了监护人。校长仓守（小堺一机）因为大事化小和平解决心情很好，但是教务主任三浦（田边诚一）对田口的做法提出反对。几天后，体罚问题发展成了谁也没想到的状态…

无数的光芒闪耀着五颜六色，浮游在空中的无重力空间——“知识之箱”。 那里有着众多的世界、众多的时间、众多的人。 杜娅尔和多萝茜两人在那里与敌人战斗着。 敌人，那是侵食世界的存在——病毒。 被病毒污染的世界，非得消除掉不可。 这就是她们的任务、她们的工作。 在某个时刻，杜娅尔和多萝茜感知到了新的病毒的出现。 在那里，有一位被病毒袭击的少女。 将少女救出来的两人，静静地等待着她醒过来。 少女是什么人——来自何方，去往何处。 不久后，少女醒了过来。 这位少女自称为“莉莫”，不断低语着一句话——。 “不回到花田的话……”。

影片讲述的是一宗离奇的杀人命案，只有嫌疑犯却找不到证据和尸体，律师和检察官合力揭开事件背后阴谋的故事。而李善均饰演的律师一直以来百战百胜，他相信在法庭上赢了就是正义。而金高恩饰演的检察官则拥有司法人员的强烈信念。两个人在大大小小的事情上都有对立的意见，却最终还是合力解决案件。

维多利亚是一名单身母亲，和女儿阿丽娜过着相依为命的生活。维多利亚买下了一套苏联时期的高层公寓，这间公寓地段好房型好装修好价格还低，为了得到这套公寓，维多利亚不惜向老板借了一笔巨款，发誓以后天天做牛做马来还债。 　　实际上，在这间公寓里，住着一个家养小精灵（彼得·纳塔罗夫 Pyotr Natarov 饰），房产经纪人利用小精灵的存在来赶走买下公寓的人，再用低价将公寓专卖出去，如此往复，牟取暴利。维多利亚母女两入住没多久，小精灵就开始了他的捣乱，但是善良的阿丽娜并没有将小精灵视为邪恶的化身，而是始终以童真的单纯的眼光看待他，久而久之，小精灵被阿丽娜感化了。

Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows : 　　The merchant Yquem buys his dear wife a beautiful jewel with matching earnings in a place where the city's underworld trades in fake and stolen jewelry. By chance, Yquem spots a man with whom his wife had an affair in the past. Yquem follows him to a hotel where he will write him a letter imitating his wife's hand writing. The letter invites the man to a public place where Yquem can spy on them and try to discover whether there is still something between them. 　　This early Fritz Lang film, "Vier Um Die Frau" (Four Around a Woman) was found by chance some years ago at the "Cinemateca De Sâo Paulo", a great present for the German aristocracy and even for the longhaired moviegoers, because it prefigures much of "Dr. Mabuse", (corruption in the upper class-a very habitual practice-unscrupulous upstarts, blackmail, low class criminals, social tension.) and in the opinion of this German aristocrat, provides one of the most outstanding titles of Lang's first period. This film has excellent editing that gives vigour, speed and emotion to a story of an underworld rife with treachery and betrayal as well as a complex tale of unrequited love. The film builds to a crescendo of narrative strength that reminds one of episodes of "Die Spinnen" made by Herr Lang a year before. 　　The acting is exceptional and the performers resist the temptation to overacting that might be expected in such melodrama. As the heroine, Carola Toelle is especially good and admirably conveys the doubts, secret desires and frustration that her character suffers. An excellent counterpoint is provided the character of her friend and confidant, a perfect vamp, who provides bad advice and is without scruples, quick to use flirting to build up her social position... Rudolf Klein-Rogge has to be mentioned, as his performance makes one recall the exceptional character Dr Mabuse, that he will immortalise two years later. The excellent main actors are given equally good support in the minor roles. 　　It is worth mentioning as well the great photography of Otto Kanturek and the film production by Ernst Meiwers and Hans Jacoby. The importance of "Decla-Bioscop"'can be seen in the first rate production values that are so abundant in the film (great manors, hotel lobbies, the stock exchange, etc) and on the other hand the realistic depiction of less auspicious surroundings: ragged and wretched slums streets filled with the kind of characters you might expect in such places. A minor point but also a real curiosity is the inclusion of a poster for another "Decla Bioscop" production that can be glimpsed in a theater lobby.

在德国统治的艰难岁月里，孩子们结束了无忧无虑的生活，帮助着游击队员们。大人为他们的勇敢行为感到十分高兴，并鼓励他们严守秘密，团结更多的孩子。大人们看到了新一代革命者在茁壮成长。本片反映了处于水深火热中的儿童逐渐接受革命思想，并开始成长为革命战士。战火浇灭了孩子们的童年幸福，但却洗涤了新一代的革命少年，使之为捍卫祖国和土地而奋斗不息。

Set in New Zealand in 1864, follows the story of a crucial conflict of the nation's first land warfare, fought between Maori and colonial soldiers against insurmountable odds.

Set in New Zealand in 1864, follows the story of a crucial conflict of the nation's first land warfare, fought between Maori and colonial soldiers against insurmountable odds.

暂无剧情简介

战前日本最重要的无声电影之一。 　　This resolution recurs in several of Hiroshi Shimizu's silent films, of which Eternal Heart (Fuei no Shiratama, 1929) was shown at Pordenone. This film examines different aspects of modernity through the personalities of two sisters. The elder is in love with Mr Narita, but he marries the younger, only to find that she neglects him and spends her time attending parties and drinking. Thus summarised, one might read the film as essentially conservative - an indictment of a "modern" woman who fails in her wifely duties. But the older sister also personifies an aspect of modernity, since she works as a typist in a Tokyo office. Courted by her boss, she is introduced to his children, who speak scathingly of her profession, and criticise the morality of working women. Here, Shimizu's sympathies are clearly with the modern, professional woman against the spoilt and judgemental upper class. The film's intelligence, in fact, lies in its ambivalent attitude to the modern - an ambivalence that one can trace through Shimizu's later and finer silent films. Unfortunately, the narrative resolution is unsatisfactory; the hero's departure from Japan and the heroine's marriage to her boss fail to answer the problems that the film has posed. The final escape seems a contrivance, though it may be that this failing is to be blamed on Kikuchi Kan, author of the original novel, rather than Shimizu. 　　http://www.midnighteye.com/features/pordenone-silent-film-festival-2005.shtml