1928年，伊文思第一次赴巴黎，试图探讨摄影机的表现可能性，并在那里拍摄了一部4分钟的短片《对运动的研究》。 　　Images of mostly traffic in Paris, a.o. seen from the appartment of Germaine Krull or shot while walking through the city with her. Here already the influence of the Russina avant-garde films can be seen clearly, e.g. when looking at the diagonal frame compositions.

A definitive history of surfing in Australia, Bombora tells the story of Australian beach culture through our surfing champions, writers, pioneers, entrepreneurs, mavericks, legends, drop-outs, and drop-ins. 　　The two-part series follows the rise of surfing and its culture in Australia, using archival footage and classic Australian music to illustrate its growing importance in Australian society in the 20th century and beyond. From the time we learned to bodysurf, to our first attempts on boards, to Duke Kahanamoku’s 1914 visit which kicked off surfing’s roll to popularity, Australians have taken the surf and made it our own, spawning international legends such as Midget Farrelly, Nat Young and seven-time world champion Layne Beachley, along with global surfwear brands. 　　Set against a changing world, Bombora follows the history of surfing from its maverick early days, through three significant wars and a depression, the development of surf clubs and the ensuing battles between lifesavers and surfers, the sea-change seeking drug culture of the 1970s and its shift to a cleaner, more professional sport in the late 1980s. 　　Bombora interviews a rich seam of Australian characters, including our first surf champion Isabel Letham, author and surfer Tim Winton, legendary surfboard shaper Bob McTavish, accidental entrepreneur and Rip Curl founder Doug Warbrick and former world champion surfers Barton Lynch and Wayne ‘Rabbit’ Bartholomew. It looks at the rise of women surfers, such as Layne Beachley, and the explosion of Australian labels including Billabong, Rip Curl, and Quiksilver, which helped to cement Australia’s position as a global force in international surfing.

Former leaders of the "pray the gay away" movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma.

1949年之后，解放区和国统区的两股文艺力量汇合，如何将中国文艺界统一到为新政权服务的大旗下？1950年，电影《武训传》提供了这种契机，它点燃了文艺为谁服务的问题，在这个问题的拷问下，一批作家作品遭到批判改造，命运被改写。

动物世界中，哪一种生物最快最强？ 　　什么生物能够跳得最远，有谁又能准确一击？ 　　一切尽在这个神奇的动物奥运会当中，场上充满着各类生物支持者的欢呼叫喊声-哺乳类、鸟类、昆虫类、爬虫类及鱼类，各类参赛健儿将竭尽所能争夺六个奥运项目奖牌。 　　为公平起见，所有动物在各项比赛竞技时将被缩放成人类尺码，令比赛结果出人意料。一只一点八五米（1.85M）高以时速八百公里（800KM/H）奔跑的虎甲虫，真的可以在百米赛跑中胜过印度豹或走鹃？太平洋野生鲑鱼与果蝇蛆两位在跳高比赛中决一胜负，另一方面在泳池中，鲛鲨正目击对手企鹅及帆蜥在比赛时因跳出水面而被取消资格……

Writer Kim, who has a backache, moves toward Tongyeong, 　　Makoto, with cold feet, moves to the south of Korea.

15世纪欧洲的某个国家，有一位跳级被大学录取的神童拉法尔。 因为周围的期待，他宣布要进修当时被认为最为重要的学问“神学”。 但是，对于一直都热心投入的天文学，他也难以舍弃。 某一天，他遇到了一个叫休伯特的神秘学者。 据说休伯特因为接触到了基于异端思想的禁忌研究，被关进过监狱。 而他研究的，是和宇宙有关的，冲击力十足的“某个假说”——

艾玛（梅根·沃纳 Meegan Warner 饰）是一档恐怖恶搞类综艺节目的制作人，对于这个靠欺骗和伪造愚弄嘉宾的节目，艾玛感到十分厌倦，她打算在做完最后一期节目后就辞职不干。近期，网络上出现了一些更血腥更暴力更真实却也拥有更多观众的恐怖节目，老板要求艾玛和她的同事兼男友马库斯（伊恩 麦杜思 Ian Meadows 饰）做出能够超越这些节目的作品，否则就要炒掉整个制作组。 　　马库斯将下一期节目的地点选在了一座废弃的疯人院之中，这一次，艾玛负责扮演在医院里工作的护士，以招募园丁之名找来了名为罗汉（乔什·邝·塔特 Josh Quong Tart 饰）的男子。罗汉表面看来安静而又老实，但之后他的种种诡异作为让艾玛开始怀疑，罗汉根本就是一个彻头彻尾的疯子。