What does it mean to come from somewhere? This film focuses on California’s Native core.

The final film by filmmaker Marlon Riggs jumps into the middle of explosive debates over Black identity. BLACK IS... BLACK AIN'T is a fi lm every African American should see, ponder and discuss. White Americans have always stereotyped African Americans. But the rigid definitions of "Blackness" that African Americans impose on each other, Riggs claims, have also been devastating. Is there an essential Black identity? Is there a litmus test defining the real Black man and true Black woman? Riggs uses his grandmother's gumbo as a metaphor for the rich diversity of Black identities. His camera traverses the country, bringing us face to face with Black folks young and old, rich and poor, rural and urban, gay and straight, grappling with the paradox of numerous, often contested definitions of "Blackness." Riggs mixes performances by choreographer Bill T. Jones and poet Essex Hemphill with commentary by noted cultural critics Angela Davis, bell hooks, Cornel West, Michele Wallace, Barbara Smith and Maulana Karenga to create a flavorful stew of personal testimony, music, and history.

“这是正手击球时握拍的方式。只需将手臂向后移动，左肩朝向球，左脚向前迈出，击球。”

“这是正手击球时握拍的方式。只需将手臂向后移动，左肩朝向球，左脚向前迈出，击球。”

The final film by filmmaker Marlon Riggs jumps into the middle of explosive debates over Black identity. BLACK IS... BLACK AIN'T is a fi lm every African American should see, ponder and discuss. White Americans have always stereotyped African Americans. But the rigid definitions of "Blackness" that African Americans impose on each other, Riggs claims, have also been devastating. Is there an essential Black identity? Is there a litmus test defining the real Black man and true Black woman? Riggs uses his grandmother's gumbo as a metaphor for the rich diversity of Black identities. His camera traverses the country, bringing us face to face with Black folks young and old, rich and poor, rural and urban, gay and straight, grappling with the paradox of numerous, often contested definitions of "Blackness." Riggs mixes performances by choreographer Bill T. Jones and poet Essex Hemphill with commentary by noted cultural critics Angela Davis, bell hooks, Cornel West, Michele Wallace, Barbara Smith and Maulana Karenga to create a flavorful stew of personal testimony, music, and history.

1.KISS 　　2.男は兄女は妹 　　3.女になりたい 　　4.せつなくて 　　5.告白 　　6.悪魔のように 　　7.もう二人だけ 　　8.復讐 　　9.レイプ 　　10.結ばれた夜 　　11.さよなら

1.KISS 　　2.男は兄女は妹 　　3.女になりたい 　　4.せつなくて 　　5.告白 　　6.悪魔のように 　　7.もう二人だけ 　　8.復讐 　　9.レイプ 　　10.結ばれた夜 　　11.さよなら

沙迪（萨莱·巴克里 Saleh Bakri 饰）的妹妹就要结婚了，根据村里的传统，沙迪必须和父亲（穆罕默德·巴克里 Mohammed Bakri 饰）开着他们的小车，挨家挨户的当面将请柬送给亲戚朋友们。这也就意味着，沙迪一路上都要和自己久别重逢的父亲捆绑在一起。 　　沙迪对于父亲的很多生活习惯都非常的看不惯，觉得他思想顽固而落后，就像家乡里的大部分碌碌无为的人一样。在沙迪很小的时候，母亲无法忍受村里闭塞的环境，选择抛弃了丈夫和孩子们远走他乡，虽然沙迪失去了母爱，但是现在的他完全可以理解母亲当初的选择。随着旅行的行进，沙迪和父亲之间的关系越来越紧张起来。

沙迪（萨莱·巴克里 Saleh Bakri 饰）的妹妹就要结婚了，根据村里的传统，沙迪必须和父亲（穆罕默德·巴克里 Mohammed Bakri 饰）开着他们的小车，挨家挨户的当面将请柬送给亲戚朋友们。这也就意味着，沙迪一路上都要和自己久别重逢的父亲捆绑在一起。 　　沙迪对于父亲的很多生活习惯都非常的看不惯，觉得他思想顽固而落后，就像家乡里的大部分碌碌无为的人一样。在沙迪很小的时候，母亲无法忍受村里闭塞的环境，选择抛弃了丈夫和孩子们远走他乡，虽然沙迪失去了母爱，但是现在的他完全可以理解母亲当初的选择。随着旅行的行进，沙迪和父亲之间的关系越来越紧张起来。

阿拉伯裔的Khaled和犹太裔的David在结婚的道路上有两大拦路虎：Khaled恐同的父亲Aledrissi和David不喜欢阿拉伯人的母亲Lea。雪上加霜的是Aledrissi的房租到期，面临着Lea的驱赶， 而David一次意外导致Sarah怀孕， 她也在此时找上门来。