在妻子突然去世，与两个女儿关系破裂后，约翰·摩尔和他最好的朋友查理·怀尔德决定从纽约长岛骑摩托车到西海岸。在这个现代的西方国家，他们会想起这个国家所提供的美丽，遇到许多有趣的人，面对过去的错误，寻求解脱时，他意外地发现生活就是向前走，一次一英里。

在妻子突然去世，与两个女儿关系破裂后，约翰·摩尔和他最好的朋友查理·怀尔德决定从纽约长岛骑摩托车到西海岸。在这个现代的西方国家，他们会想起这个国家所提供的美丽，遇到许多有趣的人，面对过去的错误，寻求解脱时，他意外地发现生活就是向前走，一次一英里。

驹井（渡边大一 饰）买下了世代居住在奈良县御所市的梅本（桐竹勘十郎 饰）的一栋旧房子，并从大阪搬来翻修。 当梅本赶来查看装修情况时，他向驹井讲述了这座古城和在这座房子里度过的时光，行路中的风景也在两人眼前逐渐展开。

時任謙作(池部)には出生の秘密があった。謙作は、父(中村)のドイツ滞在中、母(文野)と祖父との間に生まれた子供だった。幼馴染の愛子との縁談がご破算になったのも、この事が原因であった。 　　そんな彼は、放蕩を重ねる荒れた生活を送るようになった。謙作は、祖父の死以後、その妾であったお栄(淡島)と２人で暮していた。やがて、お栄を女として意識するようになっていた。 　　年齢も上で、実際には父であった祖父と交渉のあったお栄に、そんな気持を抱くようになった自分を持て余した謙作は、旅行に出ることを思い立った。 　　そこで彼は、尾道へ行くことにした。そして、謙作はお栄との結婚の決心を兄の信行(千秋)に書き送った。その時に、始めて出生の秘密を知らされたのである。 　　謙作の父はこの結婚話に激怒して反対し、お栄も謙作の申し出を固辞した。それを知って、彼は再び東京を去り京都へ向かった。 　　そして、宿の近くに療養に来ている老人に附添う娘(山本)を見初めた。友人の高井(北村)や石本(仲谷)らの助力で、直子と呼ぶその娘に結婚を申込み縁談は整った。 　　結婚した謙作夫婦は、南禅寺北の坊の草葺屋根の新居に住んだ。お栄は、従姉のお才(杉村)の勧めで中国へ渡ることになった。 　　だが、盗難に遭った上に病気になってしまった。謙作は金の工面をして、困窮しているお栄に送ってやった。 　　やがて、謙作と直子の間に男の子が生れたが、生後間もなく丹毒で死んでしまった。そんな折、またお栄から窮情を訴える便りがあり、謙作は朝鮮まで行きお栄を連れて帰った。 　　帰宅してみると、なぜか妻の直子との間に違和感が漂うのが感じられた。謙作の留守中に、彼女の従兄の要(仲代)が泊っていったと言う。 　　その要と直子の間に間違いが起ったのだ。謙作は散々に悩んだが、直子を許す決心をした。そして、転機を求め、１人で鳥取へ旅に出た。 　　彼は、伯耆大山山麓の蓮浄院と呼ぶ寺に寄宿した。静かな日々の中で過ごし、やがて日増しに心が落着いていくのを感じるのだった。 　　そんな謙作がある日のこと、登山の一行に加わり、コレラに罹って倒れた。直子が慌てて駈けつけて来た。病床に横たわる謙作の眼は優しく、愛情に満ちた穏やかな表情をしていた。 　　直子も、高熱に喘ぐ彼の横顔を見詰めながら、「助かるにしろ、助からないにしろ、わたしはこの人について行く」と、どこまでも謙作に着いて行こうと決心したのだった。(１９５9（昭３４）年　　　東宝　　　１９５９(昭和３４年キネマ旬報ベストテン１２位)

Memories of Argentina in the early 1950s bring a man back (in his mind) to his neighborhood, his family, and their hardware store. Alth ough the barrio was filled with people both for and against Juan Perón who was in office as President at this time, the bonds of friendship were stronger than political differences. This view, and the view held throughout the film is that of the man as a young child. Newsreel clips and scenes of Evita Perón's funeral insert an adult perspective, though there is still an element of indecision throughout the film as to which perspective should hold. 　　"Espérame mucho" ("Keep Waiting For Me") is an Argentinian film released in 1983 and based on a short story by Isidoro Blaisten. The action takes place in 1950 and the viewer is able to get a feel for the time from the very first scenes, which consist of TV reporting typical for countries under a centralized economy. The story is told in the first person, in a memoir fashion, with a neat transition between the introductory words of the narrator ” I am 41 years old. In 1950, I was in fourth grade” and the actual story observed through his eyes as a child. 　　Juancito (played by the eleven year old Federico Olivera) is the main protagonist of the story. He is a regular boy who does his lessons under his mother’s supervision while awaiting impatiently for six o’clock so he can hear the story of his favorite hero on the radio -- Tarzan. A lot of political turmoil is happening in Argentina at that time and it causes the young boy to wonder why his mother is referring to his uncle as “A Quixote” instead of ” A revolutionary”, as he sees him. In the later scenes, it becomes clear that the boy compares his uncle with his father -- admiring his uncle for his courage and disapproving of his father who “never speaks up” and always follows the demands of his wife. And Juancito is not afraid to say that to his father’s face, using the words “everyone bosses you around”. At the same time, he relates more to his uncle who sometimes joined the boys in their football games “We loved it when my uncle Migel got the ball. He’d forget politics and play like a child. We all envied him.” 　　Juansito is in love with a girl and the scene in which he gives her a present made my him is one of the most heart warming scenes I have seen in a film. Yet, he soon finds out how unfair life can be…. Generally speaking, the film has some quite touching scenes which alternately brought tears to my eyes or a smile to my face. 　　The cast did an incredible job in the film. Throughout the story, told through the eyes of Juancito, the viewer can appreciate the similarities, differences and beliefs of people from various social classes in Argentina during 1950. The abundance of documentary cadres contributes to the educational value of the film. It accurately portrays the history and the epoch in which the action is set. I believe that everyone who sees this film once will have gained a knowledge and a wisdom - because even as the years change, we today still share the same joys and fears as did the people in 1950. 　　Espérame mucho has some of the most powerful ending phrases that I have seen in any coming of age film. I could not resist quoting them in my review as I believe they represent its core message and will lead to a desire for you to see it: 　　“looking back on those days, the affection of these people, their faces and smiles, I feel the weight of these 30 years. When I left Tarzan, defender of the meek and justice, a wound opened up, for me and for many others and it hasn’t healed yet. The many things that happened buried the enthusiasm …. I am 41 years old. With time, I discovered why Tarzan wasn’t enough ….and I lost my childhood innocence “ 　　When released in 1983, in the last few months of the military rule in Argentina, Esperame Mucho was subject to severe censorship by the regime. After the regime ended, the film was delivered without cuts in its various television displays. 　　I would not hesitate to recommend this film - not only to the fans of the coming of age genre, but to anyone who is interested in watching a high quality cinema production. Despite being produced in 1983, Esperame mucho is a film from which many of today’s filmmakers may learn. 　　The Sky Kid

改编自王定国小说《谁在暗中眨眼睛》的短篇《妖精》。这部电影卡司强大，由金马影帝陈以文和金马影后陈湘琪联手饰演一对夫妻，探讨女性中年婚姻危机和人生课题。

如果中年人生是一场修行，该期待的是顿悟，还是在矇眼的黑暗中放慢呼吸？模范主妇严太太在买菜煮饭、带狗看医生的琐碎日常中，持续过着灵修人生；上班无…

长安城外，金蝉子转世的唐僧踏上西行之路，他并非天生神通的佛陀，而是带着凡僧的怯懦、迷茫与慈悲，以 “渡己渡人” 为初心，开启一场步步升级的修行之旅。这趟西行从不是简单的取经赶路，而是一场涵盖境界、心性、能力的全方位升级试炼。

一场意外，夏星河救下了慕长风，从此却被他赖上，他宠她爱她呵护她，而她一看到他就想逃跑。有人欺负她，他霸气护妻！