暂无剧情简介

暂无剧情简介

The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. 　　The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system. 　　The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate. 　　Part 1 comments on: 　　■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher 　　■"Konkurs" ("Audition," 1963) by Miloš Forman 　　■"Křik" ("The Cry," 1963) by Jaromil Jireš 　　■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt 　　■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm 　　■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec 　　■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer 　　■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa 　　■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos 　　■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra 　　■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová 　　■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel 　　Part 2 comments on: 　　■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko 　　■"Stud" ("Shame," 1967) by Ladislav Helge 　　■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík 　　■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner 　　■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil 　　■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek 　　■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz 　　■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová 　　■"Pasťák" ("The Decoy," 1968) by Hynek Bočan 　　■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček 　　■"322" ("322," 1969) by Dušan Hanák 　　■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta 　　■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

这是一部反映当今社会的人们对广告的盲目信任度究竟有多严重的影片，片中的两个主人公以捷克斯洛伐克的市民为对象，进行对广告的真实和虚假的试验。

The breakthrough moments of our modern history since the founding of the Czechoslovak Republic in 1918 culminated in the collapse of the CSFR in 1992 from the point of view of their main actors. Decisions whose consequences dramatically reflected in people's lives and influenced the direction of our nation for a long time.

书店店员正在整理书架，这时奇怪的事情发生了……

《捷克古老传说》为木偶动画史上的先驱伊里·特恩卡在捷克政府指示下，以民族历史神话为蓝本制作而成的木偶动画长片，共分为七个段落，分别讲述了捷克古老神话中的英雄人物和民俗故事。影片凭借其出色的镜头运动，灯光、场景及角色设计，以及整体的故事讲述方式，成为了动画史上颇具影响的影片之一。

本人捷克造是一部以诙谐手法拍摄的捷克青年从共产主义童年逐渐成长的影片.

本人捷克造是一部以诙谐手法拍摄的捷克青年从共产主义童年逐渐成长的影片.