在一次在胡根岛的岩壁上探寻神秘的千年地下宫殿的过程中，探险家伊克•梅尔斯的妻子由于岩石崩塌不幸遇难。巨大的悲痛之后他放弃了对胡根岛悬崖上一…

'Charlemagne' recounts the dramatic, violent and bawdy lie of the Middle Ages' most important emperor: His life as a political strategist, a passionate lover, a man that conquered most of Europe and a cultural visionary. The mix of feature film and documentary gives a journey to the roots of European culture.

'Charlemagne' recounts the dramatic, violent and bawdy lie of the Middle Ages' most important emperor: His life as a political strategist, a passionate lover, a man that conquered most of Europe and a cultural visionary. The mix of feature film and documentary gives a journey to the roots of European culture.

法兰克国王临终时，将王国一分为二，交给了大儿子查理和二儿子卡洛曼。查理有勇有谋，很快解决了周边存在的遗留问题，并由此开始了戎马倥偬的一生。罗马教皇受到伦巴第国王和拜占庭皇帝的双重压迫，向查理求援，希望得到他的帮助。于是，查理率兵征服了伦巴第王国，不久，查理又在西班牙天主教人的要求下出兵西班牙。查理认识到知识的重要性，大力提倡文化学习，希望把自己的宫廷建立成政治中心和文化中心。几年后，他率兵征讨撒克逊人，并惩罚了始作俑者——巴伐利亚大公，再度显示了自己的威力。回国后，他又迅速平定政变，确立了由自己统治的法兰克王国的地位。罗马教皇请求查理的保护，查理派人将教皇护送回罗马。公元800年，查理正式封为神圣罗马帝国皇帝。

法兰克国王临终时，将王国一分为二，交给了大儿子查理和二儿子卡洛曼。查理有勇有谋，很快解决了周边存在的遗留问题，并由此开始了戎马倥偬的一生。罗马教皇受到伦巴第国王和拜占庭皇帝的双重压迫，向查理求援，希望得到他的帮助。于是，查理率兵征服了伦巴第王国，不久，查理又在西班牙天主教人的要求下出兵西班牙。查理认识到知识的重要性，大力提倡文化学习，希望把自己的宫廷建立成政治中心和文化中心。几年后，他率兵征讨撒克逊人，并惩罚了始作俑者——巴伐利亚大公，再度显示了自己的威力。回国后，他又迅速平定政变，确立了由自己统治的法兰克王国的地位。罗马教皇请求查理的保护，查理派人将教皇护送回罗马。公元800年，查理正式封为神圣罗马帝国皇帝。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.