莱昂（安东尼·拉帕格利亚 Anthony LaPaglia 饰）人到中年，和妻子索尼娅（凯瑞·阿姆斯特朗 Kerry Armstrong 饰）之间的关系早已经十分疏远，名存实亡。家庭之外，莱昂有着一位交往甚密的情人简（蕾切尔·布雷克 Rachael Blake 饰），在简那里，莱昂能够短暂的找回自信和激情。 索尼娅察觉到了丈夫的异样，但是她选择将一切的愤怒和痛苦隐藏在心底。心理治疗师瓦莱丽（芭芭拉·赫希 Barbara Hershey 饰）是索尼娅的树洞，常常开导和安危她，可是，瓦莱丽也必须面对自己内心里的黑洞——她的女儿成为了一场谋杀案中的受害者，她至今无法从失去女儿的悲痛之中走出来。某日，瓦莱丽突然失踪了，莱昂对她的下落展开了调查。

The key elements of electronics, such as semiconductors and display components, are produced in “clean rooms,” which are spaces where environmental conditions, including dust, are controlled. However, workers in these clean and sanitized spaces are often exposed to chemicals that are seriously hazardous to their health. Unlike immediate catastrophes, diseases caused by the accumulation of chemicals often go unnoticed and develop slowly over generations. What was that sour-yet-sweet odor? Does "clean" mean that it only maximizes production stability while being far from body safety? Ironically, it is only the memories of the bodies and the faint smells of the substances passing through the clean rooms that prove the invisible toxicity and dangers of these cutting-edge technology sites. Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards to trace the smells and actions of substances that cameras cannot capture. To this end, the voices of Asian women and migrant workers, who are exposed to vulnerability, are heard. Testimonies of the past are overlaid on current symptoms, and the disaster repeats itself in other bodies and places. As multinational corporations move manufacturing plants to developing countries to lower not only labor costs but also the costs of safety standards and regulatory responses, industrial disasters are also globally transferred. Perhaps the future is not an abstract number, but something intertwined with specific bodies and matter. As high-tech industries lead the way in the globalization of risk and exploitation in increasingly outsourced workplaces, Colorless Odorless attempts to map out the terrain of solidarity among victims, activists, and workers' unions in the face of these risks and exploitation. (Written by Shinjae Kim, producer)

In 2011, the Taiwanese artist presented his play Only You, in which the character of the medieval Buddhist monk Xuanzang slowly walks across the stage for half an hour. This scene inspired him to shoot short films that contrast the slowness of walking with the speed of the surrounding events. The first of these, No Form, was shot on the streets of Taipei and revels in the duality of time and space, humorously punctuated by Nina Simone's song Feeling Good.

扫黄组刑警阿海在公事上精明能干，但私生活却一团糟，妻子竟怀上别人的骨肉，婚姻濒临破裂。此时，阿海在捉拿毒贩庹宗华时脑部中枪，妻子全力照顾，似乎有破镜重圆的可能。不料毒贩越狱成功，捉了妻子为人质要胁阿海，阿海单刀赴会，在枪林弹雨中终于意识到他毕生最钟爱的人还是自己的妻子。 导演杜琪峰将夫妻生活中的感性带入阳刚的警匪动作片之中，构成了相当新鲜的类型片风格，刘青云与新人李若彤的配搭也给人不错的感觉。

真愛台灣，讓人民過好日子

这部电影围绕两位主角，阿雄（武俊越）饰，阿皇（阮清秀）饰。阿皇从一个家境优越的环境中长大，而阿雄则是被这个家庭收养的孩子。他们一起长大，兄弟之情渐渐地转变为同志间的爱情。接受不了自己孩子是同志，母亲燕（金庆）饰，变得惊慌失措，绝望而失去理智，最终导致了家庭悲剧的发生。 除了情感触动之外，这部电影在拍摄和音乐制作方面也是一大突破，取景地位于越南大叻，被誉为“爱情天堂”的这个城市也为电影增添了满满的浪漫色彩。 中文预告：http://v.qq.com/boke/page/s/0/p/s0150k7ex5p.html 主题曲《我亲爱的人啊》MV：http://v.qq.com/boke/page/b/0/j/b01508rhf5j.html

David, a recently fired scrapyard worker and Marie, a prostitute, both about 20 years old, meet on New Year's Eve in Berlin and decide to run away together. As David's arm is plastered from an accident Marie continues to prostitute herself to finance their restless journey through the Ruhr area. Their love and their will to survive guide them though all problems.

仁浩（朱镇模）与新转学来的学妹美珠（朴诗妍）一见钟情，但此后一分别就是10年。已经是高中柔道部成员的仁浩与美珠终于重逢了。但曾是富家千金的从前的公主已经消失得无影无踪，甜蜜的恋爱只是幻想而已。在生意失败的美珠的妈妈沦为酒鬼，恶棍致权（金民俊）以美珠妈妈欠赌债为借口，将美珠绑走施暴。仁浩用刀刺了致权之后，被关进教导所，美珠则再次消失。7年后两人再次重逢。但碰巧的是此次两人的身份分别变成了刘总裁（朱玄）的保镖和情妇。

本片是一部两段式的电影，由安娜·麦兰妮演出两位导演所拍的短片。第一段是由帕利拉诺执导的《人声》（The Human Voice），描写一名女子透过电话跟一个已不爱她的男人之间纠缠不清的感情故事。整部影片几乎都是在女子的卧室演独脚戏。第二段是罗西里尼执导的《奇迹》（The Miracle），描述一名头脑简单的村姑，在山边被路过的陌生人诱奸，她以为这个男人是使徒圣约瑟。（饰演这名大色狼的人日后竟然成了国宝级的大导演，他就是费里尼）。不久，村姑发现自己怀孕了，村民都耻笑她，但她却坚信这是神迹，她肚子里怀的婴孩就是耶稣。最后她爬上山顶的草棚把孩子生了下来，微笑着给婴儿吸吮她的乳房。