樱井幸子（秋田汐梨 饰）是班上最平平无奇的女生，但不知怎么的，毫不起眼的幸子竟然成为了班级同学们霸凌的对象。虽然每天都生活在恐惧之中，但幸子的内心里却并不感到绝望。长久以来，幸子一直默默的爱慕着英俊帅气的班主任爱田凛太郎（山田裕贵 饰），她遭到霸凌的经历竟然在误打误撞之中拉近了她和班主任之间的距离。对于不幸的幸子来说，凛太郎就是自己的英雄。 　　然而，凛太郎虽然表面上深受班里学生的欢迎和爱戴，但实际上，他隐藏了自己不为人知的一面。凛太郎对于幸子有着狂热而变态的爱，为了能够将幸子玩弄于股掌之中，凛太郎不惜亲手策划推进了班级里的霸凌事件。

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

在一个可以提前知道分手的世界里，爱情可以改变什么样的形式？Jaeyoung 和 Soohyun 是通过 Destiny 的理想搭档相识的，Destiny 是一款被超过一半人口使用的约会应用程序。与刚开始的完美关系不同，随着我们进入第三年，争吵开始变得更加频繁。命运的推送警报为厌倦了频繁争吵的两人敲响了推送警报……<检查韩在英和金秀贤的保质期！> 　　确认警报后，在英和秀- hyeon在OK键前犹豫了，你会检查关系的有效期吗？你会做出怎样的选择？ 　　如果我们能提前知道我们的分手日期，我们的关系会是什么样子？ 　　Jae-young 和 Soo-hyun 在一个名为 [Destiny] 的约会应用上配对。到他们关系的第三年，频繁的冲突开始动摇他们。当“你要查一下韩载英和金秀贤的关系到期日吗？”时，出现了[命运]关于这对精疲力竭的夫妻关系到期日的推送通知，载英和秀贤都犹豫了他们最终会检查到期日期吗？

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

2006年6月在Annecy国际动画电影节上评选出的“动画的世纪·100部作品”第九名。

短片收錄于薛凱琪于2007年推出的個人首張新曲加精選大碟 'F' Best 當中。 　　一對情侶Fiona(薛凱琪飾)和Rex(周孝安飾)的感情發展分分合合，每次分手之前都會約定有效期限，到期即從新回到一起，等待下一次的分手到來。如此反反復複，雙方都經歷著不同的考驗，思索對對方的情感，發掘內心的足跡。最後來到了第3次複合，但是這一次....

《千金有效期》由丝芭传媒出品，是为兑现2022SNH48年度青春盛典奖励而推出的短剧，2022年12月杀青。该剧讲述了在直播公司工作的女主柳飘飘（沈梦瑶 饰），历经生活、感情和工作的重重历练。在这个过程中，她逐渐摆脱外界赋予她的光环，依靠自身实力与努力在事业上取得成就。她学会了脚踏实地、突破自我，收获了友情、事业和爱情。本剧呈现了新时代年轻人在事业和爱情方面的正向价值观，传递出这样的理念：金钱和地位并非一切，单纯依靠物质无法带来美好生活，只有拥有真善美的品质和脚踏实地的美德，才是开启幸福生活的基石。