Nineteen people of varying age, race and sex gather in tight physical proximity, as a compact human mob, when without warning a gushing onslaught of water from both sides of the screen knocks them into one another and down to the ground.

Nineteen people of varying age, race and sex gather in tight physical proximity, as a compact human mob, when without warning a gushing onslaught of water from both sides of the screen knocks them into one another and down to the ground.

This is a brilliant surrealistic film. 　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. 　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. 　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. 　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. 　　So, the art falls apart

This is a brilliant surrealistic film. 　　But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities. 　　The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art. 　　Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war. 　　And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too. 　　So, the art falls apart

本作は、ある高校の国語教師が、クラス全員参加の「手紙ゲーム」を提案することから始まる学園ヒューマンミステリー。これは1人1通、クラスの誰かに匿名で本音を書いた手紙を出すもので、手紙には愛の告白や暴露話など衝撃的な内容が書かれていた。ゲームは予想外の盛り上がりを見せ、生徒たちはクラスメイトたちの表と裏の顔を知り、喧嘩や助け合いを繰り返しながら友情を育んでいく。

本作は、ある高校の国語教師が、クラス全員参加の「手紙ゲーム」を提案することから始まる学園ヒューマンミステリー。これは1人1通、クラスの誰かに匿名で本音を書いた手紙を出すもので、手紙には愛の告白や暴露話など衝撃的な内容が書かれていた。ゲームは予想外の盛り上がりを見せ、生徒たちはクラスメイトたちの表と裏の顔を知り、喧嘩や助け合いを繰り返しながら友情を育んでいく。

一封神祕的匿名信宣告偷走了偵探團的放大鏡，偵探團的小吉必須和好友阿順聯手解謎，找出寄信人以及被偷走的放大鏡。台灣電影中少見的兒童偵探形象，透過解謎的快感，帶領孩子們去探究追尋，揮灑對生活的熱忱及好奇，並見證孩提時代的珍貴友情。

南方的乡村里，少年服刑犯阿邓，在春节期间离监探亲。而突如其来的疫情，让他所期待的亲戚朋友都无法如约而至。困在家里的阿邓，不得不面对曾经酗酒家暴、现已瘫痪的父亲，一直无怨无忧照顾着家庭的继母却将要出走。新年之下，他备受煎熬……

卡拉怀孕了，赤身裸体，模仿她母亲怀孕时的姿势。阳光从窗户射进来。你可以在超级八摄影机中看到父母、祖父母的微笑、缝纫、背诵诗歌的照片。然后，一个年轻的女孩从60年代旅行到80年代，直到今天，她跨越了女性和历史的界限，在加泰罗尼亚蓝色的海边遇到了卡拉和卡拉刚出生的儿子马奈尔。。。

卡拉怀孕了，赤身裸体，模仿她母亲怀孕时的姿势。阳光从窗户射进来。你可以在超级八摄影机中看到父母、祖父母的微笑、缝纫、背诵诗歌的照片。然后，一个年轻的女孩从60年代旅行到80年代，直到今天，她跨越了女性和历史的界限，在加泰罗尼亚蓝色的海边遇到了卡拉和卡拉刚出生的儿子马奈尔。。。