离异后的伊娃·弗莱彻把儿子布兰丹送到大学后进入空巢期，而为了找寻爱情她伪造了一个性感形象小号，并开始沉迷起色情网站。

离异后的伊娃·弗莱彻把儿子布兰丹送到大学后进入空巢期，而为了找寻爱情她伪造了一个性感形象小号，并开始沉迷起色情网站。

How We Built Britain was a series of six television documentaries produced by the BBC in 2007 and repeated in 2008. The series was written and presented by broadcaster David Dimbleby. In the series Dimbleby visited some of Britain's great historic buildings and examined their impact on Britain's architectural and social history. 　　The series was a follow-up to Dimbleby's 2005 BBC One series, A Picture of Britain, which celebrated British and Irish paintings, poetry, music, and landscapes.

How We Built Britain was a series of six television documentaries produced by the BBC in 2007 and repeated in 2008. The series was written and presented by broadcaster David Dimbleby. In the series Dimbleby visited some of Britain's great historic buildings and examined their impact on Britain's architectural and social history. 　　The series was a follow-up to Dimbleby's 2005 BBC One series, A Picture of Britain, which celebrated British and Irish paintings, poetry, music, and landscapes.

Two-part documentary in which Jonathan Meades makes the case for 20th-century concrete Brutalist architecture in an homage to a style that he sees a brave, bold and bloodyminded. Tracing its precursors to the once-hated Victorian edifices described as Modern Gothic and before that to the unapologetic baroque visions created by John Vanbrugh, as well as the martial architecture of World War II, Meades celebrates the emergence of the Brutalist spirit in his usual provocative and incisive style. Never pulling his punches, Meades praises a moment in architecture he considers sublime and decries its detractors.

Two-part documentary in which Jonathan Meades makes the case for 20th-century concrete Brutalist architecture in an homage to a style that he sees a brave, bold and bloodyminded. Tracing its precursors to the once-hated Victorian edifices described as Modern Gothic and before that to the unapologetic baroque visions created by John Vanbrugh, as well as the martial architecture of World War II, Meades celebrates the emergence of the Brutalist spirit in his usual provocative and incisive style. Never pulling his punches, Meades praises a moment in architecture he considers sublime and decries its detractors.

FYRE FRAUD is a true-crime comedy exploring a failed music festival turned internet meme at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era. 　　The Fyre Festival was the defining scam of the millennial generation, at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era. Marketing for the 2017 music event went viral with the help of rapper Ja Rule, instagram stars, and models but turned epic fail after stranding thousands in the Bahamas. Featuring an exclusive interview with Billy McFarland, the convicted con-man behind the festival; FYRE FRAUD is a true-crime comedy bolstered by a cast of whistleblowers, victims, and insiders going beyond the spectacle to uncover the power of FOMO and an ecosystem of enablers, driven by profit and a lack of accountability in the digital age.

FYRE FRAUD is a true-crime comedy exploring a failed music festival turned internet meme at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era. 　　The Fyre Festival was the defining scam of the millennial generation, at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era. Marketing for the 2017 music event went viral with the help of rapper Ja Rule, instagram stars, and models but turned epic fail after stranding thousands in the Bahamas. Featuring an exclusive interview with Billy McFarland, the convicted con-man behind the festival; FYRE FRAUD is a true-crime comedy bolstered by a cast of whistleblowers, victims, and insiders going beyond the spectacle to uncover the power of FOMO and an ecosystem of enablers, driven by profit and a lack of accountability in the digital age.

Algarve International Film Festival 　　Year Result Award Category/Recipient(s) 　　1999 Nominated Grand Prize of the City of Portimão 　　Christa Moesker 　　Cartoon Forum, Europe 　　Year Result Award Category/Recipient(s) 　　1998 Nominated Cartoon d'Or 　　Christa Moesker 　　Chicago International Children's Film Festival 　　Year Result Award Category/Recipient(s) 　　1999 2nd place Adult's Jury Award Short Film and Video - Animation 　　Christa Moesker 　　Nederlands Film Festival 　　Year Result Award Category/Recipient(s) 　　1997 Won Golden Calf Best Short Film (Beste Korte Film) 　　Christa Moesker 　　Zagreb World Festival of Animated Films 　　Year Result Award Category/Recipient(s) 　　1998 Won First Prize Category A - 30 Sec. to 6 Min. 　　Christa Moesker 　　A little girl gets very angry because her mother does not let her watch television. Best Short Film Dutch Academy Award (Golden Calf) 1997. 4’30” | 1997

Algarve International Film Festival 　　Year Result Award Category/Recipient(s) 　　1999 Nominated Grand Prize of the City of Portimão 　　Christa Moesker 　　Cartoon Forum, Europe 　　Year Result Award Category/Recipient(s) 　　1998 Nominated Cartoon d'Or 　　Christa Moesker 　　Chicago International Children's Film Festival 　　Year Result Award Category/Recipient(s) 　　1999 2nd place Adult's Jury Award Short Film and Video - Animation 　　Christa Moesker 　　Nederlands Film Festival 　　Year Result Award Category/Recipient(s) 　　1997 Won Golden Calf Best Short Film (Beste Korte Film) 　　Christa Moesker 　　Zagreb World Festival of Animated Films 　　Year Result Award Category/Recipient(s) 　　1998 Won First Prize Category A - 30 Sec. to 6 Min. 　　Christa Moesker 　　A little girl gets very angry because her mother does not let her watch television. Best Short Film Dutch Academy Award (Golden Calf) 1997. 4’30” | 1997