An old blacksmith is now too old to adapt to the changing technological society. Frustrated, he creates his own universe in which he eventually also becomes obsolete.

An old blacksmith is now too old to adapt to the changing technological society. Frustrated, he creates his own universe in which he eventually also becomes obsolete.

舒立克来到高加索搜集当地民俗创作，爱上了同来度假的姑娘尼娜，不料尼娜却被坏人掠走，舒立克展开了营救“高加索女俘虏”的行动……

舒立克来到高加索搜集当地民俗创作，爱上了同来度假的姑娘尼娜，不料尼娜却被坏人掠走，舒立克展开了营救“高加索女俘虏”的行动……

A poetic treatment which includes the artist painting on glass while facing the camera, shot at Picasso's home in Vallauris, accompanied by some fairly moody organ music in this very dark, but captivating film. The artist here takes on the character of an eminence-grise, an alchemist engulfed in the "sol y sombra" of his laboratory-studio, filmed in gorgeous black and white.

A poetic treatment which includes the artist painting on glass while facing the camera, shot at Picasso's home in Vallauris, accompanied by some fairly moody organ music in this very dark, but captivating film. The artist here takes on the character of an eminence-grise, an alchemist engulfed in the "sol y sombra" of his laboratory-studio, filmed in gorgeous black and white.

《高加索之恋》是格鲁吉亚小说家兼诗人尼古拉·申格拉亚的第二部电影作品。这部电影改编自格鲁吉亚作家亚历山大·卡兹别吉（Alexander Kazbegi）的小说《埃利索》(Eliso)。这个故事基于一个古老的浪漫传说，发生在特尔斯克地区的高加索部落中。 　　Love in Caucasus was the second cinematic effort of Georgian novelist-poet Nikolai Shengalaya. The film was based on Eliso (its origina l release title), a novel by fellow-writer Georgian A. Karbek. The story, founded on an ancient romantic legend, is set amongst the Caucasian tribes of the Tersk region. Few of the cast members were professionals, requiring Shangalaya to virtually spoon-feed his direction. As a result, the acting in the film is not quite as compelling as the spontaneous scenes of Caucasian customs and celebrations.