杜琪峰的作品，商業及個人風格並重，《槍火》、《PTU》、《黑社會》冷峻的風格拓展了黑幫與動作港產片的世界版圖，也引來研究亞洲電影的法國資深影評人的青睞。Montmayeur走訪杜Si r、他的老拍擋和圈中影人朋友，探討這位香港名導的創作路程和電影世界觀，他說到場景對創作的重要性，光影如何營造氣氛，以及槍手以槍代劍的精神，都是杜Si r獨有的創作理念。繼宮崎駿、杜可風、韓國新導和日本極道類型片主題，Montmayeur今次為杜Si r點了根雪茄，談香港電影何去何從。

杜琪峰的作品，商業及個人風格並重，《槍火》、《PTU》、《黑社會》冷峻的風格拓展了黑幫與動作港產片的世界版圖，也引來研究亞洲電影的法國資深影評人的青睞。Montmayeur走訪杜Si r、他的老拍擋和圈中影人朋友，探討這位香港名導的創作路程和電影世界觀，他說到場景對創作的重要性，光影如何營造氣氛，以及槍手以槍代劍的精神，都是杜Si r獨有的創作理念。繼宮崎駿、杜可風、韓國新導和日本極道類型片主題，Montmayeur今次為杜Si r點了根雪茄，談香港電影何去何從。

Little Kai (Sun Ya-Tung) is a member of a criminal organisation. The tattoo on his chest earns him the nickname of ‘Leopard’. Immediately upon Little Kai’s release from jail, his brother is framed and murdered. Suspecting that it’s an inside job, Kai returns to the organisation to see if he can find out root out who is behind his brother’s death.

《有種信念，叫跑！》為一連十集雜誌式節目： 跑步，既強身，亦修心。 香港人，不論工作、休息時間都不夠，哪會有時間做運動？ 繁忙城市近年卻有不少人去參加城中大小的長跑比賽，甚至是馬拉松，上了「跑步癮」！跑步可以改變整個人的身體狀況、生活作息、社交圈子、以至人生觀，她究竟有何魔力呢？

三位主持分別介紹專門招待皇室貴族的五星級酒店總統套房，及設有文化藝術展的型格旅館，體驗截然不同的住宿感覺。其後結伴走入「米蘭國際家具展」的「奢華館」，觀賞各款「天價」家具，並參加水晶燈品牌舉行的酒會。

Here is what happened in a Toronto classroom when teachers occupied the children's desks and children became the teachers. The film grew out of another, Mrs. Ryan's Drama Class, where young children found their way into creative drama. There is food for thought in this impromptu reversal of roles.

Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.

Sir Sir Sarla explores the complexities of love through three interconnected lives. University students Sarla and Phanidhar share a deep affection for their professor, Palekar, but in very different ways. Sarla is romantically in love with him and dreams of a future together, while Phanidhar's feelings are a conflicted mix of admiration, resentment, and blame. He believes the professor's decision to distance Sarla and encourage her marriage to Keshav has left all their lives unfulfilled. As Sarla finds herself neglected in her marriage, old wounds resurface, leading to a series of confrontations that leave the audience questioning whether Professor Palekar's choices were truly the right ones.

Sir is a 1993 Bollywood film directed by Mahesh Bhatt starring Naseeruddin Shah, Pooja Bhatt, Atul Agnihotri and Paresh Rawal.

A prosperous businessman Nikita after his birthday party finds himself in a tiny village surrounded by swamps, but what's more - all the peasants there call him "My lord" and are sure that they are living in Russia in the beginning of the 19th century. At first Nikita finds this hard to believe, but later on he settles down quite comfortably and finds his true love. All would have been well if his friends hadn't played a trick on him - yes, that's all been staged and is part of his birthday surprise. Nikita is torn between returning to his modern world and his love