The film revolves around Bheeshma, a man making his living as a meme creator, who wants to remain single forever. But will he be able to?

The film revolves around Bheeshma, a man making his living as a meme creator, who wants to remain single forever. But will he be able to?

叶满枝（伍咏薇 饰）是一名室内设计师，她将大部分的时间和精力都投入到了工作之中，是名副其实的女强人。叶满枝因为工作的繁忙而和家人之间的关系十分冷漠疏离，和父亲的感情尤其岌岌可危。一次偶然中，叶满枝在工作中结识了名为蔡嘉升（陈锦鸿 饰）的男子，两人因为设计理念的不同而产生了许多的误会。 　　之后，叶满枝因为身体原因而返回了曾经生活过的小镇休养，哪知道在那里和蔡嘉升重逢了。在蔡嘉升的帮助之下，叶满枝修复了和父亲之间破裂的亲情，在此过程中，蔡嘉升也深深的爱上了外冷内热的叶满枝。然而，还没等到蔡嘉升向叶满枝表露心迹，叶满枝就已经回到了硝烟四起的职场之中。

介绍各种饮品.

这部电影的前半部分介绍了著名心理学家威廉·赖希（Wilhelm Reich）的研究成果与生平，包括对相关人物的访问与影像资料。赖希致力于将精神分析与共产主义结合，宣称来自生命自身的倭格昂能是拯救人类病症的关键，并发明了看似荒诞的倭格昂能储存器。赖希的所作所为很快被美国政府查禁，不幸病死狱中。1971年的南斯拉夫，一位工人狂躁的反对国家新产生的红色资产阶级，信奉性自由才能达到共产主义的米伦娜（Milena Dravic 饰）在室友和一男人纵情的房间外，向邻居们宣讲性的伟大。与此同时，一位身着破烂服装，头戴钢盔手执枪模的男人在美国街头游荡，他的背景音乐是高昂的战斗旋律。米伦娜与一位苏联的人民艺术家相识，两人的分歧最终导致了怪诞又无奈的结局。

这部电影的前半部分介绍了著名心理学家威廉·赖希（Wilhelm Reich）的研究成果与生平，包括对相关人物的访问与影像资料。赖希致力于将精神分析与共产主义结合，宣称来自生命自身的倭格昂能是拯救人类病症的关键，并发明了看似荒诞的倭格昂能储存器。赖希的所作所为很快被美国政府查禁，不幸病死狱中。1971年的南斯拉夫，一位工人狂躁的反对国家新产生的红色资产阶级，信奉性自由才能达到共产主义的米伦娜（Milena Dravic 饰）在室友和一男人纵情的房间外，向邻居们宣讲性的伟大。与此同时，一位身着破烂服装，头戴钢盔手执枪模的男人在美国街头游荡，他的背景音乐是高昂的战斗旋律。米伦娜与一位苏联的人民艺术家相识，两人的分歧最终导致了怪诞又无奈的结局。

Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". 　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. 　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). 　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。

大明成化十四年，六品推官唐泛和锦衣卫总旗隋州联手，破获侯爷公子遇害悬案，两人一时名声大振，结下情谊。虽名声在外，为官清廉的唐泛仍租房度日，贤德…