台拉维夫旧城区的小巷弄裡，生性固执的古董修复师死守一家债务累累的老店舖，偏偏当律师的儿子又极力说服他卖掉古董店退休，只有刚领进门的年轻学徒理解老师傅的毕生梦想。父子间的难解情仇，加上学徒与儿媳不伦相恋，终于爆发成家庭战争。究竟该放开过去，或是将未来赎回？老师傅生命中最后一次出手，要修复的，不只是古董，更是他和深爱之人的人生。一场情感的文艺复兴就要开始。 　　一如片中的古董师傅，导演约瑟夫麦德莫尼以镜头细磨再现日常事物之肤表，从败毁街道到散落的旧家具，光影中皆呈现润泽之色调。时移事往，我辈孤雏，面对血缘或者技艺上的继承者，如何传承生活，亦便是如何传承爱。修复师遂成为我们快速更新时代裡最忧伤的注脚。

台拉维夫旧城区的小巷弄裡，生性固执的古董修复师死守一家债务累累的老店舖，偏偏当律师的儿子又极力说服他卖掉古董店退休，只有刚领进门的年轻学徒理解老师傅的毕生梦想。父子间的难解情仇，加上学徒与儿媳不伦相恋，终于爆发成家庭战争。究竟该放开过去，或是将未来赎回？老师傅生命中最后一次出手，要修复的，不只是古董，更是他和深爱之人的人生。一场情感的文艺复兴就要开始。 　　一如片中的古董师傅，导演约瑟夫麦德莫尼以镜头细磨再现日常事物之肤表，从败毁街道到散落的旧家具，光影中皆呈现润泽之色调。时移事往，我辈孤雏，面对血缘或者技艺上的继承者，如何传承生活，亦便是如何传承爱。修复师遂成为我们快速更新时代裡最忧伤的注脚。

该剧由齐藤勇贵(《unmet 某脑外科医的日记》)执导，《孤狼之血》编剧池上纯哉操刀剧本，松冈茉优饰演的沼田文凭借天才般的手术技术，坚持以“救命”为信条，却从整形外科医生转行成为美容外科医生；仲里依纱饰演的远山凛是一名以“通过赋予美丽来拯救人”为目标的魅力型美容外科医生。剧情将描绘两人之间的对立、愈演愈烈的美容整形热潮，以及追求美丽的人们的矛盾与生存困境。

该剧由齐藤勇贵(《unmet 某脑外科医的日记》)执导，《孤狼之血》编剧池上纯哉操刀剧本，松冈茉优饰演的沼田文凭借天才般的手术技术，坚持以“救命”为信条，却从整形外科医生转行成为美容外科医生；仲里依纱饰演的远山凛是一名以“通过赋予美丽来拯救人”为目标的魅力型美容外科医生。剧情将描绘两人之间的对立、愈演愈烈的美容整形热潮，以及追求美丽的人们的矛盾与生存困境。

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

Kiarostami presents two cases for talking heads to evaluate in terms of morality, rights and responsibilities. Case One: Your son is in class, sitting in the back row. His teacher is writing on the board. A restless student in the back row makes a lot of noise. Not knowing who the culprit is, the teacher makes all the children sitting in the last two rows stay outside of the class until the weekend, unless they tell him who made the noise. After a few days spent outside of the classroom, your son relents and tattles on the boy who made the noise, so he can go back in and continue learning. Was he in the right? Case Two: The other students from the back row wait out the rest of the week outside of the class, before returning. Were they in the right?

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.

A disturbing and gruesome shockumentary film on the real life horrors committed by psychotic killers.

In the near future, a micro-worker performs tasks that are suggested to her. Between data center maintenance and data processing, she hesitantly searches for ways to feel emotions. Devoid of social links, this world is saturated with data.

In the near future, a micro-worker performs tasks that are suggested to her. Between data center maintenance and data processing, she hesitantly searches for ways to feel emotions. Devoid of social links, this world is saturated with data.