影片《乡村儒学》讲述了一名社科院教授深入乡村创办儒学学堂的故事：为重塑中华文明的传统美德，助力乡村振兴，社科院赵教授携学生刘凡一深入东野村创办儒学学堂。面对乡村复杂的顽疾陋习、老无所养、幼无所教的不良风气，他们深入农户传播国学精髓，以儒学精神成功化解村民间各种纠纷。村民们纷纷走进儒学学堂，各家各户尊老爱幼、邻里之间礼仪诚信蔚然成风，乡村面貌焕然一新。

讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。

暂无剧情简介

笑看明星闯关，趣学职场法则。优势星球创始人崔璀，结合《新游记》综艺看点，以轻松诙谐的方式输出信息量十足的职场干货，综艺不白看，笑完还能在职场往上蹿。

笑看明星闯关，趣学职场法则。优势星球创始人崔璀，结合《新游记》综艺看点，以轻松诙谐的方式输出信息量十足的职场干货，综艺不白看，笑完还能在职场往上蹿。

六个率真桀骜的热血青年，在各种人文奇观中，完成一场真实的人间历险记，最终成为自己平凡生活中的超级英雄。六人一路前行看见最真实最平凡的中国。

《新游记》讲述了6个男青年一路西行，历经特定人群的生活痛点，经历各种“难”和“难”，最终在最真实的人世间，获取了在平凡生活“真经”的故事。

画皮师雀妖长绵是画皮坊最好的画皮师，她从小被束缚奴役在画皮坊，过着苦涩的生活。年幼时，一次逃跑她遇到少年将军首阳，首阳的温暖关怀令她终身难忘。首阳在一次大战中假意归降妖族，等待时机杀死妖王。长绵再次见到首阳，对他一见钟情，多次帮助其逃脱妖王的刁难。偶然得知首阳有一位深爱的未婚妻，为掌控首阳，妖王令手下去抓其未婚妻秋桑为人质，长绵也偷偷前去。在打斗过程中秋桑被误杀，长绵画皮成首阳的妻子被带回妖城。二人在妖城成婚，过上了梦寐以求的幸福生活。然而好景不长，妖王发现秋桑为长绵画皮所扮，以好姐妹长元的性命威胁她监视首阳。徘徊于姐妹和爱人之间，长绵十分痛苦，此时，有人告诉首阳其未婚妻被不知不觉的替换了……