新加坡歌后李愛蓮（葉楓）攜妹李小蓮（張慧嫻）到香港發展，希望能夠得到富商許兆豐（喬宏）的介紹，在旗下的春風殿夜總會擔任歌手。晚上許兆豐於春風殿為李愛蓮接風，李愛蓮即席高歌一曲，博得全場讚賞；春風殿經理董獻章（高原）見機不可失，答應與她簽約。替李愛蓮伴奏的樂隊領班陶正聲（雷震），對李愛蓮的艷色與歌藝一見傾心，忍不住回家對姊姊陶海音（李湄）提起李愛蓮加盟之事。陶海音本為「香港歌后」，更與許兆豐相戀多年，今見李愛蓮來勢洶洶，既擔心事業受到威脅，又疑心愛人移情別戀，遂決心與李愛蓮爭奪春風殿的演唱合同。 翌日二人分別到春風殿要求簽約，董獻章左右為難，情急智生下，決定同時聘請兩人以單雙日輪流表演，一個月後看成績再談續約。二人互不相讓，同時簽下合同。 簽約後二人毫不示弱，互出奇謀以求打倒對方。陶正聲深愛李愛蓮，只忙著為她伴奏，又介紹她跟唱片公司簽約，因此冷落陶海音。陶海音既不滿弟弟偏心，又妒恨李愛蓮處處爭先，於是出奇制勝，搶在李愛蓮前面於電視節目表演。李愛蓮以為陶正聲從中作梗，對他冷言相向。 陶正聲不滿陶海音的爭勝好強，一氣之下決定不再與姊姊合作，並且離家出走，姊弟關係面臨決裂……

新加坡歌后李愛蓮（葉楓）攜妹李小蓮（張慧嫻）到香港發展，希望能夠得到富商許兆豐（喬宏）的介紹，在旗下的春風殿夜總會擔任歌手。晚上許兆豐於春風殿為李愛蓮接風，李愛蓮即席高歌一曲，博得全場讚賞；春風殿經理董獻章（高原）見機不可失，答應與她簽約。替李愛蓮伴奏的樂隊領班陶正聲（雷震），對李愛蓮的艷色與歌藝一見傾心，忍不住回家對姊姊陶海音（李湄）提起李愛蓮加盟之事。陶海音本為「香港歌后」，更與許兆豐相戀多年，今見李愛蓮來勢洶洶，既擔心事業受到威脅，又疑心愛人移情別戀，遂決心與李愛蓮爭奪春風殿的演唱合同。 翌日二人分別到春風殿要求簽約，董獻章左右為難，情急智生下，決定同時聘請兩人以單雙日輪流表演，一個月後看成績再談續約。二人互不相讓，同時簽下合同。 簽約後二人毫不示弱，互出奇謀以求打倒對方。陶正聲深愛李愛蓮，只忙著為她伴奏，又介紹她跟唱片公司簽約，因此冷落陶海音。陶海音既不滿弟弟偏心，又妒恨李愛蓮處處爭先，於是出奇制勝，搶在李愛蓮前面於電視節目表演。李愛蓮以為陶正聲從中作梗，對他冷言相向。 陶正聲不滿陶海音的爭勝好強，一氣之下決定不再與姊姊合作，並且離家出走，姊弟關係面臨決裂……

该片根据好莱坞影片《圆谎记》改编。新婚的周洁（陈云裳饰）听到新郎沈剑心（徐立饰）飞机失事后，以大部分家产，从名交际花陆曼丽（白光饰）处，换回丈夫偶然不自觉所留下的儿子，亲自抚养。后剑心无恙归来，曼丽前来纠缠，并要挟带走儿子。男孩紧牵周洁衣襟啼哭，不愿离开，曼丽被感动，去远方另谋他就。剑心与周洁和儿子一家团聚。 　　主题曲《桃李争春》 陈昌寿（陈歌辛）曲 李隽青词

该片根据好莱坞影片《圆谎记》改编。新婚的周洁（陈云裳饰）听到新郎沈剑心（徐立饰）飞机失事后，以大部分家产，从名交际花陆曼丽（白光饰）处，换回丈夫偶然不自觉所留下的儿子，亲自抚养。后剑心无恙归来，曼丽前来纠缠，并要挟带走儿子。男孩紧牵周洁衣襟啼哭，不愿离开，曼丽被感动，去远方另谋他就。剑心与周洁和儿子一家团聚。 　　主题曲《桃李争春》 陈昌寿（陈歌辛）曲 李隽青词

THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not. 　　This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show. 　　But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it. 　　There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect. 　　Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm. 　　Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film. 　　There are English subtitles, but they are no brighter than the script.

THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not. 　　This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show. 　　But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it. 　　There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect. 　　Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm. 　　Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film. 　　There are English subtitles, but they are no brighter than the script.

《重生娇妻甜又野》是一部2024年上映的内地短剧，共80集。该剧讲述了一个草原边缘小村庄的发展故事。 在剧中，村长通过组织村民种植特色农作物、与周边村庄建立合作关系、建设加工厂等措施，成功发展了村庄的经济。

1950年代未期，上海。区领导决定在和平里创办民校，并请初中生秀华（宏霞 饰）和解放后脱盲的顾三娟（沙莉 饰）担任老师。此事一经公布，不少人对上级的决定感到不解，就连里弄文教主任（齐衡 饰）也认为她们办不好学校。自知文化底子差的三娟没有气馁，她聘请师范毕业生赵玲（孙景路 饰）到学校任教，以期加强师资力量。秀华与赵玲因体罚调皮学生姚阿根（陈士南 饰）发生严重争执，双双撂了挑子，三娟用潜移默化的影响感动了她们，学校教学逐步走向正轨。不久，阿根因同学大宝说老师坏话与其打架逃走，三娟连夜冒雨寻找，当在工地找到阿根后问明原由，三娟深有感触......