The Sea is Also Yours deals with the abortion issue in Cuba.

The Sea is Also Yours deals with the abortion issue in Cuba.

随着象征大阪日雇劳动者街区釜崎的“爱邻劳动福祉中心”于2019年封闭，在关西世博会临近、绅士化进程加速的背景下，本片追踪那些曾在此街求生的灵魂——自曝惊人出身者、控诉社会结构者、与动物共生者、渴求死亡者。长镜头直面每个个体的独白，迫使观众想象那些未直接呈现的人生轨迹。最终，导演将听觉延伸至那些在此街逝去的无名者的声音。

随着象征大阪日雇劳动者街区釜崎的“爱邻劳动福祉中心”于2019年封闭，在关西世博会临近、绅士化进程加速的背景下，本片追踪那些曾在此街求生的灵魂——自曝惊人出身者、控诉社会结构者、与动物共生者、渴求死亡者。长镜头直面每个个体的独白，迫使观众想象那些未直接呈现的人生轨迹。最终，导演将听觉延伸至那些在此街逝去的无名者的声音。

随着象征大阪日雇劳动者街区釜崎的“爱邻劳动福祉中心”于2019年封闭，在关西世博会临近、绅士化进程加速的背景下，本片追踪那些曾在此街求生的灵魂——自曝惊人出身者、控诉社会结构者、与动物共生者、渴求死亡者。长镜头直面每个个体的独白，迫使观众想象那些未直接呈现的人生轨迹。最终，导演将听觉延伸至那些在此街逝去的无名者的声音。

2017年，离家五年的南宫宇回国，解救了吴洁恩。对洁恩来说，南宫宇就像宇宙神秘的冥王星，让她心动着。但是洁恩却与南宫宇有着无法抹灭的羁绊，洁恩爸爸—吴强博士就是南宫宇哥哥死亡的纵火嫌疑犯。南宫宇辗转得知时光机的秘密，于是，2017年的南宫宇，来到了2012年。

改编自小说《北大差生》，讲述了学渣周林林和“隔壁家的学霸”方予可之间的酸甜爱情故事。本以为高考结束就可以分道扬镳，没想到阴差阳错，两人一同考进了全国最高学府的最冷门专业——畜牧系。为了弥补曾经无意间给方予可造成的“初恋创伤”，周林林千方百计帮方予可追回“校花初恋”，自己却在不知不觉中掉进了青春的陷阱…毕业季即将来临，深藏你青春回忆深处的那个 TA 是否还在你的身边？

学渣周林林的整个青春被“隔壁家的学霸”方予可折磨得苦不堪言。本以为高考结束就可以分道扬镳，没想到阴差阳错，两人一同考进了全国最高学府的最冷门专…

All of Your Stars Are but Dust on My Shoes tracks the public administration of light and darkness as an essential policing tool. The video moves between cities like New York and Paris, with the artist's native Beirut setting the central pulse. Creating an associative genealogy that moves from whale oil lamps to gas lanterns to LED bulbs, from blackouts to curfews, the video is comprised of found footage and material from Aivazian’s own phone. Layering, splicing, and confronting disparate kinds of sound and image, the artist generates a sensorial meditation on how the fundamentals of human vision—light hitting the retina—were mechanized into tools that capture our movements, be it in everyday life or on screen. (Haig Aivazian)

All of Your Stars Are but Dust on My Shoes tracks the public administration of light and darkness as an essential policing tool. The video moves between cities like New York and Paris, with the artist's native Beirut setting the central pulse. Creating an associative genealogy that moves from whale oil lamps to gas lanterns to LED bulbs, from blackouts to curfews, the video is comprised of found footage and material from Aivazian’s own phone. Layering, splicing, and confronting disparate kinds of sound and image, the artist generates a sensorial meditation on how the fundamentals of human vision—light hitting the retina—were mechanized into tools that capture our movements, be it in everyday life or on screen. (Haig Aivazian)