Champion cyclist Gino Bartali puts his career on hold during WWII, leading to courageous exploits in the underground resistance.

是一部讲述朝着梦想奔跑的无名笑星三人帮和一个人生崩溃的女人相遇后再次站起来寻找梦想的人情喜剧。

Facing a series of complex murder cases, new police commander Hélène Bach must learn to work with the brilliant yet exasperating Raphaël, who can make the dead speak like no-one else.

TF1台续订《Balthazar》第二季 　　司法警察局队长Helene Bach和Raphael Balthazar在面临新的案件挑战的同时，Balthazar迫于压力向对方坦诚了Lise被害案的凶犯仍旧逍遥法外的情况，Helene决心帮助他重启Lise被杀案件的调查

马洛（查理兹·塞隆 Charlize Theron 饰）是三个孩子的母亲，这三个孩子中还有一个是刚刚出生没多久，嗷嗷待哺的婴儿。生活被家务和照料孩子完全填满的马洛感到非常的窒息，在这个节骨眼上，她又接到了学校的电话，通知她她的大儿子不能够继续就读普通学校了，需要转到特殊教育学校上学。 　　在弟弟格雷格（马克·杜普拉斯 Mark Duplass 饰）的建议之下，濒临崩溃的马洛请了一位名叫塔利（麦肯兹·戴维斯 Mackenzie Davis 饰）的夜班保姆来帮忙，刚开始，马洛并不信任这个看上去没多大岁数的女人，但随着时间的推移，塔利所展现出的能力和体贴俘获了马洛的心。马洛的人生，因为塔利的出现而产生了翻天覆地的变化。

马洛（查理兹·塞隆 Charlize Theron 饰）是三个孩子的母亲，这三个孩子中还有一个是刚刚出生没多久，嗷嗷待哺的婴儿。生活被家务和照料孩子完全填满的马洛感到非常的窒息，在这个节骨眼上，她又接到了学校的电话，通知她她的大儿子不能够继续就读普通学校了，需要转到特殊教育学校上学。 　　在弟弟格雷格（马克·杜普拉斯 Mark Duplass 饰）的建议之下，濒临崩溃的马洛请了一位名叫塔利（麦肯兹·戴维斯 Mackenzie Davis 饰）的夜班保姆来帮忙，刚开始，马洛并不信任这个看上去没多大岁数的女人，但随着时间的推移，塔利所展现出的能力和体贴俘获了马洛的心。马洛的人生，因为塔利的出现而产生了翻天覆地的变化。

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ 　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ 　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.