墨西哥母亲玛格达勒娜在前往美墨边境寻找失踪儿子的路途中，遇到了不久前被美国驱逐出境的男子米格尔。玛格达勒娜寻子，而米格尔则希望能再见他母亲一面…

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity 　　In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way.

On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way.

你可知道，人每天要花三分之一时间睡觉，但是在喧嚣吵闹的城市里，高质量的睡眠成为奢侈品。本片探讨了睡眠的历史，比如睡在石头上的原始人、睡在稻草上的中世纪武士、睡在地木头上的百姓还有谁在钉板上的苦行者。都市中人为了养足精神，无时无刻要抓紧睡眠。哄孩子时候可以走路睡觉，听老婆唠叨、听歌剧、打拳击、上班、坐电车，任何时候都要打个盹，即使被老板骂也在所不惜。 　　好不容易拖着疲惫的步伐回到家中，穿上睡衣，却遭遇失眠的痛苦折磨。夜幕降临，彻夜难眠，这该如何是好？

高飞戏剧卡通系列 　　Walt Disney Studios：沃尔特迪斯尼工作室 　　Distributed by经销商： RKO Radio Pictures, Inc.雷电华广播电影公司 　　Cartoon Characters卡通人物： Goofy, Fish.高飞，鱼。 　　Directed By导演：Jack Kinney. 杰克金尼。 　　Produced By公司生产的：Walt Disney. 沃尔特迪斯尼。 　　Animated By通过动画：Ed Aardal, Jack Gayek. 埃德Aardal，杰克Gayek。 　　Originally Released on December 04, 1942：最初发布于1942年12月4日。 　　Originally Released Theatrically：最初发布戏剧。 　　Running Time运行时间： 8 minutes. 8分钟。 　　TechniColor彩色印片法 　　USA 美国

每个人都应该学会游泳，它不仅可以锻炼身体，也是一项不错的放松运动。虽然游泳池不常见，不过我们依然可以在家练习。比如我们的古菲（品托•考维格 Pinto Colvig 配音），他趴在带万向轮钢琴蹬上练习划水，从室内到室外，好吧，固然堵塞了交通，但是起码的手法已了然于心。接着就可以去海边，对人高马大的古菲来说，逼仄的海滨换衣间真是一个大考验。换完了衣服，可以先躺在沙滩上晒晒太阳，木讷的古菲看报吃东西，全然不知道自己已经到了水底。刚刚吃过东西的他面临着抽筋的磨难。游泳学会了，接下来练习跳水。 　　看来，向学会游泳还真是任重道远……

沙耶香（高畑充希 饰）是一个平平无奇的女白领，唯一和别人不同的是，她的运气似乎总是非常的糟糕。某日，又经历了一整天不幸事件的纱耶香拖着疲惫的身躯回到公寓，让她没有想到的是，自己的房门外竟然躺着一个陌生的男人。 　　这个男人名叫阿树（岩田刚典 饰），在他的恳求之下，善良的纱耶香收留了无家可归的阿树，就这样，在不明就里的情况下，纱耶香第一次和一个男人开始了住在同一屋檐下的同居生活。阿树是一个非常奇怪的男人，他最大的爱好就是做家务，阿树喜欢带着纱耶香前往野外，去寻找可以食用的植物，带回去做成美食。在此过程中，纱耶香发现自己千疮百孔的心灵渐渐得到了治愈。