The key elements of electronics, such as semiconductors and display components, are produced in “clean rooms,” which are spaces where environmental conditions, including dust, are controlled. However, workers in these clean and sanitized spaces are often exposed to chemicals that are seriously hazardous to their health. Unlike immediate catastrophes, diseases caused by the accumulation of chemicals often go unnoticed and develop slowly over generations. 　　What was that sour-yet-sweet odor? Does "clean" mean that it only maximizes production stability while being far from body safety? Ironically, it is only the memories of the bodies and the faint smells of the substances passing through the clean rooms that prove the invisible toxicity and dangers of these cutting-edge technology sites. 　　Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards to trace the smells and actions of substances that cameras cannot capture. To this end, the voices of Asian women and migrant workers, who are exposed to vulnerability, are heard. Testimonies of the past are overlaid on current symptoms, and the disaster repeats itself in other bodies and places. As multinational corporations move manufacturing plants to developing countries to lower not only labor costs but also the costs of safety standards and regulatory responses, industrial disasters are also globally transferred. 　　Perhaps the future is not an abstract number, but something intertwined with specific bodies and matter. As high-tech industries lead the way in the globalization of risk and exploitation in increasingly outsourced workplaces, Colorless Odorless attempts to map out the terrain of solidarity among victims, activists, and workers' unions in the face of these risks and exploitation. (Written by Shinjae Kim, producer)

扫黄组刑警阿海在公事上精明能干，但私生活却一团糟，妻子竟怀上别人的骨肉，婚姻濒临破裂。此时，阿海在捉拿毒贩庹宗华时脑部中枪，妻子全力照顾，似乎有破镜重圆的可能。不料毒贩越狱成功，捉了妻子为人质要胁阿海，阿海单刀赴会，在枪林弹雨中终于意识到他毕生最钟爱的人还是自己的妻子。 　　导演杜琪峰将夫妻生活中的感性带入阳刚的警匪动作片之中，构成了相当新鲜的类型片风格，刘青云与新人李若彤的配搭也给人不错的感觉。

扫黄组刑警阿海在公事上精明能干，但私生活却一团糟，妻子竟怀上别人的骨肉，婚姻濒临破裂。此时，阿海在捉拿毒贩庹宗华时脑部中枪，妻子全力照顾，似乎有破镜重圆的可能。不料毒贩越狱成功，捉了妻子为人质要胁阿海，阿海单刀赴会，在枪林弹雨中终于意识到他毕生最钟爱的人还是自己的妻子。 　　导演杜琪峰将夫妻生活中的感性带入阳刚的警匪动作片之中，构成了相当新鲜的类型片风格，刘青云与新人李若彤的配搭也给人不错的感觉。

莱昂（安东尼·拉帕格利亚 Anthony LaPaglia 饰）人到中年，和妻子索尼娅（凯瑞·阿姆斯特朗 Kerry Armstrong 饰）之间的关系早已经十分疏远，名存实亡。家庭之外，莱昂有着一位交往甚密的情人简（蕾切尔·布雷克 Rachael Blake 饰），在简那里，莱昂能够短暂的找回自信和激情。 　　索尼娅察觉到了丈夫的异样，但是她选择将一切的愤怒和痛苦隐藏在心底。心理治疗师瓦莱丽（芭芭拉·赫希 Barbara Hershey 饰）是索尼娅的树洞，常常开导和安危她，可是，瓦莱丽也必须面对自己内心里的黑洞——她的女儿成为了一场谋杀案中的受害者，她至今无法从失去女儿的悲痛之中走出来。某日，瓦莱丽突然失踪了，莱昂对她的下落展开了调查。

LESZEK WOSIEWICZ 　　Born in 1947 in Radomysl Wielkopolski. He graduated from the Jagiellonian University in Krakow and the Lodz Film School. Director and a screenwriter. He wrote several adaptation of foreign classical literature for the screen and the stage. He was a faculty member at the Silesian University in Katowice and a co-founder of the Karol Irzykowski Film Studio. He also directed several documentaries. He won numerous awards such as: The Chief of Cinematography Award (1986), the Grand Prix at the Oberhausen Short Film Festival (1987), the Second Prize at the "Young Polish Cinema" Gdansk Film Review (1988). 　　He studied psychology at the University of Cracow (1975) and direction at PWSFTViT in Lodz (1979). He works at the Silesian University in Katowice, and also directs for the stage and adapts world classics. He won major prizes for his documentaries, The Case of Herman Stoker (Przypadek Hermana Palacza, 1986) and Breaking the Silence (Przelamujac cisze, 2002). He made the feature films The Taste of Water (Smak wody, 1980) and Christmas Eve '81 (Wigilija 81,1982), and for Kornblumenblau (1988), an incredible story of concentration camp survival, he won the Andrzej Munk Prize, the prize for direction in Gdynia, and Best Debut in Koszalin. He has since directed the films Cynga (1991), and House Chronicles (Kroniki domowe, 1997), and the successful TV series Moves (Przeprowadzki, 2000-2001) and Clinic of the Lonely Hearts (Klinika samotnych serc, 2005). 　　1980 The Taste of Water (Smak wody); 　　1982 Christmas Eve'81 (Wigilia'81); 　　1988 Kornblumenblau, Director's Award at the Polish Film Festival in Gdynia '05; 　　1991 Cynga; 　　1997 House Chronicles (Kroniki domowe); 　　2001 Moves (Przeprowadzki), TV series; 　　2005 The Clinic of The Lonely Hearts (Klinika samotnych serc) - TV series; 　　2005 The Cross-Way Cafe (Rozdrowe Cafe), Director's Award at the Polish Film Festival in Gdynia '05.

In this dystopian literary adaptation, a courageous young woman fights for fresh water in the Scandinavian Union, an area that has dried up due to environmental disaster and a repressive military government.

基纳里在森林中被强奸和杀害，她的灵魂一直萦绕在她死去的地方。她将与该地区的任何男人发生性关系，然后让他们死去。最后建造了一座神殿，使她的灵魂最终得以平静。

命运的齿轮缓缓的向前推进，一个又一个的神话就此诞生。 然而，我们并不相信被冠以“命运”的事情……

20世纪30年代的印度，妇女没有人权和自由，她们不过是作为男性的附庸而存在。8岁的小女孩楚娅（Sarala 饰）早早变成了寡妇，她只能被迫剃掉头发，在一个专门为寡妇准备的庭院中度过余下的漫长人生。在这个院子里，生活着恍如天上仙子的年轻女性，也有黄土半埋的枯槁老人，更有处心积虑赚取不义之财的刁蛮之妇。 　　楚娅的明天会怎样？苦命女人的未来又将如何？ 　　本片为印度女导演迪帕•梅赫塔（Deepa Mehta）“要素三部曲”的第三部，分别荣获2006年曼谷国际电影节最佳影片；2006年加拿大吉尼金像奖最佳摄影、最佳配乐和最佳女主角（Seema Biswas）三项大奖；2006年美国国家影评奖最佳表现奖；2005年瓦雅多丽国际电影节青年评委会大奖；2006年温哥华影评人协会奖最佳女主角（Lisa Ray）和最佳导演奖；2007年青年艺术家奖最佳青年演员奖（Sarala）。

20世纪30年代的印度，妇女没有人权和自由，她们不过是作为男性的附庸而存在。8岁的小女孩楚娅（Sarala 饰）早早变成了寡妇，她只能被迫剃掉头发，在一个专门为寡妇准备的庭院中度过余下的漫长人生。在这个院子里，生活着恍如天上仙子的年轻女性，也有黄土半埋的枯槁老人，更有处心积虑赚取不义之财的刁蛮之妇。 　　楚娅的明天会怎样？苦命女人的未来又将如何？ 　　本片为印度女导演迪帕•梅赫塔（Deepa Mehta）“要素三部曲”的第三部，分别荣获2006年曼谷国际电影节最佳影片；2006年加拿大吉尼金像奖最佳摄影、最佳配乐和最佳女主角（Seema Biswas）三项大奖；2006年美国国家影评奖最佳表现奖；2005年瓦雅多丽国际电影节青年评委会大奖；2006年温哥华影评人协会奖最佳女主角（Lisa Ray）和最佳导演奖；2007年青年艺术家奖最佳青年演员奖（Sarala）。