Filmed with a Bolex camera, Unstable Rocks offers a meditative exploration of the Portuguese landscape, where geology, animals, and human presence seamlessly merge. Shifting between black and white and colour, the film lingers on rocks, animals, religious imagery, and quiet, everyday moments. The rhythmic pace invites contemplation of time, the landscape, and the subtle traces left behind by both human presence and the natural world.

Filmed with a Bolex camera, Unstable Rocks offers a meditative exploration of the Portuguese landscape, where geology, animals, and human presence seamlessly merge. Shifting between black and white and colour, the film lingers on rocks, animals, religious imagery, and quiet, everyday moments. The rhythmic pace invites contemplation of time, the landscape, and the subtle traces left behind by both human presence and the natural world.

地球有释放极端灾害的能力，火山、地震、飓风和洪水都有着极大的破坏力。我们也许认为已经见过大自然母亲最无情的一面了，但随着科学家的进一步探索，我们发现过去有着更极端的灾害事件。火山的威力足以杀死数百万人，使建筑土崩瓦解。飓风在温暖的海面上积聚力量，能够跨越数百公里，成为了“死亡”和“毁灭”的代名词。水是生命之源，但水也拥有毁灭的力量，那种力量叫——洪水。这些强大的急流每年可夺走大约两万五千人的生命。但这还不是最可怕的，据说在久远的年代，大自然显示过更大的威力。

Picture three places. 1. A workshop in Germany where we follow the making of a prosthetic hand. 2. A traditional glove-making workshop in Millau, in the south of France. 3. A jeans factory in Istanbul, illustrating large-scale industrial production. A succession of three workplaces, but with a common viewpoint and subject: the relationship between the hand and the machine, the work and the material, all of them patiently and rigorously observed. Daniel Eisenberg scrutinises these interactions and gestures meticulously, and he pays close attention to each action involved and to the time required for each operation, from the starting point to the finished forms. With this film, Eisenberg continues the work he started with his previous one, The Unstable Object (FID 2011), in which he also used a triangular structure to compare the work in a high-tech car factory in Dresden, then in an antiquated clock repair shop in Chicago, and finally in a cymbal factory in Istanbul. From one production site to the next, the film focuses on hands, bodies, images: reconstructed bodies, modelled bodies, dressed bodies. And on the social body as well – either collective bodies at work, or their images, shaped by the very objects which are being produced. The patience of an attentive camera and the fascinating rhythm of this choreography let the gestures fully unfold. The geography of production modes also shapes the story it underlies, like the globalisation of exchanges. And what is also paramount here is that the time it takes to make the objects seems to mirror the experience of the viewer watching the film, like an echo between absorbed gazes, theirs like ours. A nice piece of actual work from the gaze and the mind about the ever so unstable object that is work. 　　源自：https://fidmarseille.org/en/film/the-unstable-object-ii/

Film of Simon Fisher Turner's new album, Instability of The Signal, directed by Japanese filmmaker Isao Yamada.

24岁的冴岛千岁（大原樱子饰），因为小时候经常被骗、被羞辱，所以变得“非常讨厌说谎”。因为这个原因，辞去小学教师的工作，突然跳槽到艺能事务所。并…

四个手无寸铁的女人，一场夺命的富贵奇谋，安娜为了摆脱困苦的生活，下嫁于墨西哥毒贩头子，并搬迁到墨西哥生活。尽管丈夫日进斗金，却常常对她拳打脚踢，终于，愤怒的安娜纠集了此前的姐妹，四女子打算展开一场既能复仇，又可富贵的计划。

「ただ、あなたを理解したい」は現実と夢、友情と愛に向き合いながら成長する若者たちの青春群像劇。東京での生活に行き詰まった祐也は、恋人の葵を伴い久しぶりに故郷に帰省し、昔の仲間と過ごした秘密基地を訪れる。かつては春樹、由衣香、ななみ、康二たち幼なじみと大切な時間を共有する特別な場所だったが、時が経ち、それぞれの問題や葛藤に向き合う中で、今は現実逃避の場所となっていた。

「ただ、あなたを理解したい」は現実と夢、友情と愛に向き合いながら成長する若者たちの青春群像劇。東京での生活に行き詰まった祐也は、恋人の葵を伴い久しぶりに故郷に帰省し、昔の仲間と過ごした秘密基地を訪れる。かつては春樹、由衣香、ななみ、康二たち幼なじみと大切な時間を共有する特別な場所だったが、時が経ち、それぞれの問題や葛藤に向き合う中で、今は現実逃避の場所となっていた。

97年度ピンク映画大賞最優秀作品賞を受賞した『思いはあなただけ』の第2弾。ゲイ絡みの事件に巻き込まれた探偵の男を通して、男同士の激しい友情や愛情を描く。