Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. 　　One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. 　　One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

Still hurting after their breakup, Tabby's stunned when she comes face to face with ex girlfriend Heidi at a friend's sleepover. Forced to spend the night together - can they put the past behind them? Or will they fall in love again?

Still hurting after their breakup, Tabby's stunned when she comes face to face with ex girlfriend Heidi at a friend's sleepover. Forced to spend the night together - can they put the past behind them? Or will they fall in love again?

遠く離れた街に住む出会うはずのなかった高校生たちが 週末だけの「恋の旅」で出会う。 ただし、旅の期間は人それぞれ。 そして、決められた時間は誰にも知られてはならない。 “君は明日、いないかもしれないから” その恋は時限装置つき、今すぐ伝えなくちゃ。

会えなくて初めて会いたいって気付いた。 　　出会うはずのなかった遠く離れて暮らす高校生たちが 　　日常と非日常を行き交い恋をする２週間の特別な週末ホームステイ。

该节目让主持人团队前往不同城市，借宿在不同明星家中，以此为契机介绍当地风土人情。在此过程中，各种难以预料的状况不断出现，制造出诸多笑点与特色。

・先週 涙を流した「るな」相談したのは、やーちゃんとしおん！ 　　・煮え切らない「りずむ」に「うた」がおこ？！ 　　・会えない平日「ゆきな」の心に変化が…

会えなくて初めて会いたいって気付いた。 出会うはずのなかった遠く離れて暮らす高校生たちが 日常と非日常を行き交い恋をする２週間の特別な週末ホームステイ。