In 2011, the Taiwanese artist presented his play Only You, in which the character of the medieval Buddhist monk Xuanzang slowly walks across the stage for half an hour. This scene inspired him to shoot short films that contrast the slowness of walking with the speed of the surrounding events. The first of these, No Form, was shot on the streets of Taipei and revels in the duality of time and space, humorously punctuated by Nina Simone's song Feeling Good.

The key elements of electronics, such as semiconductors and display components, are produced in “clean rooms,” which are spaces where environmental conditions, including dust, are controlled. However, workers in these clean and sanitized spaces are often exposed to chemicals that are seriously hazardous to their health. Unlike immediate catastrophes, diseases caused by the accumulation of chemicals often go unnoticed and develop slowly over generations. 　　What was that sour-yet-sweet odor? Does "clean" mean that it only maximizes production stability while being far from body safety? Ironically, it is only the memories of the bodies and the faint smells of the substances passing through the clean rooms that prove the invisible toxicity and dangers of these cutting-edge technology sites. 　　Colorless Odorless follows the work records and archival materials of victims of semiconductor biohazards to trace the smells and actions of substances that cameras cannot capture. To this end, the voices of Asian women and migrant workers, who are exposed to vulnerability, are heard. Testimonies of the past are overlaid on current symptoms, and the disaster repeats itself in other bodies and places. As multinational corporations move manufacturing plants to developing countries to lower not only labor costs but also the costs of safety standards and regulatory responses, industrial disasters are also globally transferred. 　　Perhaps the future is not an abstract number, but something intertwined with specific bodies and matter. As high-tech industries lead the way in the globalization of risk and exploitation in increasingly outsourced workplaces, Colorless Odorless attempts to map out the terrain of solidarity among victims, activists, and workers' unions in the face of these risks and exploitation. (Written by Shinjae Kim, producer)

本剧讲述的是与憧憬的前辈偶然重逢，并开始共同生活的青年·神保的故事。

建筑设计师罗家辉在一场私人拍卖意外购得知名艺术家李学东珍贵的早期作品，并打算将其布置在自己筹建的一座“不插电”美术馆最醒目的位置。李学东私下提出希望对方能将这件作品销毁，那只是自己多年前制造的一件艺术垃圾。作为交换，他将依托这里独特的设计理念制作一件永久性交互装置。开幕日期将近切有条不紊地进行，却不想整幢建筑的功能己悄然发生改变。。。

本剧讲述的是与憧憬的前辈偶然重逢，并开始共同生活的青年·神保的故事。

建筑设计师罗家辉在一场私人拍卖意外购得知名艺术家李学东珍贵的早期作品，并打算将其布置在自己筹建的一座“不插电”美术馆最醒目的位置。李学东私下提出希望对方能将这件作品销毁，那只是自己多年前制造的一件艺术垃圾。作为交换，他将依托这里独特的设计理念制作一件永久性交互装置。开幕日期将近切有条不紊地进行，却不想整幢建筑的功能己悄然发生改变。。。

莱昂（安东尼·拉帕格利亚 Anthony LaPaglia 饰）人到中年，和妻子索尼娅（凯瑞·阿姆斯特朗 Kerry Armstrong 饰）之间的关系早已经十分疏远，名存实亡。家庭之外，莱昂有着一位交往甚密的情人简（蕾切尔·布雷克 Rachael Blake 饰），在简那里，莱昂能够短暂的找回自信和激情。 　　索尼娅察觉到了丈夫的异样，但是她选择将一切的愤怒和痛苦隐藏在心底。心理治疗师瓦莱丽（芭芭拉·赫希 Barbara Hershey 饰）是索尼娅的树洞，常常开导和安危她，可是，瓦莱丽也必须面对自己内心里的黑洞——她的女儿成为了一场谋杀案中的受害者，她至今无法从失去女儿的悲痛之中走出来。某日，瓦莱丽突然失踪了，莱昂对她的下落展开了调查。

这部电影围绕两位主角，阿雄（武俊越）饰，阿皇（阮清秀）饰。阿皇从一个家境优越的环境中长大，而阿雄则是被这个家庭收养的孩子。他们一起长大，兄弟之情渐渐地转变为同志间的爱情。接受不了自己孩子是同志，母亲燕（金庆）饰，变得惊慌失措，绝望而失去理智，最终导致了家庭悲剧的发生。 　　除了情感触动之外，这部电影在拍摄和音乐制作方面也是一大突破，取景地位于越南大叻，被誉为“爱情天堂”的这个城市也为电影增添了满满的浪漫色彩。 　　中文预告：http://v.qq.com/boke/page/s/0/p/s0150k7ex5p.html 　　主题曲《我亲爱的人啊》MV：http://v.qq.com/boke/page/b/0/j/b01508rhf5j.html