混江龙李俊在揭阳岭上迎宋江，从李立的人肉案板上救出宋江，后来又两度搭救宋江，从此走上梁山。李俊在水浒传的前半部不显山不露水，等到后半部书中，李俊的功绩却逐渐辉煌起来，其表现让人刮目相看。李俊在梁山水军头领中位居第一，战高逑，李俊捉了水军统制刘梦龙；征王庆，他在宛州率水军取得大胜；义释胡俊，智取云安，还最后活捉了寇首王庆；征方腊太湖小结义一段，李俊英勇忠义，有勇有谋，不但取了苏州，还刺死了飞水大将军昌盛。

混江龙李俊在揭阳岭上迎宋江，从李立的人肉案板上救出宋江，后来又两度搭救宋江，从此走上梁山。李俊在水浒传的前半部不显山不露水，等到后半部书中，李俊的功绩却逐渐辉煌起来，其表现让人刮目相看。李俊在梁山水军头领中位居第一，战高逑，李俊捉了水军统制刘梦龙；征王庆，他在宛州率水军取得大胜；义释胡俊，智取云安，还最后活捉了寇首王庆；征方腊太湖小结义一段，李俊英勇忠义，有勇有谋，不但取了苏州，还刺死了飞水大将军昌盛。

五一路，太原市的一条老街。1955年开业的华义美发厅已经成为这条路上最后一家国营理发老店。没有人能说得清美发厅所在的小二楼是哪一年建成，据说已经百年的历史。时年66岁的武占梅和45岁的李世敏一直承包经营着这家美发厅，以传统的理发手艺，为周边的老顾客提供着“原汁原味”的服务。2016年，太原市政府计划对五一路进行道路改造，如果华艺美发厅因此而被拆迁，不仅会使这家老店从此淡出，也意味着武占梅和李世敏的生计将受到冲击，当然已经被人们认为是绝活的理发手艺或许就此湮灭。 　　One of the last state-owned hair salons in China's Shanxi province had just celebrated its 60th birthday before words came in that the street was about to be reconstructed and renovated, putting the old-fashioned salon on the verge of closing down. The film documented two barbers' struggle in protecting their salon, their jobs, and their traditional way of living and working, reflecting their helplessness and confusion in the wave of the city's civilization and modernization.

本剧讲述银行职员元子（米仓凉子饰）被发现盗用了银行一亿两千万日元。当行长要求她返还所有数额的时候，她拿出了一本黑色皮革封套的笔记本，而在这本笔记本里，记录了多年来银行内部所有利用空头账户偷税漏税的人的名单。看着目瞪口呆的行长，元子勒索行长说：“行长，请以我挪用金额的价格来购买这本笔记本。”不过，这位行长仅仅是元子所持有的“黑皮革的笔记本”的第一位牺牲者…… 　　而后在银座开酒店的她更是利用自己特殊的身份搜集与金钱有关的情报，而这些秘密都记录在她的“黑皮革的笔记本”里。

本剧讲述银行职员元子（米仓凉子饰）被发现盗用了银行一亿两千万日元。当行长要求她返还所有数额的时候，她拿出了一本黑色皮革封套的笔记本，而在这本笔记本里，记录了多年来银行内部所有利用空头账户偷税漏税的人的名单。看着目瞪口呆的行长，元子勒索行长说：“行长，请以我挪用金额的价格来购买这本笔记本。”不过，这位行长仅仅是元子所持有的“黑皮革的笔记本”的第一位牺牲者…… 　　而后在银座开酒店的她更是利用自己特殊的身份搜集与金钱有关的情报，而这些秘密都记录在她的“黑皮革的笔记本”里。

两名伊朗飞行员受命去执行一项特殊的任务来拯救一座被极端分子包围的城市的居民，但他们在完成任务前要面临诸多挑战

Émilie Serri was born in Canada. She had only visited Syria, her father’s country, a few times prior to the start of the civil war. Following her grandmother’s death, a desire grew within her to form a stronger connection to this country of which she knew so little. Serri studied old family photos and films, interviewed members of her family and other Syrians forced to flee their homeland, and in this documentary mixes her own memories with theirs. For some, Syria remains as alive and present as the scent of jasmine, while others' memories have already faded. They don’t usually talk about it, wishing to spare their children the traumas of the past: “They must look to the future.” 　　Damascus Dreams is a record of a personal odyssey, yet this filmic essay also gives a broader view of the memories and dreams of the displaced. For people who had to leave so much behind, it sometimes seems easier to forget. In this way, Serri ties in the fate of refugees to her own dreamt homeland.

饱受战争侵扰的叙利亚女性还遭受着延续世代的父权压迫和虐待，五个年轻的叙利亚女人在一间破败不堪的小屋，以匿名采访到的无数妇女故事为蓝本，编排一出关乎女性的戏剧。创作过程中考验重重：失业的危险、家庭的阻挠、成员内部的纷争，她们奋力冲破禁忌讨论女性的真实处境。本片曾入围第73届柏林国际电影节“全景纪录”单元。