Filmed with a Bolex camera, Unstable Rocks offers a meditative exploration of the Portuguese landscape, where geology, animals, and human presence seamlessly merge. Shifting between black and white and colour, the film lingers on rocks, animals, religious imagery, and quiet, everyday moments. The rhythmic pace invites contemplation of time, the landscape, and the subtle traces left behind by both human presence and the natural world.

Filmed with a Bolex camera, Unstable Rocks offers a meditative exploration of the Portuguese landscape, where geology, animals, and human presence seamlessly merge. Shifting between black and white and colour, the film lingers on rocks, animals, religious imagery, and quiet, everyday moments. The rhythmic pace invites contemplation of time, the landscape, and the subtle traces left behind by both human presence and the natural world.

地球有释放极端灾害的能力，火山、地震、飓风和洪水都有着极大的破坏力。我们也许认为已经见过大自然母亲最无情的一面了，但随着科学家的进一步探索，我们发现过去有着更极端的灾害事件。火山的威力足以杀死数百万人，使建筑土崩瓦解。飓风在温暖的海面上积聚力量，能够跨越数百公里，成为了“死亡”和“毁灭”的代名词。水是生命之源，但水也拥有毁灭的力量，那种力量叫——洪水。这些强大的急流每年可夺走大约两万五千人的生命。但这还不是最可怕的，据说在久远的年代，大自然显示过更大的威力。

Film of Simon Fisher Turner's new album, Instability of The Signal, directed by Japanese filmmaker Isao Yamada.

Picture three places. 1. A workshop in Germany where we follow the making of a prosthetic hand. 2. A traditional glove-making workshop in Millau, in the south of France. 3. A jeans factory in Istanbul, illustrating large-scale industrial production. A succession of three workplaces, but with a common viewpoint and subject: the relationship between the hand and the machine, the work and the material, all of them patiently and rigorously observed. Daniel Eisenberg scrutinises these interactions and gestures meticulously, and he pays close attention to each action involved and to the time required for each operation, from the starting point to the finished forms. With this film, Eisenberg continues the work he started with his previous one, The Unstable Object (FID 2011), in which he also used a triangular structure to compare the work in a high-tech car factory in Dresden, then in an antiquated clock repair shop in Chicago, and finally in a cymbal factory in Istanbul. From one production site to the next, the film focuses on hands, bodies, images: reconstructed bodies, modelled bodies, dressed bodies. And on the social body as well – either collective bodies at work, or their images, shaped by the very objects which are being produced. The patience of an attentive camera and the fascinating rhythm of this choreography let the gestures fully unfold. The geography of production modes also shapes the story it underlies, like the globalisation of exchanges. And what is also paramount here is that the time it takes to make the objects seems to mirror the experience of the viewer watching the film, like an echo between absorbed gazes, theirs like ours. A nice piece of actual work from the gaze and the mind about the ever so unstable object that is work. 　　源自：https://fidmarseille.org/en/film/the-unstable-object-ii/

精神病学家英雄和他的妻子已经结婚10年了。他们已经失去了兴趣，现在忽视对方。生活对于他们来说只是一个枯燥的。然后有一天，然而，一个孩子秀贤一直当她是一个学生在日本出现在他们面前的伤害和疲惫的从她男朋友的背叛。秀贤问英雄对她作为一个精神科医生，他做他的工作。然而，作为会议的进展英雄的弟弟比他更应该感觉开始思考了一个超出了医生和病人的关系…

《哈利波特》（Harry Potter）系列的制作人大卫·黑曼（David Heyman）与华纳兄弟公司日前获得罗尔德·达尔（Roald Dahl）的经典童话《威利·旺卡》（Wi…

影片聚焦经典之作《查理和巧克力工厂》的主人公威利·旺卡（提莫西·查拉梅 饰），这位年轻且天赋异禀的发明家、魔术师、巧克力制作师，是如何经历奇幻冒险，成长为观众挚爱的巧克力工厂掌门人的故事。

数百年前，一场突如其来的陨石群撞击，让整个世界崩塌成两片彼此共生又绝对隔离的大陆。为了拯救危在旦夕的人类文明，数百位以罗森博格为首的原大陆科学家，集诸国之力研发出一种新型能源供给装置——卡片。主人公陈暮从一个弱小无助、贫苦无依的困顿少年，在经历了一连串充满挣扎与磨难的冒险之后，没有放弃与退缩，依然靠着善良包容的天性、自身的卓绝努力与周围亲朋好友的热情相助，最终突破重重障碍，成长为一个正义凛然、以德服人、能力出众的正面领袖的故事。

数百年前，一场突如其来的陨石群撞击，让整个世界崩塌成两片彼此共生又绝对隔离的大陆。为了拯救危在旦夕的人类文明，数百位以罗森博格为首的原大陆科学家，集诸国之力研发出一种新型能源供给装置——卡片。主人公陈暮从一个弱小无助、贫苦无依的困顿少年，在经历了一连串充满挣扎与磨难的冒险之后，没有放弃与退缩，依然靠着善良包容的天性、自身的卓绝努力与周围亲朋好友的热情相助，最终突破重重障碍，成长为一个正义凛然、以德服人、能力出众的正面领袖的故事。