Tre Manchester的处女座 自编自导

物語の中心に据えられたのは、4人の子供たちから愛されている36歳の女。だが幼い頃に受けた心の傷から無意識に影響を受け、彼女は犯行に手を染める。そして顔を整形し、時効までの15年を逃げ切ろうと決意。世間から極悪人と呼ばれるようになり、逃げれば逃げるほど“普通”の顔をした世間の悪意は強まっていく。

片名我们看到的日本 　　系列名《漫游世界》第一集 　　编导张庆鸿 　　摄影张贻彤、封永迎 　　影片本数8 　　色别彩色 　　出品年1983 　　拍摄单位新影 　　内容简介 　　多么漂亮的云海啊！下面就是终年积雪的富士山，我们来到了日本。 　　东京，日本的首都世界第三大城。这里高楼大厦栉比鳞次，街道整洁，但也有像浅草那样传统的井肆，古色古香。当我们游览东京最大商城西武市场时，发现了专门出售北京“同仁堂”“六必居”老字号的名牌商品。 　　日本的交通发达管理有序，特别是时速达250公里的新干线列车，是日本现代化标志之一。 　　奈良，日本古文化摇篮，它是一千二百万多年前，依照唐代长安修建的一座都城。这里有著名的唐招提寺，供奉着东渡日本前来讲经的唐鉴真和尚的干漆像，至今仍有神职人员专门侍奉香火。 　　大阪港、横滨港都是日本最大的港口。在横滨，我们还参观了一条古老的中华街，听到了亲切的乡音，饱餐了一顿中华美食。 　　在访日期间，但我们感受最深而难忘的是：日中两国文化交往和人民友谊，历史源渊，经风风雨雨而长流不断！ 　　1984年第四届中国电影金鸡奖最佳纪录片奖 　　（http://www.cndfilm.com/20110613/104772.shtml）

1990年夏天，埃尔莎和父亲前往法国南部度假。他们在山间的一座房子里与他的老朋友以及他们的四个孩子团聚。大人和孩子们之间快速找回了往日的亲密感。然而，埃尔莎开始暗暗担忧日益加剧的火药味。

1990年夏天，埃尔莎和父亲前往法国南部度假。他们在山间的一座房子里与他的老朋友以及他们的四个孩子团聚。大人和孩子们之间快速找回了往日的亲密感。然而，埃尔莎开始暗暗担忧日益加剧的火药味。

At this moment you can be anywhere, doing anything. Instead you sit alone before a screen. So what is stopping us from doing what we want, being where we wanna be? 　　Each day we wake up in the same room, following the same path to live the same day as yesterday. Yet at one time, each day was a new adventure. Along the way something changed. Before, our days were timeless, now our days are scheduled. Is this what it means to be grownup, to be free, but are we really free? Food, water and land, the very elements we need to survive are owned by corporations. 　　If you try to take what earth provides you’ll be locked away, so we obey their rules. 　　We discovered the world through a text book, raised not to make a difference in this world, raised to be no different. Smart enough to do our job, but not to question why we do it. So we work and work left with no time to live the life we worked for. 　　If you live in America there is a 41% chance you will get cancer. Heart Disease will kill one out of 3 Americans. 　　We’re told that everything could be solved by throwing money at scientists so that they can discover a pill that makes our problems go away. But the drug companies and cancer societies rely on our suffering to make a profit. We think we running for a cure but really we running away from the cause. Our body is a product of what we consume and the food we eat is designed purely for profit. We fill ourselves with toxic chemicals, the bodies of animals infested with drugs and diseases. 　　But we don’t see this. The small group of corporations that own the media don’t’ want us to. Surrounding us with a fantasy we’re told is reality. 　　It is not too late, we can change it.

At this moment you can be anywhere, doing anything. Instead you sit alone before a screen. So what is stopping us from doing what we want, being where we wanna be? 　　Each day we wake up in the same room, following the same path to live the same day as yesterday. Yet at one time, each day was a new adventure. Along the way something changed. Before, our days were timeless, now our days are scheduled. Is this what it means to be grownup, to be free, but are we really free? Food, water and land, the very elements we need to survive are owned by corporations. 　　If you try to take what earth provides you’ll be locked away, so we obey their rules. 　　We discovered the world through a text book, raised not to make a difference in this world, raised to be no different. Smart enough to do our job, but not to question why we do it. So we work and work left with no time to live the life we worked for. 　　If you live in America there is a 41% chance you will get cancer. Heart Disease will kill one out of 3 Americans. 　　We’re told that everything could be solved by throwing money at scientists so that they can discover a pill that makes our problems go away. But the drug companies and cancer societies rely on our suffering to make a profit. We think we running for a cure but really we running away from the cause. Our body is a product of what we consume and the food we eat is designed purely for profit. We fill ourselves with toxic chemicals, the bodies of animals infested with drugs and diseases. 　　But we don’t see this. The small group of corporations that own the media don’t’ want us to. Surrounding us with a fantasy we’re told is reality. 　　It is not too late, we can change it.

熊野遥風は、家族と価値観が合わず、大学進学を機に実家を飛び出し、ベンチャー企業で活躍していた。しかし、目標達成のためには手段を選ばない性格が災いし、パワハラを理由に退職に追い込まれる。復讐心に燃える遥風は、自ら事業を立ち上げて見返そうとするが、資金の工面に苦戦。母の訃報をきっかけに実家に戻った遥風は、3兄弟に実家を売って現金化することを提案する。興味のない姉と、断固反対する兄と弟。野望に燃える遥風は、家族を実家から追い出すため、「家族自立化計画」を始める―。

熊野遥風は、家族と価値観が合わず、大学進学を機に実家を飛び出し、ベンチャー企業で活躍していた。しかし、目標達成のためには手段を選ばない性格が災いし、パワハラを理由に退職に追い込まれる。復讐心に燃える遥風は、自ら事業を立ち上げて見返そうとするが、資金の工面に苦戦。母の訃報をきっかけに実家に戻った遥風は、3兄弟に実家を売って現金化することを提案する。興味のない姉と、断固反対する兄と弟。野望に燃える遥風は、家族を実家から追い出すため、「家族自立化計画」を始める―。

影片围绕一名失明的女子(布蕾克·莱弗利饰)和其丈夫展开(杰森·克拉克饰)，随着视力慢慢恢复，她看到了婚姻背后令人不安的真相。