平静的凌海市，发生一起连环杀人案，让刑警季凡(郑恺饰)与队长熊振男(种丹妮饰)、法医赵清妍(汤梦佳饰)等人聚在一起，联手展开调查。然而案件扑朔迷离，始终无法破获，随着调查的深入，季凡逐渐惊觉凶手似乎就在身边，看似简单的连环杀人案，却牵扯出一桩27年前的旧案，被时光掩埋的真相缓缓揭开，原来杀人凶手正是与季凡朝夕相处的父亲季廷山(张国立饰)和哥哥季平(林峯饰)，而季平却是替季凡背负了27年的复仇重任。随着季廷山被捕，季平负伤逃到海外，季凡追寻他的踪迹来到曾经长大的第二故乡——欧洲某国。过往的一切似乎历历在目。季凡一边追查季平的下落，一边暗地里还要完成组织上委派的卧底任务，找出隐藏在三大黑帮家族幕后的神秘操控人——A先生，并破解黑帮圣物“圣杯”中的秘密，因此卷入欧洲某国黑帮的争斗中。在熊振男和欧洲某国警方的协助下，季凡终于查到A先生的真实身份，而季平此时的目标居然也是A先生，而这一切也跟俩人的过往有着千丝万缕的关系 。

凌海市发生连环杀人案，刑警季凡和队长熊振男、法医赵清妍等人携手展开调查。但这起案件错综复杂，始终难以侦破。随着调查不断深入，季凡渐渐发现凶手可能就在自己身边。这看似普通的连环杀人案，实则牵扯出一桩27年前的旧案。随着时光掩埋的真相慢慢浮出水面，季凡震惊地发现杀人凶手竟是与自己朝夕相伴的父亲季廷山和哥哥季平，而且季平还替季凡背负了27年的复仇重担。季廷山被捕后，季平受伤逃到海外，季凡为追寻他的踪迹，回到了自己曾经长大的第二故乡——欧洲某国。季凡一边追查季平下落，一边要完成组织委派的卧底任务，找出隐藏在三大黑帮家族幕后的操控者A先生，破解黑帮圣物“圣杯”的秘密，从而卷入了欧洲某国黑帮的争斗之中。在捷克警方的协助下，季凡终于查明A先生的真实身份，而季平的目标同样也是A先生，这一切都和他们的过往有着千丝万缕的联系。

April 2020. In a world where it was forbidden to meet up with friends for a long time, the director decided to film every day: the modest spark of daily life with the family, fragments pieced together to form a letter to friends. 　　源自：https://www.puntodevistafestival.com/en/film/radiance

April 2020. In a world where it was forbidden to meet up with friends for a long time, the director decided to film every day: the modest spark of daily life with the family, fragments pieced together to form a letter to friends. 　　源自：https://www.puntodevistafestival.com/en/film/radiance

業績低落的中年保險員，妻兒幻影總如夢魘牽絆著他，一通舊日熟人電話，讓他憶起一切；甫遭男友拋棄又出車禍的女設計師，休養後貌似痊癒，卻再也不敢踏上斑馬線；少年在祖父死後決定出走，出發前卻似巧遇仇人…。三組漂泊的失意靈魂，彼此尋找著嶄新人生的可能。劇本精彩，媲美《愛是一條狗》的精巧結構，展現新銳創作的生猛活力。

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. 　　 　　A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. 　　 　　While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. 　　 　　I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. 　　 　　A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. 　　 　　While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. 　　 　　I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. 　　Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. 　　Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.

男主因就业诈骗而不得不为了谋生而暂时加入一家专门清理犯罪现场的清洁公司，而入职后的一次清洁工作却意外引出了其背后的就业诈骗团伙。