While preparing to shut down the photo studio business that he has been running, a man (Yoon Jemoon) hears that someone named Chulsu has died. The man contacts several friends in the hope of finding to attend the funeral with him. Usu is a film in which an image of a man, sunk in depression, is printed on a screen. It is not important who Chulsu is. It looks as if the man traces back his past, but the film refuses to give any concrete explanation. Instead, it carves abstract emotions onto a refined screen. Characters are placed in the multi-layered frames and are as quiet as paintings. Leisurely paced, the film captures them as they are buried in darkness while conversations, that look absent-minded yet incisive, add vitality to the slow and contemplative rhythm. The half serious and half playful lines sound like an extended joke about loneliness. Usu is a drama that resembles a carefully staged photograph. It casts its shadow of sorrow and loneliness upon those who watch it. (SONG Kyung-won)

While preparing to shut down the photo studio business that he has been running, a man (Yoon Jemoon) hears that someone named Chulsu has died. The man contacts several friends in the hope of finding to attend the funeral with him. Usu is a film in which an image of a man, sunk in depression, is printed on a screen. It is not important who Chulsu is. It looks as if the man traces back his past, but the film refuses to give any concrete explanation. Instead, it carves abstract emotions onto a refined screen. Characters are placed in the multi-layered frames and are as quiet as paintings. Leisurely paced, the film captures them as they are buried in darkness while conversations, that look absent-minded yet incisive, add vitality to the slow and contemplative rhythm. The half serious and half playful lines sound like an extended joke about loneliness. Usu is a drama that resembles a carefully staged photograph. It casts its shadow of sorrow and loneliness upon those who watch it. (SONG Kyung-won)

The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years. 　　The shooting of the $3.3 million feature is scheduled to brgin in Morocco in the fall of 2012.

两万五千美元成本，16mm胶片的独立僵尸电影 　　6 complete strangers are forced to band together and flee the city when a zombie outbreak occurs. But after making camp in the middle of the wilderness, the group realise its each other they should fear.

两万五千美元成本，16mm胶片的独立僵尸电影 　　6 complete strangers are forced to band together and flee the city when a zombie outbreak occurs. But after making camp in the middle of the wilderness, the group realise its each other they should fear.

为拍摄一部关于哥伦布美洲探险寻宝的电影，导演塞巴斯蒂安和他的制片人科斯塔来到了玻利维亚，然而他们的剧组却被搅入了当地民众抗议水系统私有化的政治危机当中。 　　入围2010年多伦多电影节当代世界电影单元，2010年西班牙巴利亚多利德电影节开幕片。

为拍摄一部关于哥伦布美洲探险寻宝的电影，导演塞巴斯蒂安和他的制片人科斯塔来到了玻利维亚，然而他们的剧组却被搅入了当地民众抗议水系统私有化的政治危机当中。 　　入围2010年多伦多电影节当代世界电影单元，2010年西班牙巴利亚多利德电影节开幕片。

靈感源自葉青新詩〈蝸牛〉。高中少女宇軒對摯友佳琪的情感深厚而難以明言。面對大考在即，課後總在夜市協助哥哥擺攤的宇軒，最大的恐懼便是無法考上理想的大學，與佳琪一道前往台北，延續她們的情誼。然而，現實的殘酷卻超越她所能想像，令人心碎的考驗突如其來地降臨在她們兩人之間……。

靈感源自葉青新詩〈蝸牛〉。高中少女宇軒對摯友佳琪的情感深厚而難以明言。面對大考在即，課後總在夜市協助哥哥擺攤的宇軒，最大的恐懼便是無法考上理想的大學，與佳琪一道前往台北，延續她們的情誼。然而，現實的殘酷卻超越她所能想像，令人心碎的考驗突如其來地降臨在她們兩人之間……。