5岁的昊昊和8岁的宙宙大部分时间都在深圳的华强北电子市场度过。一年前，姐妹俩的父母移居到这个城市，在市场九楼开了一家商店。在女孩们的眼中，没有灵魂的电子世界仿佛是个充满鬼怪故事的宇宙，为她们的生活平添了几分奇幻。 　　导演雷沁圆在画外音中述说着自己的思绪：她的童年也在一家电子产品商店度过。深圳是她的家乡，但她总想去往别处，将一切抛之脑后。 　　昊昊和宙宙的情况则正好相反。她俩不知疲倦地摆弄着盒子，穿梭于楼梯井间，躲进空空荡荡的陈列柜。尽管这个空间并无生命，对孩子们来说，它就像是家园，她们拥有绝对居住权与继承权的星球。与此同时，外面的世界雨雾飘摇，似乎充满敌意、遥不可及。

《解剖課（第二章）》編織了三位人物的回憶，他們在年輕時的科學課上經歷過青蛙解剖實驗。影片同時將這些故事與經過操縱的檔案影像並置，探索經由任意的「影像解剖」所帶來的失調和暴力本質。 　　Anatomy Class (Chap.2) weaves recollections of three individuals who underwent a frog dissection experiment during their youth in a science class. Simultaneously, it juxtaposes these stories with the manipulated archival images, creating an exploration of the dissonance and nature of violence that arises from such arbitrary ‘dissection of images’.

《解剖課（第二章）》編織了三位人物的回憶，他們在年輕時的科學課上經歷過青蛙解剖實驗。影片同時將這些故事與經過操縱的檔案影像並置，探索經由任意的「影像解剖」所帶來的失調和暴力本質。 　　Anatomy Class (Chap.2) weaves recollections of three individuals who underwent a frog dissection experiment during their youth in a science class. Simultaneously, it juxtaposes these stories with the manipulated archival images, creating an exploration of the dissonance and nature of violence that arises from such arbitrary ‘dissection of images’.

《Ben Sir睇樓團》又再出動！Ben Sir(歐陽偉豪)帶領陸浩明、麥美恩、林穎彤、余思霆、孔德賢、嘉賓走勻港九新界離島，按每集Hashtag主題搜尋合適樓盤。除了見識不足二百呎的龍床盤，也一睹南區售價近四億的獨立屋面貌！ 　　想平？日本大阪有樓不需花錢就可入住，先要符合甚麼條件？泰國曼谷、芭堤雅的樓價又怎樣？主持們還大派外地置業錦囊，分析樓市走勢，讓大家了解注意事項及港人限制，輕鬆買磚頭免中伏！

《Ben Sir睇樓團》又再出動！Ben Sir(歐陽偉豪)帶領陸浩明、麥美恩、林穎彤、余思霆、孔德賢、嘉賓走勻港九新界離島，按每集Hashtag主題搜尋合適樓盤。除了見識不足二百呎的龍床盤，也一睹南區售價近四億的獨立屋面貌！ 　　想平？日本大阪有樓不需花錢就可入住，先要符合甚麼條件？泰國曼谷、芭堤雅的樓價又怎樣？主持們還大派外地置業錦囊，分析樓市走勢，讓大家了解注意事項及港人限制，輕鬆買磚頭免中伏！

指考前夕，元祐找了木宏一起翹課，試圖逃離考試的一切煩躁。 　　在橋墩下，兩人對未來的想像與茫然交織... 　　延續夏日扉頁的清新小品風格，這次更挑戰了短篇幅敘事： 　　一個下午，一個場景，兩個人。 　　成功×建中的兩大男校組合，為新的故事開啟了序章 　　穿著制服的十八歲，躁動而叛逆的理想 　　長大了，我們是否被那些所謂大人的規則淹沒了自己 　　希望這部短片，可以像木宏陪伴元祐一樣 　　陪著大家，在面對人生難題時，能像學生時期隨口的一句 　　「走！翹課。」 　　再一次，選擇那個勇敢無懼的自己。

指考前夕，元祐找了木宏一起翹課，試圖逃離考試的一切煩躁。 　　在橋墩下，兩人對未來的想像與茫然交織... 　　延續夏日扉頁的清新小品風格，這次更挑戰了短篇幅敘事： 　　一個下午，一個場景，兩個人。 　　成功×建中的兩大男校組合，為新的故事開啟了序章 　　穿著制服的十八歲，躁動而叛逆的理想 　　長大了，我們是否被那些所謂大人的規則淹沒了自己 　　希望這部短片，可以像木宏陪伴元祐一樣 　　陪著大家，在面對人生難題時，能像學生時期隨口的一句 　　「走！翹課。」 　　再一次，選擇那個勇敢無懼的自己。

Swiss priest Fr. Hilber devoted his life to Taitung, focusing on improving BOTH the spiritual and material life of indigenous peoples. He founded Kung-Tung Technical Senior High School as well as the chapel on one of the buildings. He brought the best European wooden technicians to be lecturers for the students and successfully breed a great generation of furniture masters. At the same time, the chapel was selected as the 30 important modernist architectures by WMF (WORLD MONUMENTS FUND) in 2017. 　　While the reconstruction plan kicked up this July, we will revisit the building and dig out the meaning of the chapel as well as priest Fr. Hiber in the local society of Taitung and the school he founded.

Narrated by the incarnate ghost of a deceased real hair donor. In the post-war era, the export of real hair wigs contributed to Asia’s economic development, with Hong Kong as a major hub. In its heyday in the 1960s, ‘Asian real hair’ was popular with wealthy U.S. women, but then the USA imposed an embargo on the product, now classified as ‘communist hair’. This is where the intricate and innovatively realised story begins: Starting with complex economical and sociopolitical contexts, it weaves a thread that runs through various historical and dreamlike staged levels. 　　Hong Kong was and is a space of in-between-ness — between East and West, between communism and capitalism. Perhaps that is why there are so many spooks in the city, one protagonist speculates. Just like the well-travelled ghost, an eternally wandering entity and contemporary witness of an imperial and colonialist past. (源自: Courtisane Festival 2024)