《三国春秋》，1976年间播出的古装剧，共20集。改编自中国古典小说《三国演义》， 三国春秋 讲述刘、关、张三兄弟桃园结义至刘备白帝城托孤之间的故事。

紀錄片傳主林義方（1926-2018），民國15年（大正15年）出生於嘉義，青年時期前往日本廣島留學，1945年廣島原爆期間，因恰巧出勤離開廣島市，而幸運的在這次災難中倖存。1946年2月從日本返國後，隨即投入國民教育，1947年又遇二二八事件。這一段流變、離散與居所難以定錨的狀態，以及面對歷史事件猶如失語的情感壓抑，反映出當時部分嘉義市民面臨時代困境的縮影，突顯出嘉義市獨特的歷史容貌。本片以訪談結合田野、重演與非虛構的穿插，試圖塑造私歷史及大時代間的對話及隱喻關係。 　　The film director, Hong Jun-yuan, hails from Chiayi, Taiwan, by way of marriage to a local. His work interweaves the remarkable contributions of his wife’s grandfather from the Japanese colonial era, reflecting the minor yet significant events in the daily lives of Chiayi’s residents during that historical period. Starting with the family history narrative, the discussion delves into the everyday experiences of regular individuals amid major historical shifts. It outlines how pivotal historical junctures have affected individual lives. Moreover, by adopting the perspective of ordinary people, it reconstructs the dispersion and transformations brought by key historical events such as the Pacific War, the Hiroshima atomic bombing, and the issue regarding Taiwan’s sovereignty in relation to the Republic of China. The incorporation of scenes from the markets in Chiayi County and City within the film, juxtaposed with a comparison between the past and present, provides viewers with a retrospective glimpse into the life journey as it unfolds against the backdrop of changing historical eras.The protagonist of the documentary, Yifang Lin (1926-2018), was born in Chiayi in the 15th year of the Republic of China (Taisho 15th year). When he was young, he went to Hiroshima, Japan to study with his elder brother. During the atomic bombing of Hiroshima in 1945, he happened to leave Hiroshima because of work and survived this disaster.

Men-Chuan Yang, a fisherman with over half a century of fishing experience, sees the ocean in front of his home as if it were his parents, helping him shoulder the heavy responsibility of being the head of the family. Unlike most Hakka people who have memories of farming, his ancestors had already turned to the ocean for development. Even though his father once laughed at him for being clumsy and slowing down progress, Men-Chuan Yang still maintained diligent practice. He collected broken nets and learned his father's hand-woven fishing net technique. Although the nylon fishing line and netting machines from Japan have already replaced hand-woven fishing nets. But he still strives to pass on the skill of hand-woven netting to his grandson, because repairing fishing nets still relies on manual labor. The holes in the net need to be repaired by hand, and the holes in forgetting need to be avoided by generational inheritance. Men-Chuan Yang watches his grandson weave fishing nets, hoping he will remember the admonition "people must not forget their roots."

星丸建设第三营业部。松下美嘉（渡辺麻友）以办事员身份进入的部门里、有课长・佐佐木清一（佐藤二朗）、组长・千崎亮介（井上芳雄）、主任・桑折真树夫（浦井健治）、办事员・市村香织（佐藤仁美）所属于这个部门。因为有个性鲜明的千崎和桑折、第三营业部几乎每天都处于麻烦之中、再加上设计部的Gaudi北村（山崎育三郎）的参与、事态就会进一步的向着坏方向发展…。到底第三营业部能把麻烦事解决清楚吗!?电视幽默音乐剧「Let's Go！第三营业部」以及歌曲演唱甚至是小短剧等等、所有的栏目都充满着对“音乐剧的爱”！

星丸建设第三营业部。松下美嘉（渡辺麻友）以办事员身份进入的部门里、有课长・佐佐木清一（佐藤二朗）、组长・千崎亮介（井上芳雄）、主任・桑折真树夫（浦井健治）、办事员・市村香织（佐藤仁美）所属于这个部门。因为有个性鲜明的千崎和桑折、第三营业部几乎每天都处于麻烦之中、再加上设计部的Gaudi北村（山崎育三郎）的参与、事态就会进一步的向着坏方向发展…。到底第三营业部能把麻烦事解决清楚吗!?电视幽默音乐剧「Let's Go！第三营业部」以及歌曲演唱甚至是小短剧等等、所有的栏目都充满着对“音乐剧的爱”！

現代の京都の町を舞台に、男1,000人喰いを目標に、日夜ハッテンバに出入りする弁介という男が、大願成就寸前、1,000本目の男として出会ったのは、義経という、美少年だった。

現代の京都の町を舞台に、男1,000人喰いを目標に、日夜ハッテンバに出入りする弁介という男が、大願成就寸前、1,000本目の男として出会ったのは、義経という、美少年だった。

金持ちの家に盗みに入っては家人に防犯の心得を説いて帰る梅吉は…。舞台である昭和初期に名をはせた説教強盗・津田松吉がモデル。梅吉が現代(=放送当時)の地下鉄や都電に現れたり、鑑賞した映画シーンそのままに刑事と追っかけっこするなど、岡本喜八の演出の腕が冴える軽妙洒脱な一本。

金持ちの家に盗みに入っては家人に防犯の心得を説いて帰る梅吉は…。舞台である昭和初期に名をはせた説教強盗・津田松吉がモデル。梅吉が現代(=放送当時)の地下鉄や都電に現れたり、鑑賞した映画シーンそのままに刑事と追っかけっこするなど、岡本喜八の演出の腕が冴える軽妙洒脱な一本。

「英雄傳」は元格闘家で構成された半グレ集団ストライクと、武術の達人による討伐隊の抗争を描いた物語。ストライクに苦戦する討伐隊の達人たちの望みは伝説の鞭拳空手継承者・光だったが、光は3年前の試合中の事故で対戦相手を殺めて失踪していた。そんな中、スーパーの駐車場で行われている特撮ヒーローショーに、光が新人として入門してくる。