道尔平时傻里傻气，朋友们都很奇怪道尔怎么突然瘦了，但道尔说，他正在使用性爱减肥法，那些平时不相信道尔胡扯的朋友们，这次却就决定拜道尔为师，并愿意请道尔吃饭作为回报，于是他们开始寻找孤独、需要男人的女人来缓解欲望并以此来为彼此减肥....

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

The daily life of a gay couple living together in Tehran is interrupted by an invisible third presence—the spirit of the ex-boyfriend who died six years ago who has returned and wants to live with them.

家里开炸猪排店的大场信子（相武纱季 饰）从小在炸猪扒和蛋糕中长大，成为了不折不扣的胖妞。成年后被男友以太胖为原由分手的信子痛下决心，经过一番艰苦卓绝的减肥后，信子华丽变身，拥有了苗条的身材，并且获得了一流时尚杂志《EDEN》的工作机会。 　　因为某次外出工作，信子邂逅了一家梦幻的蛋糕店和蛋糕店里高大帅气的王子——金井太一（速水重道 饰）。为了帮助太一，信子不惜狂吃蛋糕帮助太一调制最美味的滋味，于是乎，辛苦经营的身材又逐渐不受控制的反弹。病急乱投医的她吃了有不知名反作用的减肥药，保住了工作，也和太一发展成为了情侣关系。一切都那么梦幻和美好，可那减肥药像个定时炸弹，刺痛着信子和太一……

家里开炸猪排店的大场信子（相武纱季 饰）从小在炸猪扒和蛋糕中长大，成为了不折不扣的胖妞。成年后被男友以太胖为原由分手的信子痛下决心，经过一番艰苦卓绝的减肥后，信子华丽变身，拥有了苗条的身材，并且获得了一流时尚杂志《EDEN》的工作机会。 　　因为某次外出工作，信子邂逅了一家梦幻的蛋糕店和蛋糕店里高大帅气的王子——金井太一（速水重道 饰）。为了帮助太一，信子不惜狂吃蛋糕帮助太一调制最美味的滋味，于是乎，辛苦经营的身材又逐渐不受控制的反弹。病急乱投医的她吃了有不知名反作用的减肥药，保住了工作，也和太一发展成为了情侣关系。一切都那么梦幻和美好，可那减肥药像个定时炸弹，刺痛着信子和太一……

《减肥之外》会告诉你减肥充满了欺骗，骗局，以及商家故意通过向你出售你不需要的东西来赚钱，比如药丸，维生素，草药，甚至手术。当你发现食品公司一直在欺骗公众时，你就会明白为什么大多数人都没有减肥成功了。

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

作为HoneyWorks 10周年纪念项目，从勇次郎和愛蔵的相遇到LIP x LIP的形成的故事拍成电影！