程序员林泽言因五年前车祸失忆，生活极规律。新同事乔依依打破平静，她知林泽言咖啡过敏，车祸往事，还提及其未婚妻苏黎的代号，黎明的光，更画出他与苏黎初遇场景。林泽言赴约时，乔依依自称苏黎，却因对莫奈画作冷淡露破绽，终坦白是苏黎双胞胎妹妹苏依依，为查姐姐车祸真相而来。二人从对峙到合作，发现，创世科技，的，记忆重构，项目，苏黎曾是核心研究员。结尾二人相视而笑，埋下伏笔。

what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. 　　and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). 　　unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. 　　but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. 　　go innocently.

乔言心重生回 2025 年 7 月 30 日，距与喻书白订婚宴剩 24 小时，誓避上一世被闺蜜林薇薇推下天台的悲剧。她拒喝林薇薇递的牛奶，应对其制造的礼服污渍等麻烦。订婚宴上，乔言心揭穿林薇薇下药、换方案等恶行，还拿出其带陌生男人回家、盗手串的证据。后林薇薇篡改数据、谋陷害，均被乔言心化解。乔言心将林薇薇挪用公款证据给喻书白，林薇薇被逐。二人相拥承诺共对未来，但林薇薇的威胁预示风波未平。

A disaffected couple are forced to face their demons when they become ensnared in the malefic cycle of a mysterious café.

A disaffected couple are forced to face their demons when they become ensnared in the malefic cycle of a mysterious café.

Ukrainian surgeon Serhiy is captured by the Russian military forces in the conflict zone in Eastern Ukraine and while in captivity, he is exposed to horrifying scenes of humiliation, violence and indifference towards human life. After his release, he returns to his comfortable middle-class apartment and tries to find a purpose in life by rebuilding his relationship with his daughter and ex-wife. He learns how to be a human being again, how to be a father and help his daughter, who needs his love and support.

Ukrainian surgeon Serhiy is captured by the Russian military forces in the conflict zone in Eastern Ukraine and while in captivity, he is exposed to horrifying scenes of humiliation, violence and indifference towards human life. After his release, he returns to his comfortable middle-class apartment and tries to find a purpose in life by rebuilding his relationship with his daughter and ex-wife. He learns how to be a human being again, how to be a father and help his daughter, who needs his love and support.

【影片简介】 　　撩起帷幔 　　透过这隐秘的庸常 　　望到正在消逝的熙攘 　　记起了 互为彼此的延伸 　　这邂逅如此短暂 　　犹如翻转镜片中的倒影 　　稍一停顿 　　皆成记忆 　　时光穿越生命中的不同空间——居所内外的世界、北方与南方……影片尝试以个人的方式，反刍对时间和生命的感悟，踏上一次记忆的旅途。 　　【作者阐述】 　　表达和交流可以在作品中尽兴地完成，多好啊。 　　曾以为自己是那个套上铁链舞蹈的人，因为选择了纪录片。如今，在这同样宽广的领域里旅行，不只为边境的探索或穿越。种种欣喜与领悟，因他人而丰厚了。 　　【作者简历】 　　沙青：1965年生于北京，纪录电影作者。2001年拍摄第一部纪录片。现居于云南。 　　【作品年表】 　　在一起的时光（2001） 　　消逝的倒影（2011）

When chemical warfare leaves the world barren and filled with mutated monsters, a band of survivors in an underground complex battle one of the creatures that was able to break in.

问题少女艾希莉母亲去世，而姐姐更是远去求学，而她寄养于塔尼亚阿姨家(母亲的家乡)，而她的生活并不平静，她被母亲可怕的幻影折磨的心神不宁。当然可怕的还在后面。