Considering the underground as both a metaphor and a manifest reality, Zheng’s film Sinking Latitude focuses on a myth about underground flooding. The city where the story takes place has a history of salt mining that spans more than 2000 years, and generations of residents who have lived there have passed down a prophetic myth for centuries–that due to excessive mining, the city's underground has long been hollowed out and depleted, filling with salty brine, and that one day, when an earthquake occurs, an underground flood of salty liquid, the mine itself, will surge out and engulf the city. 　　Zheng’s film takes the form of a fictional dialogue between three characters—puppy, master, and dinosaur—as they discuss this myth. The master has lost their memory of the flood myth, and the puppy takes on the task of recovering this memory with the help of the dinosaur, who represents the impact of time on reality. Through their conversations and questions, the group begins to uncover how the fear of an unknown disaster has affected their perception of the world. The film traverses different locations, making the underground visible, and providing views of cityscapes, a site of dinosaur fossils, salt wells, an abandoned salt factory and its residencies, and sequences of miners using archaic techniques within a salt mining museum, at once performing and working. The landscape is viewed as a perforated body that is littered with debris and risk, with the wells at once towering and deeply rooted in the ground. This documentary-like footage is integrated with scenes shot in the studio or borrowed from the internet, as well as black and white still images of dinosaur bones, and animated footage of the puppy and flooded underground landscapes implying the oncoming future. Indeed, Sinking Latitude continuously crosses temporalities, merging deep time with lived time, recalling past events while also reflecting on relationships in the present, and nervously discussing the uncertain catastrophe that lies ahead. Imagining a hollow and flooded world of liquid salt, Zheng’s film fractures notions of time, agency, and visibility, charting both a feeling of groundlessness, and a fluid bond between geology, biology, and biography. The narrative certainly prompts a reflection on the increasing climate catastrophe and apocalyptic thinking, yet it is more a rumination on time and places where myths, identities, and communities come together, where memories are formed, congealed, and concretized, and realistic fears are displaced as stories. Here, myth is shown to be intimately tied to memory, not only a personal or collective, but also primeval and hydrological.

全片以环保电影为基调，却能够重新扩展出一个崭新的视角。片中定睛注视三个即将因暖化现象而消失的美丽岛屿：太平洋上的吐瓦鲁，纯朴却丰富的常民生活；欧洲水都威尼斯，淹水时仍然营运的旅馆、酒吧，如同幻梦；以及美洲阿拉斯加的冰上山崖。镜头对地球上难以置信的美景和迥异的文化仪式，深致赞美与叹惋。跳脱环保纪录片的格局，充满省思与诗意。

冰川融化引发极端洪水，快速侵蚀使断层松动，导致地震和大规模海啸。随着北美下沉，科学家们正在争分夺秒地建造污水坑，以平衡水位。

冰川融化引发极端洪水，快速侵蚀使断层松动，导致地震和大规模海啸。随着北美下沉，科学家们正在争分夺秒地建造污水坑，以平衡水位。

在一位哲学教授激昂描述的过程中，Bill Viola的作品和那些关于时间的飘渺概念似乎突然变得可以被把握了。

女主角在和男友相恋多年后，因为害怕男人已经厌倦了这段感情而选择离开。女主角甚至以整容这种极端的方式来彻底改变自己的面容，半年后以全新的样貌和身份出现在男友面前。在反复的试探之后，女主角却发现，原来男友依然深爱着原来的自己。 　　有一天男主角终于了解到事情的真相，他感觉受到了欺骗和玩弄，为了报复他决定也去做整容手术，让女主角去茫茫人海中寻找面目全非的他。

相貌在爱情中是否能敌得过时间？世喜（成贤娥 饰）和智宇（河正宇 饰）已经相恋多年，但是世喜慢慢觉察，爱情好像被时间冲淡了，智宇已经开始厌倦这段感情。世喜惊恐，决定离开男友。 　　半年后，智宇交往了一位新女友，他觉得她身上有世喜的味道，于是陷入了几年前和世喜热恋的甜蜜回忆中 ，即使新女友的相貌比世喜漂亮，但是他的爱与世喜的样子已经融为一体。智宇向新女友坦白自己的感受，却想不到，眼前的新女友正是世喜，她为了重获男友欢心，去了整容。世喜听到智宇对自己的一往情深，不禁狂喜。然而二人能否再续前缘，迎来大团圆结局？

讲述度过人生最后时光的男主（金正贤 饰），为了因为他而毁掉自己的人生的女主（徐珠贤 饰）而赌上全部、拼死奋斗的故事

This film, which has been shown twice in France on the Arte channel but is, I believe, not available on video, is one of the most impressive films from one of the francophonic world's greatest directors. Beginning in South Africa under the apartheid regime, it follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa. This is a vastly ambitious film, attempting as it does to deal with a number of cultures and countries of contemporary Africa, each with its own history, language, and political and social conflicts. At its center are two immensely impressive performances by the actresses who play the heroine, first as a young girl, and later as an adult. Thus it manages to be at once an intimate portrait of a young woman, and a vast fresco of much of a continent.

兰蔻「超修小黑瓶」精华谨以此片致敬时间。叶晴（倪妮 饰）在太空黑洞附近的空间站进行实验研究，这里与地球有着巨大的时间差，平均每天过8.25次生日。当叶晴又一次收到父母从地球发来的生日祝福视频时，她发现了一个事实...兰蔻「超修小黑瓶」精华谨以此片致敬时间。叶晴（倪妮 饰）在太空黑洞附近的空间站进行实验研究，这里与地球有着巨大的时间差，平均每天过8.25次生日。当叶晴又一次收到父母从地球发来的生日祝福视频时，她发现了一个事实...