战斗的道路一波三折，但正义终将战胜邪恶。培撒人民和游击队并肩作战，致使意大利侵略者节节败退。受苦受难的国家即将独立，阿尔巴尼亚人民即将迎来胜利的春天。

战斗的道路一波三折，但正义终将战胜邪恶。培撒人民和游击队并肩作战，致使意大利侵略者节节败退。受苦受难的国家即将独立，阿尔巴尼亚人民即将迎来胜利的春天。

剧情梗概： 　　影片的第一个镜头：清晨，烟雨濛濛的江南，破旧的住宅楼下，一位老人在打太极拳。随后，这位83岁的老人面对镜头开始讲述他一生的经历。小学时中共地下党音乐老师对他影响很大，大学时在上海秘密加入中共地下党，并打入汪伪政府的特务组织。解放南京时他是渡江部队35军的政委。1949年后在历次政治运动中遭到迫害，当年同为中共地下党的妻子在反右运动中被迫害致死，他本人在文革期间多次被批斗，一条腿被打残，一人带着三个女儿终身不曾再婚。改革开发以后，他当了杭州某大学的校长。现在他的生活就是看书、唱歌和练气功。 　　导演阐述： 　　南京渡江纪念馆请我帮助拍摄当年渡江战役老战士的资料，在采访了几位老战士之后，这位老人是唯一能够打动我的，在和他相处的几天时间里，他用平和、舒缓的语调讲述了他波澜壮阔前半生和历经坎坷的后半生。他的人生经历正是那个时代的缩影，反映了整整一代中国人的历史。于是，我放弃了纪念馆的资料拍摄工作，决定以他个人的讲述创作一部纪录片。他在晚年写了一本回忆录叫《道路》，并自费印刷赠送朋友，在拍摄结束时他也赠送了一本给我。这部纪录片的片名就借用了他的书名。

剧情梗概： 　　影片的第一个镜头：清晨，烟雨濛濛的江南，破旧的住宅楼下，一位老人在打太极拳。随后，这位83岁的老人面对镜头开始讲述他一生的经历。小学时中共地下党音乐老师对他影响很大，大学时在上海秘密加入中共地下党，并打入汪伪政府的特务组织。解放南京时他是渡江部队35军的政委。1949年后在历次政治运动中遭到迫害，当年同为中共地下党的妻子在反右运动中被迫害致死，他本人在文革期间多次被批斗，一条腿被打残，一人带着三个女儿终身不曾再婚。改革开发以后，他当了杭州某大学的校长。现在他的生活就是看书、唱歌和练气功。 　　导演阐述： 　　南京渡江纪念馆请我帮助拍摄当年渡江战役老战士的资料，在采访了几位老战士之后，这位老人是唯一能够打动我的，在和他相处的几天时间里，他用平和、舒缓的语调讲述了他波澜壮阔前半生和历经坎坷的后半生。他的人生经历正是那个时代的缩影，反映了整整一代中国人的历史。于是，我放弃了纪念馆的资料拍摄工作，决定以他个人的讲述创作一部纪录片。他在晚年写了一本回忆录叫《道路》，并自费印刷赠送朋友，在拍摄结束时他也赠送了一本给我。这部纪录片的片名就借用了他的书名。

FADED ROADS (1994) (2:30) 　　A country song about life on the highway, searching for lost love. This short is a wonderful blend of Bill's classical surreal animated style and a more spare rotoscoped look.

维多利亚是一名单身母亲，和女儿阿丽娜过着相依为命的生活。维多利亚买下了一套苏联时期的高层公寓，这间公寓地段好房型好装修好价格还低，为了得到这套公寓，维多利亚不惜向老板借了一笔巨款，发誓以后天天做牛做马来还债。 　　实际上，在这间公寓里，住着一个家养小精灵（彼得·纳塔罗夫 Pyotr Natarov 饰），房产经纪人利用小精灵的存在来赶走买下公寓的人，再用低价将公寓专卖出去，如此往复，牟取暴利。维多利亚母女两入住没多久，小精灵就开始了他的捣乱，但是善良的阿丽娜并没有将小精灵视为邪恶的化身，而是始终以童真的单纯的眼光看待他，久而久之，小精灵被阿丽娜感化了。

Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows : 　　The merchant Yquem buys his dear wife a beautiful jewel with matching earnings in a place where the city's underworld trades in fake and stolen jewelry. By chance, Yquem spots a man with whom his wife had an affair in the past. Yquem follows him to a hotel where he will write him a letter imitating his wife's hand writing. The letter invites the man to a public place where Yquem can spy on them and try to discover whether there is still something between them. 　　This early Fritz Lang film, "Vier Um Die Frau" (Four Around a Woman) was found by chance some years ago at the "Cinemateca De Sâo Paulo", a great present for the German aristocracy and even for the longhaired moviegoers, because it prefigures much of "Dr. Mabuse", (corruption in the upper class-a very habitual practice-unscrupulous upstarts, blackmail, low class criminals, social tension.) and in the opinion of this German aristocrat, provides one of the most outstanding titles of Lang's first period. This film has excellent editing that gives vigour, speed and emotion to a story of an underworld rife with treachery and betrayal as well as a complex tale of unrequited love. The film builds to a crescendo of narrative strength that reminds one of episodes of "Die Spinnen" made by Herr Lang a year before. 　　The acting is exceptional and the performers resist the temptation to overacting that might be expected in such melodrama. As the heroine, Carola Toelle is especially good and admirably conveys the doubts, secret desires and frustration that her character suffers. An excellent counterpoint is provided the character of her friend and confidant, a perfect vamp, who provides bad advice and is without scruples, quick to use flirting to build up her social position... Rudolf Klein-Rogge has to be mentioned, as his performance makes one recall the exceptional character Dr Mabuse, that he will immortalise two years later. The excellent main actors are given equally good support in the minor roles. 　　It is worth mentioning as well the great photography of Otto Kanturek and the film production by Ernst Meiwers and Hans Jacoby. The importance of "Decla-Bioscop"'can be seen in the first rate production values that are so abundant in the film (great manors, hotel lobbies, the stock exchange, etc) and on the other hand the realistic depiction of less auspicious surroundings: ragged and wretched slums streets filled with the kind of characters you might expect in such places. A minor point but also a real curiosity is the inclusion of a poster for another "Decla Bioscop" production that can be glimpsed in a theater lobby.

在德国统治的艰难岁月里，孩子们结束了无忧无虑的生活，帮助着游击队员们。大人为他们的勇敢行为感到十分高兴，并鼓励他们严守秘密，团结更多的孩子。大人们看到了新一代革命者在茁壮成长。本片反映了处于水深火热中的儿童逐渐接受革命思想，并开始成长为革命战士。战火浇灭了孩子们的童年幸福，但却洗涤了新一代的革命少年，使之为捍卫祖国和土地而奋斗不息。

Set in New Zealand in 1864, follows the story of a crucial conflict of the nation's first land warfare, fought between Maori and colonial soldiers against insurmountable odds.