In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

The video comes from a recently discovered microchip, estimated to be around 3-4 million years old. It shows two organisms engaged in a continuous conflict, some characters still cannot be recognized.

The video comes from a recently discovered microchip, estimated to be around 3-4 million years old. It shows two organisms engaged in a continuous conflict, some characters still cannot be recognized.

在未来，为应对超常规事件，各国政府联合成立了一个超常规事件处置中心，某日，中心调查官成英和队员们奉命调查一条神秘广播信号的源头，他们穿过山洞来到一个寂静小镇，发现小镇生命全部死亡，来时的山洞又突然消失，更可怕的是，他们还发现了另一个自己..

严重恐艾的子恒恳求男友晨东进行HIV检测，二人就信任问题在宿舍愤怒争吵，子恒试图强行采血。此时，另一名室友正在赶来的路上……

严重恐艾的子恒恳求男友晨东进行HIV检测，二人就信任问题在宿舍愤怒争吵，子恒试图强行采血。此时，另一名室友正在赶来的路上……

墨西哥母亲玛格达勒娜在前往美墨边境寻找失踪儿子的路途中，遇到了不久前被美国驱逐出境的男子米格尔。玛格达勒娜寻子，而米格尔则希望能再见他母亲一面…

住在郊外新兴住宅区的高野医师（村井克行 饰），突然收到一封电子邮件。还在上小学的儿子高野生（神木隆之介 饰），遭遇绑架事件。多摩东警察署刑事课长绪泽(生濑胜久 饰)接获绑架通报后，马上命令主任白砂(内藤刚志 饰)潜入高野家进行搜查。警视厅搜查一课管理官莲见(龙雷太 饰)于是安排掳人绑架事件处理专家的桐子薰(财前直见 饰)参与办案。高野家每天都会收到犯人自电脑上所发出的猜谜信件，唯有破解谜题才能找出线索，找出犯人才能顺利的救出人质。犯人到底是谁？ 　　『电子情迷 QUIZ』是在日本播出之后就造成话题的精彩悬疑剧。紧张的剧情，紧凑的节奏，令人百思不解的谜题，喜欢悬疑推理剧的朋友不容错过。

住在郊外新兴住宅区的高野医师（村井克行 饰），突然收到一封电子邮件。还在上小学的儿子高野生（神木隆之介 饰），遭遇绑架事件。多摩东警察署刑事课长绪泽(生濑胜久 饰)接获绑架通报后，马上命令主任白砂(内藤刚志 饰)潜入高野家进行搜查。警视厅搜查一课管理官莲见(龙雷太 饰)于是安排掳人绑架事件处理专家的桐子薰(财前直见 饰)参与办案。高野家每天都会收到犯人自电脑上所发出的猜谜信件，唯有破解谜题才能找出线索，找出犯人才能顺利的救出人质。犯人到底是谁？ 　　『电子情迷 QUIZ』是在日本播出之后就造成话题的精彩悬疑剧。紧张的剧情，紧凑的节奏，令人百思不解的谜题，喜欢悬疑推理剧的朋友不容错过。