A fictionalized documentary on Japanese writer Nakagami Kenji, who died young in 1992. Nakagami was the chronicler of the seaside town of Shingu. Many of Nakagami's stories are set in a specific alley in Shingu, an alley that has now gone, but that lives on in the fiction of Nakagami. And also on celluloid, because the writer filmed the alley before its demolition. Filmmaker Izuchi Kisshu goes in search of what is left of Nakagami's alley. The specific mood of the small harbour town, however, turns out to be difficult to find. Kisshu reads the books of Nakagami out loud for us at the locations where they are set, but it is difficult to invoke the magic. Time and again, we return to the film images made by Nakagami, while Kisshu seems to search in vain in the present. The mood of the harbour town is vulnerable and precious yet can disappear just like that 　　Kenji Nakagami one of the most notable Japanese writers of the post-war died in 1992. Is work reveals a strong connection to is homeland, Kishu: a mountainous region which connects to the pacific ocean trough a river. "To The Alley" (alternative title) is a documentary about Kenji's life. Recurring to 16 mm images from the writer's personal archive and adding new footages the director Aoyama travels trough the paths of the life and art of the Japanese writer

The series tells the story of the family lives of the police officers working in a special team of the Istanbul Police Department's Public Security Department and their adventures on the streets of Istanbul. The team encounters different and diverse human stories during their missions. The Istanbul Police Chief Rıza Soylu (Zafer Ergin), with his years of experience and fatherhood, approaches these stories, which at times make them smile and at other times are heartbreaking, and guides the other young members of the team.

顾雄与章捷民的两家酒帘经常为了利益冲突而拼个你死我活。曾经与顾雄共过患难的周志强与章捷民的妹妹珍妮相恋，令章捷民为之气结。 　　为了珍妮，章捷民与顾雄两帮人马发生大激斗。拉扯之中，章捷民刺死了顾雄，怒火中烧的周志强也误杀了章捷民，事情越闹越大……

Back Street is a 1961 film made by Universal Pictures, directed by David Miller, and produced by Ross Hunter. The screenplay was written by William Ludwig and Eleanore Griffin based on the novel by Fannie Hurst. The music score is by Frank Skinner. The film stars Susan Hayward, John Gavin and Vera Miles. 　　The story follows two lovers who have limited opportunities to get together because one of them is married. 　　It was nominated for Academy Award for Best Costume Design, Color (Jean Louis). Unlike the previous film versions, this one gives Susan Hayward plenty of opportunity to appear in Jean Louis's spectacular gowns. This was a trademark of Ross Hunter's remakes of older "weepies"; he emploied the same method in Lana Turner's versions of Imitation of Life and Madame X. 　　Of all three screen versions of Back Street, this 1961 production took the most dramatic license with the novel. It is different from both the 1932 and 1941 screen versions in many ways - changing the names of several characters and updating the story to what was then the present day. Good examples of how the plotline was sensationalized in this third version are the attempted suicide and the fatal car crash.

A woman's love for and devotion to a married man results in her being relegated to the "back streets" of his life.

作为一档文化专题类节目，《映像》强调多视角反映中华民族的文化流变、着眼深度揭示中国民族、民系的居住地貌、衣食住行、风俗习惯、文化传统以及渊源变化等大型纪录片栏目。

作为一档文化专题类节目，《映像》强调多视角反映中华民族的文化流变、着眼深度揭示中国民族、民系的居住地貌、衣食住行、风俗习惯、文化传统以及渊源变化等大型纪录片栏目。

Hong Kong Butcher tells the story of a looney, sexually inadequate cab driver who takes out his frustrations on hapless women by cutting them up and preserving their genitals a la Ed Gein. Director Jeffrey Lau, credited here as China Chung, begins the film with a 'documentary' segment focusing on the insane folks who inhabit the streets of Hong Kong. Our antagonist fits nicely among them, because he is shamelessly crazy. Any chance he may have at a semi-normal relationship with one girl he meets is dashed when he takes her on a metal-crunching daredevil car ride after first meeting her, then goofily harasses her at her apartment door the following day when she refuses to let him in. At night the guy cruises the streets of Hong Kong in his cab, grabbing a woman now and again to knock unconcious and carry to his apartment where he hacks them up, then has sex with them. He displays his victim's parts in plastic cases, and prances around his apartment in ecstasy looking at them. He shoots pictures of it all and casually takes the photos to be developed at the corner store. 　　Lau populates the film with prostitutes and cabaret singers, which helps to give it an added layer of sleaze. And the soundtrack music is all over the place: there's 80's Asian trash pop, 70's analog synth bubbling, and a healthy sampling of Brian Eno's Music for Films. I really liked how it all worked. Not much story here, just the episodic goings on in the crazy dude's life. Worth checking out, even given the crude subs and substandard sound.

Hong Kong Butcher tells the story of a looney, sexually inadequate cab driver who takes out his frustrations on hapless women by cutting them up and preserving their genitals a la Ed Gein. Director Jeffrey Lau, credited here as China Chung, begins the film with a 'documentary' segment focusing on the insane folks who inhabit the streets of Hong Kong. Our antagonist fits nicely among them, because he is shamelessly crazy. Any chance he may have at a semi-normal relationship with one girl he meets is dashed when he takes her on a metal-crunching daredevil car ride after first meeting her, then goofily harasses her at her apartment door the following day when she refuses to let him in. At night the guy cruises the streets of Hong Kong in his cab, grabbing a woman now and again to knock unconcious and carry to his apartment where he hacks them up, then has sex with them. He displays his victim's parts in plastic cases, and prances around his apartment in ecstasy looking at them. He shoots pictures of it all and casually takes the photos to be developed at the corner store. 　　Lau populates the film with prostitutes and cabaret singers, which helps to give it an added layer of sleaze. And the soundtrack music is all over the place: there's 80's Asian trash pop, 70's analog synth bubbling, and a healthy sampling of Brian Eno's Music for Films. I really liked how it all worked. Not much story here, just the episodic goings on in the crazy dude's life. Worth checking out, even given the crude subs and substandard sound.

偶像组合「极道少女」的妹子原本是黑社会犬金组的男性流氓，因为做错事，被犬金组组长送到了泰国接受了变性整容手术，成为了外表可爱的三名妹子。 　　…