A Nigerian man embarks on an adventure in 1960s San Francisco in this rediscovered sensation, which blends documentary and fiction, and manages to collapse and reinvent itself along the way. The greatest rediscovery of the last year, screened in a newly restored version. 　　Reality doesn’t just surpass fiction in ‘Bushman’ – it overtakes it, and you have to see exactly how with your own eyes. A Nigerian man arrives in the hippie capital of San Francisco in the late 1960s and befriends a biker and his pals. It’s a time of rebellion, cosmic love and revolution. However, if ‘Bushman’ is a time capsule (and it is), the traditional roles are reversed: Here, the African guest becomes the lens through which the film (and we) view the American myth with an anthropological gaze, before the film takes another completely unpredictable twist in its final third – but this time reality is, in the director’s own words, ‘faster than fiction’. Drawing inspiration from revolutionary African cinema, European cinéma vérité and American New Wave, it should have been a classic. Instead, it was forgotten until it was re-released last year in the new and restored version we are showing here, which was received as a sensational rediscovery at the historic film festival Il Cinema Ritrovato. 　　源自：https://cphdox.dk/film/bushman/

A Nigerian man embarks on an adventure in 1960s San Francisco in this rediscovered sensation, which blends documentary and fiction, and manages to collapse and reinvent itself along the way. The greatest rediscovery of the last year, screened in a newly restored version. 　　Reality doesn’t just surpass fiction in ‘Bushman’ – it overtakes it, and you have to see exactly how with your own eyes. A Nigerian man arrives in the hippie capital of San Francisco in the late 1960s and befriends a biker and his pals. It’s a time of rebellion, cosmic love and revolution. However, if ‘Bushman’ is a time capsule (and it is), the traditional roles are reversed: Here, the African guest becomes the lens through which the film (and we) view the American myth with an anthropological gaze, before the film takes another completely unpredictable twist in its final third – but this time reality is, in the director’s own words, ‘faster than fiction’. Drawing inspiration from revolutionary African cinema, European cinéma vérité and American New Wave, it should have been a classic. Instead, it was forgotten until it was re-released last year in the new and restored version we are showing here, which was received as a sensational rediscovery at the historic film festival Il Cinema Ritrovato. 　　源自：https://cphdox.dk/film/bushman/

This film provides a broad overview of !Kung life, both past and present, and an intimate portrait of N!ai, a !Kung woman who in 1978 was in her mid-thirties.

猎魂人浪无迹天生异禀，为了复活在人妖混战中意外身亡的妻子阿若，毅然踏上捉妖猎魂之路，执剑三尺嫉恶如仇，因缘际会下遇到了火狐夭夭，并产生了特别羁绊，人妖两界善恶对冲的奇旅经历，让他不得不重新审视起不同族群之间的善恶关系。

浑水摸鱼、游戏人间的职业欺诈师左南（文章 饰）与徒弟马候（于洋 饰）因为一所老宅、一个社会黑哥（梁超 饰）与“鉴渣”测谎人马小凡（马丽 饰）相逢，…

讲述企鹅人奥斯瓦尔德·契斯特菲尔德·科波特在哥谭市黑社会的崛起。

猎魂人浪无迹天赋异禀，为了复活在人妖混战中意外身亡的妻子阿若，毅然踏上捉妖猎魂之路，执剑三尺嫉恶如仇，因缘际会下遇到了火狐夭夭，并产生了特别羁绊，人妖两界善恶对冲的奇旅经历，让他不得不重新审视起不同族群之间的善恶关系。

浑水摸鱼、游戏人间的职业欺诈师左南（文章 饰）与徒弟马候（于洋 饰）因为一所老宅、一个社会黑哥（梁超 饰）与“鉴渣”测谎人马小凡（马丽 饰）相逢，原来左南与马小凡曾有过婚约。再聚首，左南因高僧（游本昌 饰）的催眠只能口吐真言，而马小凡因说实话而被网暴，这对落魄的欢喜冤家既要面对犯罪团伙的威胁又要在爱与谎言中寻找彼此内心的答案。

该剧讲述了洛杉矶资深赌徒丹尼的故事。因为加州体育博彩的潜在合法化可能永远颠覆他的生意，丹尼与最好的朋友一起，与他日益不稳定的客户抗衡，并试图解决他们的问题。面对债务，丹尼自己也做了很多冒险的赌注。剧中充满了相关的不幸事件，记录了一个人适应不断变化的世界的旅程，同时他试图通过魅力和欺骗达到巅峰。