It's December 1969 in Watford, England, and Jeremy Sloane is at the end of his rope - literally. His failed attempt to end it all has just joined a growing list of recent setbacks, which include getting sacked from his accounting job and a separation from his wife Janet, who has left to "find herself." The one remaining constant in his life are his evenings at the pub with childhood mates Ross, Reggie and Beans. Although the gang have big plans for the approaching decade, Sloane simply longs for employment and the return of his wife. Although a part-time job as a supply teacher goes ludicrously wrong, Sloane may luck out romantically, due to a chance encounter at a hardware shop with a free-spirited, young American woman called Robin, who might just help Sloane get his life back on track as the new decade approaches. By turns hilarious and heartbreaking, Mr. Sloane is an everyman muddling through the human comedy as best he can, learning lessons about love, longing, and loyalty along the way.

It's December 1969 in Watford, England, and Jeremy Sloane is at the end of his rope - literally. His failed attempt to end it all has just joined a growing list of recent setbacks, which include getting sacked from his accounting job and a separation from his wife Janet, who has left to "find herself." The one remaining constant in his life are his evenings at the pub with childhood mates Ross, Reggie and Beans. Although the gang have big plans for the approaching decade, Sloane simply longs for employment and the return of his wife. Although a part-time job as a supply teacher goes ludicrously wrong, Sloane may luck out romantically, due to a chance encounter at a hardware shop with a free-spirited, young American woman called Robin, who might just help Sloane get his life back on track as the new decade approaches. By turns hilarious and heartbreaking, Mr. Sloane is an everyman muddling through the human comedy as best he can, learning lessons about love, longing, and loyalty along the way.

WeTV 2025剧集，由YYDS Entertainment和洞察娱乐制作。 　　Kari，一名帅气的年轻警官，来自华裔家庭。表面上，他遵从父亲的愿望考入警校，追随父亲的脚步成为了国家警察局的高级警官，然而，Kari从来没有真正想成为一名警察。出于对父母的忠诚，他从不违抗他们的命令，如果被妈妈抓住，他甚至会为吸烟而感到内疚。他的家人强烈反对同性恋情，父亲甚至威胁说如果他和男人约会，就会伤害他，所以他对和男友的关系保密。Kari全力支持男友的偶像梦想，然而，男友在取得成功后残忍抛弃了他，受伤的Kari从此对爱情心灰意冷。 　　Wayu，一个极具魅力的学生，却背负着严重的家庭问题，被父母忽视的他照顾妹妹，妹妹在怀孕后与另一个男人私奔，把孩子留给了他。Wayu被迫承担抚养责任，并在熟人的推荐下到夜总会工作。直到某一天，Wayu与客户发生争执，Kari出手相救，命运开始交织。Wayu第一次对Kari感到温暖和钦佩，决心要再见到他，于是经常出入警局。 　　起初，Kari对Wayu漠不关心，但随着时间的推移，他开始鼓励Wayu度过家庭困难，逐渐加深的交谈中两人也在彼此身上找到了慰藉。

バンドのツアー中に見知らぬ町で取り残された中西（田中淳一郎）は、町のボスのような存在である古賀（鈴木卓爾）に目をかけられ仕事を手伝うようになる。町の住民たちは酒を飲み交わし、外れにある川からさまよい出てくるものたちを追い返す。川にまつわる特別な力をマネージメントすることが彼らの仕事だった。古賀の店で働く絢（柴田千紘）に惹かれながら、次第に中西はこの町と自分に深い繋がりがあることに気付き始める。

影像以追尋Olonyok（Tano Bora 獵豹兄弟組合團員）為引子，以追尋它的蹤跡而展開的保育園區田野紀錄。創作者以追隨者的角度，直觀且視觸地連動出原野中動物的行動痕跡。從而延展出景框以外動物的棲息場域、人與動物關係的延展討論，也由此直觀的視觸野生動物的命運狀態。 　　The Tano Bora, meaning ‘The Magnificent Five’ in Swahili, was the famed cheetah coalition here in the Masai Mara—captivating observers with their stealth, strategy, and striking beauty. The artist follows one of the cheetahs from the perspective of a follower, intuitively and visually connecting the traces of movement in the wilderness. The body image is used as a means of creation to extend the habitat of the animals beyond the frame. In this way, the cycle of "life and death" is explored, thus visually touching the traces of the fate of wild animals.

法国的PIP公司采用低廉的工业硅胶作为隆胸填充物被曝光后，数万女性开始担忧自己的健康问题，美容院不负任何责任，而公司已经破产，许多被害者游行要政府负责，当然最后还是不得不自己花钱取出危害物。谁该真正为这件事负责呢？宣传大胸的媒体？发育不正常的女子的自卑心理？为了追求完美的心理？

Sloane, a handsome, sexy and completely amoral young man, joins Kath's household as a lodger and proceeds to manipulate her and her brother, Ed. He is recognized by Kemp (Dadda) as the murderer of Kemp's former employer, whereupon Sloane murders Kemp. Sloane's "just desserts" are not what one would expect.

维多利亚是一名单身母亲，和女儿阿丽娜过着相依为命的生活。维多利亚买下了一套苏联时期的高层公寓，这间公寓地段好房型好装修好价格还低，为了得到这套公寓，维多利亚不惜向老板借了一笔巨款，发誓以后天天做牛做马来还债。 　　实际上，在这间公寓里，住着一个家养小精灵（彼得·纳塔罗夫 Pyotr Natarov 饰），房产经纪人利用小精灵的存在来赶走买下公寓的人，再用低价将公寓专卖出去，如此往复，牟取暴利。维多利亚母女两入住没多久，小精灵就开始了他的捣乱，但是善良的阿丽娜并没有将小精灵视为邪恶的化身，而是始终以童真的单纯的眼光看待他，久而久之，小精灵被阿丽娜感化了。

Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows : 　　The merchant Yquem buys his dear wife a beautiful jewel with matching earnings in a place where the city's underworld trades in fake and stolen jewelry. By chance, Yquem spots a man with whom his wife had an affair in the past. Yquem follows him to a hotel where he will write him a letter imitating his wife's hand writing. The letter invites the man to a public place where Yquem can spy on them and try to discover whether there is still something between them. 　　This early Fritz Lang film, "Vier Um Die Frau" (Four Around a Woman) was found by chance some years ago at the "Cinemateca De Sâo Paulo", a great present for the German aristocracy and even for the longhaired moviegoers, because it prefigures much of "Dr. Mabuse", (corruption in the upper class-a very habitual practice-unscrupulous upstarts, blackmail, low class criminals, social tension.) and in the opinion of this German aristocrat, provides one of the most outstanding titles of Lang's first period. This film has excellent editing that gives vigour, speed and emotion to a story of an underworld rife with treachery and betrayal as well as a complex tale of unrequited love. The film builds to a crescendo of narrative strength that reminds one of episodes of "Die Spinnen" made by Herr Lang a year before. 　　The acting is exceptional and the performers resist the temptation to overacting that might be expected in such melodrama. As the heroine, Carola Toelle is especially good and admirably conveys the doubts, secret desires and frustration that her character suffers. An excellent counterpoint is provided the character of her friend and confidant, a perfect vamp, who provides bad advice and is without scruples, quick to use flirting to build up her social position... Rudolf Klein-Rogge has to be mentioned, as his performance makes one recall the exceptional character Dr Mabuse, that he will immortalise two years later. The excellent main actors are given equally good support in the minor roles. 　　It is worth mentioning as well the great photography of Otto Kanturek and the film production by Ernst Meiwers and Hans Jacoby. The importance of "Decla-Bioscop"'can be seen in the first rate production values that are so abundant in the film (great manors, hotel lobbies, the stock exchange, etc) and on the other hand the realistic depiction of less auspicious surroundings: ragged and wretched slums streets filled with the kind of characters you might expect in such places. A minor point but also a real curiosity is the inclusion of a poster for another "Decla Bioscop" production that can be glimpsed in a theater lobby.