The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

Jancsi Oláh is in the transitional phase between adolescence and adultness. He is born in 1938, and is now getting his first employment as an electronic engineer. On some TV-screens he happens to see a young lawyer, Éva Halk, who arrests his attention. In his imagination she is the most interesting woman he ever saw. Jansci is part of a closely knit gang of young engineers. They see the older engineers as mediocre, and have grand ideas about developing new inventions together. With changing living conditions the five friends start to grow apart. At a party Jancsi suddenly meets Éva Halk. They fall in love, and find common memories in the engagement in The Pioneer Railway at the age of 12. Both of them also chose to stay in Hungary in '56, when many of their friends fled the country. The sudden death of the gang member Laci in leukemia is a hard blow for them all. The fear of death grabs Éva and Jancsi. They start seeing each other as obstacles to their own development, and drift apart.

作为HoneyWorks 10周年纪念项目，从勇次郎和愛蔵的相遇到LIP x LIP的形成的故事拍成电影！

《享受美吧》节目由睿智美的队长李锐、健康美的代表刘畊宏、女神美的代表柳岩和青春美的代表李川及科技美的代表机器人小绿共同组成“美丽特工队”，为前来求助的素人们解决“美的困惑”，探讨美的标准。话题涉及美的方方面面，整容、护肤、减肥、健身、时尚、美妆都在节目的讨论范围内，而美丽特工队队员将从5个全然不同的视角为素人提供解决方案。每场节目都将由100位现场观众进行投票，得票最低的特工队队员还将接受“美的代价”惩罚。

画家・詩人のアンリ・ミショーによる、彼自身のメスカリン体験を綴った同名エッセイとドローイングに着想を得たアニメーション作品。リズミカルに朗読される詩と、そのイメージを現前させるようなイラストレーションの運動が画面に臨場感をもたらしている。