HyperNormalisation tells the extraordinary story of how we got to this strange time of great uncertainty and confusion - where those who are supposed to be in power are paralysed - and have no idea what to do. And, where events keep happening that seem inexplicable and out of control - from Donald Trump to Brexit, the War in Syria, the endless migrant crisis, and random bomb attacks. It explains not only why these chaotic events are happening - but also why we, and our politicians, cannot understand them. 　　The film shows that what has happened is that all of us in the West - not just the politicians and the journalists and the experts, but we ourselves - have retreated into a simplified, and often completely fake version of the world. But because it is all around us, we accept it as normal. 　　HyperNormalisation has been made specifically for BBC iPlayer. It tells an epic narrative spanning 40 years, with an extraordinary cast of characters. They include the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, the early performance artists in New York, President Putin, intelligent machines, Japanese gangsters, suicide bombers - and the extraordinary untold story of the rise, fall, rise again, and finally the assassination of Colonel Gaddafi. 　　All these stories are woven together to show how today’s fake and hollow world was created. Part of it was done by those in power - politicians, financiers and technological utopians. Rather than face up to the real complexities of the world, they retreated. And instead constructed a simpler version of the world in order to hang onto power. 　　But it wasn’t just those in power. The film shows how this strange world was built by all of us. We all went along with it because the simplicity was reassuring. And that included the left and the radicals who thought they were attacking the system. The film reveals how they too retreated into this make-believe world - which is why their opposition today has no effect, and nothing ever changes.

HyperNormalisation tells the extraordinary story of how we got to this strange time of great uncertainty and confusion - where those who are supposed to be in power are paralysed - and have no idea what to do. And, where events keep happening that seem inexplicable and out of control - from Donald Trump to Brexit, the War in Syria, the endless migrant crisis, and random bomb attacks. It explains not only why these chaotic events are happening - but also why we, and our politicians, cannot understand them. 　　The film shows that what has happened is that all of us in the West - not just the politicians and the journalists and the experts, but we ourselves - have retreated into a simplified, and often completely fake version of the world. But because it is all around us, we accept it as normal. 　　HyperNormalisation has been made specifically for BBC iPlayer. It tells an epic narrative spanning 40 years, with an extraordinary cast of characters. They include the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, the early performance artists in New York, President Putin, intelligent machines, Japanese gangsters, suicide bombers - and the extraordinary untold story of the rise, fall, rise again, and finally the assassination of Colonel Gaddafi. 　　All these stories are woven together to show how today’s fake and hollow world was created. Part of it was done by those in power - politicians, financiers and technological utopians. Rather than face up to the real complexities of the world, they retreated. And instead constructed a simpler version of the world in order to hang onto power. 　　But it wasn’t just those in power. The film shows how this strange world was built by all of us. We all went along with it because the simplicity was reassuring. And that included the left and the radicals who thought they were attacking the system. The film reveals how they too retreated into this make-believe world - which is why their opposition today has no effect, and nothing ever changes.

Batiste also took a spin in the spotlight to announce his collaboration with Heineman on American Symphony, a feature documentary about his path to creating the stage show of the same name that debuted at Carnegie Hall last fall. The film is said to be an intimate look at his creative process and an unprecedented look at his personal life during the highs of winning five Grammys (including album of the year for “We Are”) and lows of facing his wife’s cancer diagnosis and treatment.

Batiste also took a spin in the spotlight to announce his collaboration with Heineman on American Symphony, a feature documentary about his path to creating the stage show of the same name that debuted at Carnegie Hall last fall. The film is said to be an intimate look at his creative process and an unprecedented look at his personal life during the highs of winning five Grammys (including album of the year for “We Are”) and lows of facing his wife’s cancer diagnosis and treatment.

小齐是学生会宣传部的一员，正在剪辑学生会换届选举大会的宣传视频。当他完成剪辑后，一条电视台的新闻改变了一切。

小齐是学生会宣传部的一员，正在剪辑学生会换届选举大会的宣传视频。当他完成剪辑后，一条电视台的新闻改变了一切。

Iranian director Saless’ radical style was unique in the West German cinema of the 70s and 80s. His black-and-white film dissects the disturbed state of an unemployed construction engineer entirely at odds with social norms. 　　源自：https://www.berlinale.de/en/2023/programme/202315080.html

Iranian director Saless’ radical style was unique in the West German cinema of the 70s and 80s. His black-and-white film dissects the disturbed state of an unemployed construction engineer entirely at odds with social norms. 　　源自：https://www.berlinale.de/en/2023/programme/202315080.html

在越南战争的丛林，一群美国士兵遇到一个本地的年轻女孩。他们残忍地强奸和折磨她，最后杀死她。一个士兵厌恶这种不人道的行为，并向他的军官们报告这一罪行。 　　该片入围第20届柏林电影届主竞赛单元，遭到有军官经历的评委会主席美国导演乔治·史蒂文强烈反对，他感觉遭到影片的侮辱，希望将其逐出竞赛单元。 　　乔治·史蒂文的行为导致许多导演退赛、评委辞职，电影节不得不提前落幕，许多竞赛电影并没有在电影节期间完成正式放映，也没有正式颁奖。这是柏林电影节史上唯一一次提前结束。 　　《正常》代表德国参与了当年奥斯卡最佳外语片评选。

我送了1亿彩票，带着老爸老妈、狗在农庄里养鸡养羊，躲避末日。极寒末日来临前，我让老爸老妈来到我新买的农庄。在我爸的建议下，我们又重新列了一份清单，500袋大米、500袋面粉、各种生活用品、若干动物饲料、牧草等。我还扩建了一个更大的仓库，专门来储存这些饲料。